Showing posts with label FILMS. Show all posts
Showing posts with label FILMS. Show all posts

25 November 2020

Film review: Disrupting Wine (2020) by Johan Rimestad, ***


Synopsys
 

Documentary about the founder of Vivino, Heini Zachariassen.

Vivino has more than 43 million downloads worldwide and has its HQ in San Francisco. (from the film’s website) Of course: for wine just as for anything else innovation blooms in silicon valley.

Review 

Too much about the life of the founder and his family and not enough about the Vivino application, its features, its very useful role in the hands of wine lovers and sommeliers alike. While some facts about Heini would obviously be in order to understand the genesis of the app, this is not supposed to be about him but about IT, VIVINO! Also, one gets the impression that the creator of Vivino treats wines as if they were any other commodity, he could have made an app about different kinds of detergents. I feel that is not the case but Heini's passion for wine does not come through.


 

23 November 2020

Film review: A Year in Burgundy (2013), by David Kennard, ***


Synopsis

The film follows Martine Saunier seven wine-making families in the Burgundy region of France through the course of a full year, and delves into the cultural and creative process of making wine, as well as its deep ties to the land. What lies within the rhythm of a year, from vines to grapes to wine? 

The film is in four season-sections, and plays out against that backdrop: spring showers, drought, heat wave, hail and storms, harvest moons and the damp cold of winter. Each vintage is a time capsule, a bottled piece of history of a very specific year, with its particular weather pattern, its crises and its triumphs. It all goes in, whether you want it to or not, and 2011 was full of drama. (from Ibmd)

Review

A bit of a disappointment. If you don't know anything about Burgundy you will certainly learn something. If you've been there a few times you will still get a few bits here and there but not much. Much of it is cliche. Brugundy deserves better. Still, if you have it for free on Prime and want an easy evening, go ahead an watch it, with a glass of Burgundy wine in hand of course.


09 November 2020

Film review: Somm, into the Bottle (2015), by Jason Wise, ****

Synopsis

Sequel to the previous Somm movie of 2012, this documentary takes the viewer into the private world of famed producers (who open exceptional bottles for the occasion).


Review

A peek into cellars that most of us humans will never get into, and a good dose of self-irony about a profession that means different things to different people. Definitely recommended after the first.

We learn that the word "spirit", used for alcoholic beverages, comes from the fact that wine has been used in religious functions for a long time, it takes the "spirit" out of the body, especially when abused! Not sure it is true, but it sounds fun.

We also learn that Julius Cesar instructed his legionaries to drink at least a liter of wine a day, more before going into battle.

One somm opines that aging wine in wood is like adding salt to food: you may need it to exalt the flavor, but not too much. Some may not like it at all, of course. But if you do choose to oak a wine, beware: your barrel is going to be like a wife for your wine, choose well or your wine will pay the price for your mistake!

A few spoke about scoring wines. Some find it useful, some hate it as an oversimplification that is not reliable: no single somm will score the same wines the same way if given the same bottles blind over again.


01 November 2020

Film review: The Barolo Boys (2014) by Paolo Casalis and Tiziano Gaia, ****

The story of a group of Barolo producers, friends, colleagues and competitors at the same time, who broke with tradition to find their own call.

Barolo was mostly cheap, unknown and unloved until the early 1980s. It was a difficult wine, harsh, unfriendly, tannic, and it required a very long time to age and become more pleasant.

A bunch of producers, led by Gaia and Altare among others, decided to change that: they started reducing yields by green harvesting (removing some bunches before they ripen, so as to leave fewer but better bunches on the vine) and using new and small oak barrels.

The result was amazing, Barolo became well known, expensive and veery much loved. But not everyone was happy





 

18 October 2020

Film review: Somm (2012) by Jason Wise, ****


Review

Four sommeliers attempt to pass the prestigious Master Sommelier exam, a test with one of the lowest pass rates in the world. 

The documentary follows them step by step as they prepare and study together, meticulously, for many months, at the expense of their normal lives, their loved ones and their emotional balance.

The test is ruthless, both theory and practice (a blind tasting) demand superhuman qualities, memory, and not a little luck. In the end, those who pass join a club of only some 200 people who ever passed the test and are catapulted to the top of the wine world.




19 August 2020

FIlm review: Coco Chanel & Igor Stravinsky (2009) by Jan Kounen, ****


Synopsys

In 1913 the first performance of the ballet “Le sacre du printemps” took place in Paris. The composer, Igor Stravinsky, is whistled for his radically new music. But in the audience there is a woman who is intoxicated by the dissonant rhythms and feels that this music is just as groundbreaking as her fashion creations: Coco Chanel. 

Seven years passed before the choreographer Sergej Diagilew introduced Coco to Igor Stravinsky, who had since fled Russia to Paris. Coco Chanel invites the penniless composer to live with his lung-sick wife and children in their luxurious villa in Garches and to revisit his spring sacrifice there while she creates the first synthetic perfume with Chanel No. 5. The novel is apparently based on a true story: Coco Chanel and Igor Stravinsky actually had an affair.


Review

A captivating story of two icons of the XX century, coming from two entirely different worlds (fashion and music) but sharing a revolutionary approach to
their work. Strawinsky owes his professional survival to a woman who almost destroys his family.

Book  
 Film

27 July 2020

Film review: Queen of the Desert (2015) by Werner Herzog, *****

Synopsys

Gertrude Bell, a daughter of wealthy British parents, has no interest in the social life of the London elite. Balls, receptions and the British aristocracy bring her only boredom. She wants to study, learn and above all see the world.

Aspiring to have at least some kind of activity in her life, Gertrude decides to find freedom and move to be with her uncle, who occupies a high diplomatic position in Tehran. From Iran she moves on to Amman and Damascus, some of the main political centers in the crumbling Ottoman Empire.

So begins her lifelong adventure across the Arab world, a journey marked by danger, a passionate affair with a British officer, Henry Cadogan, and an encounter with the legendary T.E. Lawrence.

With an all-star cast, including Nicole Kidman, Robert Pattinson, Damien Lewis and James Franco, Queen of the Desert is the uplifting, inspiring and extraordinary true story of one woman who, against all odds, changed the course of history.


Review

A gripping historical film on the life of an extraordinary woman who carved the life she wanted out of a hard world made for men.

We learn a lot about life in the latter part of the Turkish occupation of what is now Jordan and Iraq, areas where nomads roamed free without borders and ancient religions perpetuated irreconcilable conflicts.

Never seeking power she ended up making political decisions that are still relevant in the Middle East a century later. It would have been interesting if the movie had shown why she helped certain tribes rise to power through British help and not others. In the end, a successful but unhappy woman who spent most of her life alone.



21 May 2020

Film review: Naked Island (1960), by Kaneto Shindo, ****

Synopsis

Filmed on the virtually deserted Setonaikai archipelago in south-east Japan, Naked Island was made in the words of its director "as a 'cinematic poem' to try and capture the life of human beings struggling like ants against the forces of nature". Kaneto Shindo, director of Onibaba (MoC #13) and Kuroneko (MoC #14), made the film with his own production company, Kindaï Eiga Kyokai, who were facing financial ruin at the time. Using one-tenth of the average budget, Shindo took one last impassioned risk to make this film. With his small crew, they relocated to an inn on the island of Mihari where, for two months in early 1964, they would make what they considered to be their last film.

Naked Island tells the story of a small family unit and their subsistence as the only inhabitants of an arid, sun-baked island. Daily chores, captured as a series of cyclical events, result in a hypnotizing, moving, and beautiful film harkening back to the silent era. With hardly any dialogue, Shindo combines the stark 'Scope cinematography of Kiyoshi Kuroda with the memorable score of his constant collaborator Hikaru Hayashi, to make a unique cinematic document.

Shindo, who had worked with both Kenji Mizoguchi and Kon Ichikawa, shot to international fame with the astounding Children of Hiroshima (1952). Eight years later, the BAFTA-nominated Naked Island won the Grand Prix at Moscow International Film Festival (where Luchino Visconti was a jury member). It is now considered to be one of Shindo's major works, and its success saved his film company from bankruptcy. The experience of making Naked Island led Shindo to appreciate 'collective film production', and has been his preferred method of making films ever since. The Masters of Cinema Series is proud to release Naked Island for the first time on home video in the UK.


Review

A strange film in many ways: itis not a silent movie but all you hear is background noises and the desperate cry of a woman when she loses her son. Few other words are uttered in the film. The story of a couple and their two sons on an island off the coast of Japan in the immediate post-war years. They have to row their way to the mainland several times a day to fetch fresh water, take the kids to school, buy necessities.

It is a very repetitive film, with scenes of rowing and carrying buckets of water displayed over and over again, but in a way I think it has to be to depict such a lifestyle. Imagine how repetitive it must have been for real people who had to suffer through this. Having said that, it is perhaps a bit too repetitive!

Beautiful photography in black and white.



13 May 2020

Film review: A Separation (2011) by Asghar Farhadi *****

Synopsis

The stand out film of the 2011 Berlin Film Festival and winner of the Golden Bear, A Separation is a suspenseful and intelligent drama detailing the fractures and tensions at the heart of Iranian society.

Written and directed by Asghar Farhadi, the film boasts a range of superb performances from the ensemble cast who collectively received the Silver Bears for both Best Actor and Best Actress at the Berlinale.

The compelling narrative is driven by a taut and finely written script rooted in the particular of Iranian society but which transcends its setting to create a stunning morality play with universal resonance.


When his wife (Leila Hatami) leaves him, Nader (Peyman Moadi) hires a young woman (Sareh Bayat) to take care of his suffering father (Ali-Asghar Shahbazi). But he doesn't know his new maid is not only pregnant but also working without her unstable husband's (Shahab Hosseini) permission. Soon, Nader finds himself entangled in a web of lies manipulation and public confrontations. A Separation is the first-ever Iranian film to be awarded the Golden Bear.


Review

A universal story of family power struggle and love, all made more stressful by the strictures of Iranian society and Islamic rules. Never predictable, the plot keeps the viewer glued to the screen. Also an interesting peek into middle-class Iran, a category of professionals and white-collar workers that does not share much with poorer, more traditional and religious strata of society. In the end, one gets to reflect on the vault of truth: is it always a sin to lie?


10 April 2020

Film review: Résistence naturelle (2014), By Jonathan Nossiter, **

Synopsys

Ten years after the landmark wine documentary Mondovino, filmmaker Jonathan Nossiter returns to the subject, documenting the drastic shifts that have affected the industry in the time since. Natural Resistance follows four Italian winegrowers.

First is Giovanna Tiezzi lives in a converted 11th-century monastery, and grow grains, fruit, and wine in a way that links to their ancient heritage. She laments that much of Tuscany's vineyards have been bought up by foreigners, but then is proud that her region is a leader in quality vine cultivation.

Corrado Dottori is a refugee from industrial Milan, who inherited his grandfather's farmstead and tends to it as an expression of agricultural social justice. he studied capitalism at the Bocconi, he says, so as to criticize it better.

Elena Pantaleoni works her father's vineyards and strives to create a utopian reality.

Finally, Stefano Belloti, the controversial radical farmer poet, disrupts the long-established rules of farming from his avant-garde property in Piedmont. (Synopsys partly from IBMD.com)


Review

A lot of ideology in this hastily put together film, which is really only a compilation of Nossiter's chats with the above growers over some wine.

The title "resistance" recalls the fighters of World War II against fascism and nazism, and it is not by chance. Nossiter, inserts several clips of Mussolini speaking from a balcony and SS guards rounding up civilians in this movie, and contrasts them with the heroic organic farmers, his partisans of today.

The other word in the title is "natural". The film compares and contrasts it with "artificial". And artificial (made by man with material that exists in nature) is not the same as "synthetic" (made through synthesis, transforming elements that do not exist in nature). Of course, all wine is artificial, it does not exist in nature.

Several of the protagonists complain about the DOC rules being abstract, detached from the criteria for quality that was the original reason for being created. In this they are right, and it has long widely been accepted that many top-quality Italian wines do not have, seek or need DOC certification.

The film nostalgically recalls when, in Italy, but the numbers are similar in other European countries, 60% of the people lived and worked on farms. Now it is about 2-3% depending on how you count it. Of course, every country that modernizes and develops moves from the primary sector of the economy (agriculture) to the secondary (manufacturing) and on to the tertiary (services). This brings higher standards of living, I find it hard to argue one should go back to the happy past.

The speakers are generally critical of the European Union Common Agricultural Policy (CAP). They argue it is a conspiracy to hand agriculture to big multinational corporations. Let alone that in several countries, Italy among them, EU subsidies (managed by regional administrations) are often left unused because small farmers do not bother to claim them.

They also argue that hygiene checks are targeted to create problems for small wine producers while they close an eye on the big ones. I do not know about the accuracy of this sweeping statement but they do not provide any evidence.

I also noticed a bias when a farmer shows Nossiter the difference between rich organic soil and standard vineyard next to it. The organic soil is a dark rich color and fluffy texture while the standard soil is hard and grey. But Belotti digs his organic sample near a plant and the other one on a pathway where constant traffic is expected to compact the soil. A careless test at best.

In sum, this film is more of an emotional call to arms than an analysis of the undoubted biological benefits of organic farming.


You can buy the DVD here

19 March 2020

Film review: Children of Heaven (1997) by Majid Majidi, ****

Synopsys

The accidental loss of a pair of shoes causes problems for a young Iranian boy in this award-winning family drama from director Majid Majidi. After Ali (Mir Farrokh Hashemian) fetches his little sister Zahra (Bahare Seddiqi)'s pink shoes from the cobblers, they are accidentally picked up by a garbageman.

With his family in financial troubles, Ali decides not to tell his parents about the loss. Instead, he agrees to share his shoes with Zahra.

The plan is that she will wear them to school in the morning and return them to Ali at midday, so he can attend afternoon classes. However, the arrangement soon brings further hardships and it's not long before Ali is forced to consider an alternative solution.

In 1998, it was the first Iranian film to be nominated for an Oscar for best foreign-language film by the Academy.


Review

A lot of suspense in this movie with two children as protagonists of a story that takes us into the life of poor Iranians scraping a living at the margins of society. I see it as a celebration of family love as much as a not-so-indirect denunciation of social inequality in Iran. The two young actors are really talented! Very illuminating to look at the world, or at least at Iran, with the eyes of children who can find happy moments in adversity and overcome the odds.


05 March 2020

Film review: The Story of the Weeping Camel (2003) by L. Falorni and B. Davaa, ***

Synopsys

Documentary intercut with tender narrative drama set in the Gobi desert in Mongolia. When a camel gives birth to a rare white camel colt, the difficult and protracted delivery leads to problems: the mother rejects her baby and refuses him her milk or bodily warmth. This turn of events spells disaster for the nomadic family to whom the camels belong, and they send their two sons off to the nearest town (some 30 miles away, on camels across the desert) to find a musician who can perform the ancient 'Hoos' ceremony that will reconcile the mother with her son. The film won the 2003 European Film Award for Best Documentary.


Review

It is a documentary but narrated like a historical novel. The movie takes the viewer into the secret lives of Mongolian camel herders, where camels assume individual personalities and are almost part of the family. It is plain narration, not emotionally charged, but a good illustration of the life of this nation about which we do not know much.






Films about wine

Films are listed in alphabetical order by title. This is a "living list", continuously updated when I manage to see new films.


An Autumn Tale (1998), by Eric Rohmer. ****

Barolo Boys (2014) The story of how Barolo changed and became famous.

Bottle Shock (2008) by Randal Miller, *****. The story of the "Judgement of Paris" of 1976.

Disrupting Wine (2020) by Johan Rimestad, ***. The story of Heini Zachariassen, the founder of Vivino.

L'Esprit du vin (2011) by Olympe and Yvon Minvielle **. Apology of biodynamics.

A Good year (2006), by Ridely Scott. ***

Red Obsession (2013) by David Roach and Warwick Ross, ****. The Cinese wealthy start buying great wines.

Résistence naturelle (2014), by Jonathan Nossiter. ** An accusation against presumed threats to wine and the environment.

A seat at the table (2019) by David Nash and Simon Mark-Brown, **. New Zealand joins the top table of wine making nations. 

Sideways (2004) by Alexander Payne. ***** The best romantic comedy about wine lovers.

Somm (2012) by Jason Wise, ****. The story of a most excruciating battle to reach the summit of the wine trade.

Somm, into the bottle (2015), by Jason Wise, ****. Stories of somms, rare bottles and the meaning of it all.

Somm 3, (2018), by Jason Wise, **

Three Days of Glory (2018) by Scott Wright and David Baker, ***. Three days in Burgundy for an eclusive annual event.

Vintage (2019) by Colin West, *. Vintage time at a NZ vineyard.

A Walk in the Clouds (1995), by Alfonso Arau. ****

A Year in Burgundy (2013) by David Kennard. *** Documentary about a vintage (2011) and the people behind it.

You will be my son (2010), by Gilles Legrand, ****

01 March 2020

Film review: Snow Falling on Cedars (1999) by Scott Hicks ****

Synopsys

Scott Hicks' screen adaptation of David Guterson's best-selling novel. On San Pietro Island, shortly after the end of World War Two, local fisherman Kazuo (Rick Yune) is on trial for the murder of another fisherman. The hearings are attended by Ishmael (Ethan Hawke), a local reporter who was also the childhood sweetheart of Kazuo's wife, Hatsue. As the hearings progress, Ishmael gradually begins to realize the extent of anti-Japanese feelings which still remains, and suspects that it could affect the course of the trial.


Review

A gripping historical novel about a lesser-known (unless you are a Japanese-American) aspect of domestic politics in the USA during and after World War II. A dark page in American democracy but a message of hope at the end. Also, it shows how immigrants in the American melting pot do not always, well, melt in the pot but keep cultural, if not political, affiliations to their country of origin.





You can buy the book here



Compra la versione italiana qui

10 May 2018

Film review: Youth (2017) by Feng Xiaogang, *****

Synopsis

When Xiaoping joins the military, delicate dreams are dashed by the events of a China undergoing revolution. The devastating Sino-Vietnamese war crashes into 1970s China, changing the lives of the Army's young new recruits forever.

In this epic spanning several decades, Youth shows Comrades of the People's Liberation Army fight amongst themselves as much as on the battlefield – and cause as much damage as the war that tore their lives apart.


Review

Incredibly passionate and captivating historical film about life in China during the huge transformations that took place after Mao's death. A love story starts during the excesses of the cultural revolution with the "great helmsman" still in power, and the trauma of the war against Vietnam in 1979. After that, rapid reforms make many Chinese rich, and many officials corrupt, but the human story of the protagonists carries through the ages. One man's good deeds are taken for granted and not appreciated any more.

The film was supposed to be released just before the 2017 party congress but it was held up until after the congress itself for some reason. Maybe because it contains thinly veiled criticism of Mao and also raises many questions about the new system of the country.

A strongly recommended film about how China became what it is today.

See other film on China reviewed in this blog.






23 September 2017

Film review: Farewell my concubine (1993) by Chen Kaige, *****

 Synopsis

The film gives a most interesting overview of China's history in the XX century through the eyes of Peking opera actors. We see the country moving from the fall of the Qing Empire (the last eunuch is still around for a long time after the advent of the Republic), through the Japanese invasion, the civil war and the various phases of the Communist rule.

Two boys are educated to play two classical roles in the Peking Opera, one masculine and the other effeminate. They are so good at it that they play the opera together for their entire career: during the chaos of China after the fall of the Qing Empire, during the Japanese occupation, the brief Nationalist takeover, the Communist take over, the Cultural Revolution.

Gong Li becomes the wife of the masculine actor, and as such created serious, and ultimately unsolvable, dilemmas in the mind of her husband, with tragic consequences.






Review

In this film the character Douzi represents in many ways the real life of the actor Leslie Cheung. Douzi was gay and struggled to be accepted in the society of his time, and so was Cheung in real life. He is however successful professionally and admired for that, and so is Cheung, the first Hong Kong actor who acted in a mainland China film. And the real life of Cheung represents Douzi's role in the film: he can't take the pressure any more and ends up committing suicide. Beautiful costumes!

A courageous masterpiece by Chen Kaige, a pillar of Chinese film in the XX century. He addressed the controversial issues of homosexuality and the Cultural Revolution in a film before anyone else dared to do so in the People's Republic of China. For this "farewell my Concubine" was banned shortly after its release in 1993, only to be cleared by the censors a while later in an abridged form.

This was the very first film from the People's Republic of China to win the Palme d'Or at the Cannes Film Festival.

See my other reviews of films about China here on this blog.

















Buy this film by clicking on one of these links



29 August 2017

Film review: A United Kingdom (2016) by Amma Asante, *****

Synopsis

From director Amma Asante, starring David Oyelowo (Selma) and Rosamund Pike and set against the breath-taking backdrops of the African savannah and period London, A United Kingdom celebrates the inspiring real-life romance of Seretse Khama, King of Bechuanaland (modern Botswana), and Ruth Williams, the London office worker he married in 1948 in the face of fierce opposition from their families and the British and South African governments.


Review

A historical narrative of one sad page of the decline and fall of the British Empire after WW II. There are two levels to the story: a personal tale of love and a non-fiction account of the birth of a new African country.

Churchill is depicted for what he was: an anti-democratic imperialist, who would go back on his promises to try and salvage the decomposing British empire. But the prejudice of blacks against whites is displayed as well at length.

In the face of all these difficulties, it was a remarkable feat for the young leader to pull off a national reconciliation that would make Botswana a unique success story in post-colonial Africa. One of very few examples where the leaders who took over power from the colonial rulers actually improved their nation's lot and did not squander national resources for personal gain.

Highly recommended movie to understand a very special part of Africa.










10 April 2017

Film review: You and Me (2013) by Zhang Yimou, ****

Synopsis

Golden-globe winning Chinese film director Zhang Yimou has staged his first Peking opera at the NCPA, spectacularly fusing the traditional and modern together for his production of You and Me. This production is an overwhelming feast for the senses. Lavish and colorful costumes, unique music composed and conducted by Zhu Shaoyu, and a world class ensemble that features the greatest stars of the Peking opera, including Meng Guanglu, Shi Yihong, and Li Mingyan, turn You and Me into an unforgettable experience. You and Me is based on the age-old tale from the Zuo legend, Lord Zheng defeats Duan in Yan, which is a story about deceit and the power of filial love. Zhang Yimou recounts the story using the stylistic elements of the Peking opera, which in turn he makes accessible for an entirely new audience. This release also includes Tradition versus Modernity, a documentary about Peking opera and the making of You and Me.

It can be a bit difficult to follow for a Western audience, even with the help of subtitles. We are not used to Chinese music's tonalities and rhythm, but I would encourage the listener to try and be patient and they.

"You and Me" is based on the age-old tale from the Zuo legend “Lord Zheng defeats Duan in Yan” – a story about deceit and the power of filial love. Zhang Yimou recounts the story using the stylistic elements of the Peking Opera, which in turn he makes accessible for an entirely new audience.

The production of "You and Me" attaches great importance to tradition. It follows the aesthetic principle of paying tribute to the Peking opera tradition while adding a new approach to its traditional props of “one desk and two chairs”. Says Zhang Yimou: “My concern was to produce a unique Peking opera, not a unique genre, but a unique way of putting it across.” (from IMZ)


Buy your DVD here


13 January 2017

Film review: The Story of Qiuju (1992) by Zhang Yimou, ****


Synopsis

Qiu ju, a peasant woman in Shaanxi province (central China) seeks redress for her husband, who has been badly kicked by the village chief following a trivial dispute. Local authorities rule in her favor, the chief is ready to pay compensation but does not apologize.

Qiu ju appeal to ever higher higher levels of government but the result is always the same. There is a stalemate in the proceedings until an unexpected turn of events puts Quiju and the chief face to face again. She will come to regret being so stubborn.
going to see a doctor

One of the first films by director Zhang with his long time collaborator and, at the time, partner Gong Li.


Review

Interesting peek into provincial China in the 1980s, and the contrast between hard, backward rural life and rapidly modernizing cities. The director uses "verité" camera to show us real street life, which makes the film part documentary.

This film also shows a very sympathetic bureaucracy, ready to listen to the grievances of a country girl, which may not always be the case in real China. Maybe the director was trying to be ironic about this or perhaps the movie is meant as an encouragement for real civil servants and law and order officials to do their job.

It is also a story of human relationships: one moral of the story is that even when something wrong is done to you, you need to keep calm and find a way out that is reasonable. For us non-Chinese the film illustrates very well the value of not "losing face" in China. All is well that ends well? Not really, but I won't give the ending away...

See my reviews of other films about China here in this blog.


selling chilis to pay for a lawsuit













In the UK buy it here



In the US buy it here




29 December 2016

Film review: Alamar (2009) by Pedro Gonzalez Rubio, ***

Synopsis

Jorge and Roberta have been separated for several years. They simply come from opposite worlds: he likes an uncomplicated life in the jungle, while she prefers a more urban existence. He is Mexican and she is Italian, and she has decided to return to Rome with their five-year-old son, Natan. Before they leave, Jorge wishes to take young Natan on a trip, hoping to teach him about his Mayan origins in Mexico. At first the boy is physically and emotionally uncomfortable with the whole affair, and gets seasick on the boat taking them to their destination. But as father and son spend more time together, Natan begins a learning experience that will remain with him forever.


Review

The real life of a family of mixed ethnic background. Or, rather, of what could have been a family but wasn't. Not sure what the point is about this film. You can get a glimpse of a lesser known part of Mexico, yes, and pristine waters along the Banco Chinchorro, one of the largest and most stunning coral reefs in the world. But then what? The little kid is going to grow up and probably wonder what were his parents thinking when they made him. What was his mother, especially, thinking to get pregnant with a man she knew she could never live with. Or perhaps she could have but she did not want to. She preferred her cosy life in Rome to giving her son a family. The father too, he might have moved to Rome, but didn't. Maybe the movie is an indictment of irresponsible love adventures by careless travelers, and if so maybe it does have a purpose after all. Beautiful photography.


You can buy this film here.