Showing posts with label FILMS. Show all posts
Showing posts with label FILMS. Show all posts

14 September 2021

Film review: Horses of God (2012) by Nabil Ayouch, *****


Synopsis

In Horses of God, Nabil Ayouch tells the story of two young soccer-loving friends, Yachine and Nabil, growing up under the fierce protection of Yachine's older brother, Hamid.

But in the sprawling slums of Sidi Moumen, not even Hamid can defend them against the harshness and injustice of the life that surrounds them. Fed up with that life, Hamid throws a rock at a police car and earns himself two years in prison. When he returns, an eerie calm masks his newfound zealotry, and his fundamentalist friends seem to exercise a powerful influence.

Inspired by the real-life 2003 terrorist attacks in Casablanca, Ayouch's film is a thoughtful and affecting inquiry into how ordinary people come to do desperate, unfathomable things. A major achievement by one of North Africa's most important filmmakers, the film was hugely successful both at Cannes and in its native Morocco and has won acclaim from public and critics alike.


Review

An instructive movie to try and begin to understand, at least in part, how extremism can take root when other values and points of reference are missing. In this case this is the story of Moroccan kids who become terrorists but it could have happened in many other countries, including Europe. One also gets an insight into other real problems in a Moroccan muslim shantytown, with poverty, male chauvinism and petty crime.


22 August 2021

Film review: A Time to Kill (1996) by Joel Schumacher, ****


Synopsys


John Grisham's explosive novel is brought to the screen by Joel Schumacher. Carl Lee (Samuel L. Jackson) seeks violent revenge after his 10-year-old daughter is brutally assaulted. Lawyer Jake Brigance (Matthew McConaughey) has to save him from Death Row, against mounting pressure from both the Ku Klux Klan and the Civil Rights Movement. Sandra Bullock stars as Brigance's student lawyer aide, while Kevin Spacey appears as the ruthless prosecutor, Rufus Buckley.


Review

A good movie to understand the deep roots of racism in the southern US. The obvious theme is racial prejudice at a jury trial where white jurors are expected to convict a black accused murderer, Carl Lee. 

The real surprise comes when Carl Lee chooses a white lawyer (Brigance) to defend him. And he chooses him not because Brigance is not racist, but because, despite all he says, Carl lee thinks in the end he really is: he defends blacks but does not make friends with them, their daughters don't play together. So, as a white man who does not mix with black, Brigance is more credible to a white jury!

07 August 2021

Film review: Emperor (2012) by Peter Webber, *****

Synopsys

Brigadier-General Bonner Fellers (Matthew Fox) is sent to Japan as a part of the occupation force. He is tasked with arresting Japanese war criminals, including former Prime Minister Hideki Tojo.

Before he departs, he privately orders his Japanese interpreter, Takahashi, to locate his Japanese girlfriend, Aya Shimada. 

After arresting Tojo, the Supreme Commander for the Allied Powers, General of the Army Douglas MacArthur asks Fellers, whom he recognizes as a Japan expert, for advice about whether Emperor Hirohito can't be tried as a war criminal. Doing so could lead to a revolt, but the American people want the Emperor to stand trial for Japan's actions. MacArthur gives Fellers ten days to investigate the Emperor. When Takahashi informs Fellers that Aya's Tokyo apartment was bombed, he orders him to investigate her hometown, Shizuoka. 

MacArthur and Hirohito


Review

A well constructed historical drama, very close to actual events, interwoven with a love story that probably is not so realistic but serves the purpose of this film. The film does not answer the million-dollar question, was the Emperor responsible for the war? But it does help to understand he deserves some credit for Japan's decision to surrender and therefore end the war.

31 July 2021

Film review: Hairspray (2007) by Alan Shankman, *****


Synopsys

Musical comedy starring John Travolta and Michelle Pfeiffer. Tracy Turnblad (Nikki Blonsky) is an overweight teenager with all the right moves who is obsessed with the Corny Collins Show. 

Every day after school, she and her best friend Penny (Amanda Bynes) run home to watch the show and drool over the hot Link Larkin (Zac Efron), much to Tracy's mother Edna's (Travolta) dismay.

 After one of the stars of the show leaves, Corny Collins holds auditions to see who will be the next person on the Corny Collins show. With the help of her friend Seaweed (Elijah Kelly), Tracy makes it on the show, angering the evil dance queen Amber Von Tussle (Brittany Snow) and her mother Velma (Pfeiffer). Tracy then decides that it's not fair that the black kids can only dance on the Corny Collins Show once a month, and with the help of Seaweed, Link, Penny, Motormouth Maybelle (Queen Latifah), her father (Christopher Walken) and Edna, she decides to take action.


Review

A fun and instructive move about racism in America just as the Civil Rights movement was taking off and how it permeated daily life and culture, including music. In the end it is a feel-good movie about positive change. Funny to see John Travolta playing a woman!

28 July 2021

Film review: A Thousand Pieces of Gold, (1991) by Nancy kelly ****

Synopsys


Lalu (Rosalind Chao) is a young Chinese woman who is sold by her impoverished family and transported against her will to the American West in 1880. Upon her arrival in California, she meets Jim (Dennis Dun), a Chinese "wife trader" who sells her to Hong King (Michael Paul Chan), a successful Chinese merchant who lives in an Idaho mining town. The two set off on the long journey to Idaho and eventually strike up a friendship along the way.

When they finally arrive in the rough, isolated town, she is distraught to discover that she is not going to be Hong King's wife. Instead, she is to work in his saloon as his newest prostitute under a new name, "China Polly". She is further dismayed when Jim abruptly disappears, leaving her to fend for herself.

The following night, when Hong King tries to sell her virtue to the highest bidder, Lalu violently refuses to submit to her would-be suitors and successfully avoids becoming a prostitute, thanks in part to the intervention of a kind stranger, Charlie Bemis (Chris Cooper), who turns out to be Hong King's Caucasian partner. She placates a furious Hong King and convinces him to allow her to be his servant and saloon maid in order to repay the cost of her purchase. Hong King agrees to let her buy her freedom for the impossible sum of a thousand pieces of gold.

Polly, as Lalu comes to be known, endures great hardship. At one point, she is sexually assaulted by Hong King. However, she refuses to give up. She works hard and makes friends with the local townspeople. She also grows closer to Charlie, who begins to fall deeply in love with her. Meanwhile, Hong King is beset with financial problems and decides to sell Polly to the highest bidder. In a rare stroke of luck, Charlie wins her in a game of poker. She moves in with him but insists they remain platonic and keep separate quarters.

Jim comes back and wants her to be with him but he then leaves her again when he finds out that she is living with Charlie. The "white demons" begin to run out the Chinese people from their town so it will be a purely white town and the Chinese will stop getting all of the gold.

Polly works in many jobs and saves money to go back to China and her family, but ultimately ends up falling in love with Charlie. She marries him and lives the rest of her life with him in a different area so she will not be harassed by the white demons anymore. (Wikipedia)


Review

A brilliant film set up as a love story but in fact a telling history of racism in America. Right after the end of the Civil War, when blacks became free, it was the Chinese who were discriminated against in California, where many had come in search of fortune.

The film in itself is not the best structured one you will ever see, but it is a most interesting historical novel about a part of American history many forgot.

Read my other reviews of books about China here in this blog.

01 July 2021

Film review: The Butler (2013) by Lee Daniels, *****

Synopsys

Historical drama directed by Lee Daniels and starring Forest Whitaker. The film tells the story of Cecil Gaines (his real name was Eugene Allen)'s 34-year career working as head butler at the White House. 

Beginning his tenure under President Eisenhower (Robin Williams), Cecil would see another seven presidents come and go throughout his career and was present at the highest level of the state during some of the most tumultuous periods in the 20th century including the American Civil Rights Movement and the Vietnam War. The ensemble cast includes John Cusack, James Marsden, Liev Schreiber, Alan Rickman and Oprah Winfrey.

Review

An incredible story, though not completely a real one, about racism in America during the XX century. One African American boy, born a near slave in Virginia, rises to win the respect of successive presidents. He even lives long enough to see a black person become president for the first time. Much progress has been made, but it is not yet enough.

18 May 2021

Film review: Wadjda (2012) by Reem Abdullah, *****


Synopsys

A rebellious Saudi Arabian girl hatches a plan to get her hands on the bicycle she craves in this coming-of-age story from first time director Haifaa Al-Mansour. 

Living within a conservative suburb of Riyadh, fun-loving eleven-year-old Wadjda (Waad Mohammed) has her heart set on a green bicycle so that she can beat the boys in their neighbourhood races. 

But when her mother (Reem Abdullah) forbids it, anticipating a reaction from a society that disapproves of women riding bicycles, an enterprising Wadjda decides to raise the money herself by entering a local Qur'an-reading competition that offers a cash prize.



Review

A most interesting if limited peek into Saudi society and especially the position of women. It is pretty incredible the Saudi female director managed to complete filming on location, not everyone was happy with it... Not surprising as movie theaters were not allowed in Saudi Arabia, either, between 1983 and 2018. 

I knew women were not allowed to drive (they now are) but was shocked to learn they were not supposed to ride bicycles. Or touch the Koran when they have their period! 

In the end this movie is about how a little girl wants to have a happy life, she knows nothing about politics and only understand religion inasmuch as they have her memorize verses. A hopeful note of optimism for Saudi Arabia. 


25 November 2020

Film review: Disrupting Wine (2020) by Johan Rimestad, ***


Synopsys
 

Documentary about the founder of Vivino, Heini Zachariassen.

Vivino has more than 43 million downloads worldwide and has its HQ in San Francisco. (from the film’s website) Of course: for wine just as for anything else innovation blooms in silicon valley.

Review 

Too much about the life of the founder and his family and not enough about the Vivino application, its features, its very useful role in the hands of wine lovers and sommeliers alike. While some facts about Heini would obviously be in order to understand the genesis of the app, this is not supposed to be about him but about IT, VIVINO! Also, one gets the impression that the creator of Vivino treats wines as if they were any other commodity, he could have made an app about different kinds of detergents. I feel that is not the case but Heini's passion for wine does not come through.


 

23 November 2020

Film review: A Year in Burgundy (2013), by David Kennard, ***


Synopsis

The film follows Martine Saunier seven wine-making families in the Burgundy region of France through the course of a full year, and delves into the cultural and creative process of making wine, as well as its deep ties to the land. What lies within the rhythm of a year, from vines to grapes to wine? 

The film is in four season-sections, and plays out against that backdrop: spring showers, drought, heat wave, hail and storms, harvest moons and the damp cold of winter. Each vintage is a time capsule, a bottled piece of history of a very specific year, with its particular weather pattern, its crises and its triumphs. It all goes in, whether you want it to or not, and 2011 was full of drama. (from Ibmd)

Review

A bit of a disappointment. If you don't know anything about Burgundy you will certainly learn something. If you've been there a few times you will still get a few bits here and there but not much. Much of it is cliche. Brugundy deserves better. Still, if you have it for free on Prime and want an easy evening, go ahead an watch it, with a glass of Burgundy wine in hand of course.


19 November 2020

Film Review: A seat at the table (2019) by David Nash and Simon Mark-Brown , **


Synopsis

A New Zealand winemaking team enters the period known as Vintage when wine is made 24/7 for months on end. Sleepless nights, endless labor, time away from home means they must ensure nature, science and magic come together to overcome each challenge Vintage presents. (from imdb)


Review

A missed opportunity. The makers of this documentary had access to the whole process of harvesting at a large New Zealand vineyard but we learn very little in over one hour of watching this repetitive production. We hear a hundred times how hard the work is during harvest, and how awesome everyone in the multinational team of pickers is, but little else. 

Some information that one learns in this film: foreigners now own one third of NZ wine production, the French were the first to invest, in the 1980s. 

Biodynamics taking off.

Not so many rules like in Europe about controlled origins, allowed varieties, irrigation, chaptalization, so  NZ can experiment more.

One curiosity: lots of pigs apparently threaten the harvest at night, and even deer. As for birds, they try and do their share of eating but mostly cause botrytis, which is some parts of the world is welcome as it allows to make sweet wines, but not here.


Read my reviews of films about wine here.

09 November 2020

Film review: Somm, into the Bottle (2015), by Jason Wise, ****

Synopsis

Sequel to the previous Somm movie of 2012, this documentary takes the viewer into the private world of famed producers (who open exceptional bottles for the occasion).


Review

A peek into cellars that most of us humans will never get into, and a good dose of self-irony about a profession that means different things to different people. Definitely recommended after the first.

We learn that the word "spirit", used for alcoholic beverages, comes from the fact that wine has been used in religious functions for a long time, it takes the "spirit" out of the body, especially when abused! Not sure it is true, but it sounds fun.

We also learn that Julius Cesar instructed his legionaries to drink at least a liter of wine a day, more before going into battle.

One somm opines that aging wine in wood is like adding salt to food: you may need it to exalt the flavor, but not too much. Some may not like it at all, of course. But if you do choose to oak a wine, beware: your barrel is going to be like a wife for your wine, choose well or your wine will pay the price for your mistake!

A few spoke about scoring wines. Some find it useful, some hate it as an oversimplification that is not reliable: no single somm will score the same wines the same way if given the same bottles blind over again.


01 November 2020

Film review: The Barolo Boys (2014) by Paolo Casalis and Tiziano Gaia, ****

The story of a group of Barolo producers, friends, colleagues and competitors at the same time, who broke with tradition to find their own call.

Barolo was mostly cheap, unknown and unloved until the early 1980s. It was a difficult wine, harsh, unfriendly, tannic, and it required a very long time to age and become more pleasant.

A bunch of producers, led by Gaia and Altare among others, decided to change that: they started reducing yields by green harvesting (removing some bunches before they ripen, so as to leave fewer but better bunches on the vine) and using new and small oak barrels.

The result was amazing, Barolo became well known, expensive and veery much loved. But not everyone was happy





 

18 October 2020

Film review: Somm (2012) by Jason Wise, ****


Review

Four sommeliers attempt to pass the prestigious Master Sommelier exam, a test with one of the lowest pass rates in the world. 

The documentary follows them step by step as they prepare and study together, meticulously, for many months, at the expense of their normal lives, their loved ones and their emotional balance.

The test is ruthless, both theory and practice (a blind tasting) demand superhuman qualities, memory, and not a little luck. In the end, those who pass join a club of only some 200 people who ever passed the test and are catapulted to the top of the wine world.




19 August 2020

FIlm review: Coco Chanel & Igor Stravinsky (2009) by Jan Kounen, ****


Synopsys

In 1913 the first performance of the ballet “Le sacre du printemps” took place in Paris. The composer, Igor Stravinsky, is whistled for his radically new music. But in the audience there is a woman who is intoxicated by the dissonant rhythms and feels that this music is just as groundbreaking as her fashion creations: Coco Chanel. 

Seven years passed before the choreographer Sergej Diagilew introduced Coco to Igor Stravinsky, who had since fled Russia to Paris. Coco Chanel invites the penniless composer to live with his lung-sick wife and children in their luxurious villa in Garches and to revisit his spring sacrifice there while she creates the first synthetic perfume with Chanel No. 5. The novel is apparently based on a true story: Coco Chanel and Igor Stravinsky actually had an affair.


Review

A captivating story of two icons of the XX century, coming from two entirely different worlds (fashion and music) but sharing a revolutionary approach to
their work. Strawinsky owes his professional survival to a woman who almost destroys his family.

Book  
 Film

27 July 2020

Film review: Queen of the Desert (2015) by Werner Herzog, *****

Synopsys

Gertrude Bell, a daughter of wealthy British parents, has no interest in the social life of the London elite. Balls, receptions and the British aristocracy bring her only boredom. She wants to study, learn and above all see the world.

Aspiring to have at least some kind of activity in her life, Gertrude decides to find freedom and move to be with her uncle, who occupies a high diplomatic position in Tehran. From Iran she moves on to Amman and Damascus, some of the main political centers in the crumbling Ottoman Empire.

So begins her lifelong adventure across the Arab world, a journey marked by danger, a passionate affair with a British officer, Henry Cadogan, and an encounter with the legendary T.E. Lawrence.

With an all-star cast, including Nicole Kidman, Robert Pattinson, Damien Lewis and James Franco, Queen of the Desert is the uplifting, inspiring and extraordinary true story of one woman who, against all odds, changed the course of history.


Review

A gripping historical film on the life of an extraordinary woman who carved the life she wanted out of a hard world made for men.

We learn a lot about life in the latter part of the Turkish occupation of what is now Jordan and Iraq, areas where nomads roamed free without borders and ancient religions perpetuated irreconcilable conflicts.

Never seeking power she ended up making political decisions that are still relevant in the Middle East a century later. It would have been interesting if the movie had shown why she helped certain tribes rise to power through British help and not others. In the end, a successful but unhappy woman who spent most of her life alone.



21 May 2020

Film review: Naked Island (1960), by Kaneto Shindo, ****

Synopsis

Filmed on the virtually deserted Setonaikai archipelago in south-east Japan, Naked Island was made in the words of its director "as a 'cinematic poem' to try and capture the life of human beings struggling like ants against the forces of nature". Kaneto Shindo, director of Onibaba (MoC #13) and Kuroneko (MoC #14), made the film with his own production company, Kindaï Eiga Kyokai, who were facing financial ruin at the time. Using one-tenth of the average budget, Shindo took one last impassioned risk to make this film. With his small crew, they relocated to an inn on the island of Mihari where, for two months in early 1964, they would make what they considered to be their last film.

Naked Island tells the story of a small family unit and their subsistence as the only inhabitants of an arid, sun-baked island. Daily chores, captured as a series of cyclical events, result in a hypnotizing, moving, and beautiful film harkening back to the silent era. With hardly any dialogue, Shindo combines the stark 'Scope cinematography of Kiyoshi Kuroda with the memorable score of his constant collaborator Hikaru Hayashi, to make a unique cinematic document.

Shindo, who had worked with both Kenji Mizoguchi and Kon Ichikawa, shot to international fame with the astounding Children of Hiroshima (1952). Eight years later, the BAFTA-nominated Naked Island won the Grand Prix at Moscow International Film Festival (where Luchino Visconti was a jury member). It is now considered to be one of Shindo's major works, and its success saved his film company from bankruptcy. The experience of making Naked Island led Shindo to appreciate 'collective film production', and has been his preferred method of making films ever since. The Masters of Cinema Series is proud to release Naked Island for the first time on home video in the UK.


Review

A strange film in many ways: itis not a silent movie but all you hear is background noises and the desperate cry of a woman when she loses her son. Few other words are uttered in the film. The story of a couple and their two sons on an island off the coast of Japan in the immediate post-war years. They have to row their way to the mainland several times a day to fetch fresh water, take the kids to school, buy necessities.

It is a very repetitive film, with scenes of rowing and carrying buckets of water displayed over and over again, but in a way I think it has to be to depict such a lifestyle. Imagine how repetitive it must have been for real people who had to suffer through this. Having said that, it is perhaps a bit too repetitive!

Beautiful photography in black and white.



13 May 2020

Film review: A Separation (2011) by Asghar Farhadi *****

Synopsis

The stand out film of the 2011 Berlin Film Festival and winner of the Golden Bear, A Separation is a suspenseful and intelligent drama detailing the fractures and tensions at the heart of Iranian society.

Written and directed by Asghar Farhadi, the film boasts a range of superb performances from the ensemble cast who collectively received the Silver Bears for both Best Actor and Best Actress at the Berlinale.

The compelling narrative is driven by a taut and finely written script rooted in the particular of Iranian society but which transcends its setting to create a stunning morality play with universal resonance.


When his wife (Leila Hatami) leaves him, Nader (Peyman Moadi) hires a young woman (Sareh Bayat) to take care of his suffering father (Ali-Asghar Shahbazi). But he doesn't know his new maid is not only pregnant but also working without her unstable husband's (Shahab Hosseini) permission. Soon, Nader finds himself entangled in a web of lies manipulation and public confrontations. A Separation is the first-ever Iranian film to be awarded the Golden Bear.


Review

A universal story of family power struggle and love, all made more stressful by the strictures of Iranian society and Islamic rules. Never predictable, the plot keeps the viewer glued to the screen. Also an interesting peek into middle-class Iran, a category of professionals and white-collar workers that does not share much with poorer, more traditional and religious strata of society. In the end, one gets to reflect on the vault of truth: is it always a sin to lie?


10 April 2020

Film review: Résistence naturelle (2014), By Jonathan Nossiter, **

Synopsys

Ten years after the landmark wine documentary Mondovino, filmmaker Jonathan Nossiter returns to the subject, documenting the drastic shifts that have affected the industry in the time since. Natural Resistance follows four Italian winegrowers.

First is Giovanna Tiezzi lives in a converted 11th-century monastery, and grow grains, fruit, and wine in a way that links to their ancient heritage. She laments that much of Tuscany's vineyards have been bought up by foreigners, but then is proud that her region is a leader in quality vine cultivation.

Corrado Dottori is a refugee from industrial Milan, who inherited his grandfather's farmstead and tends to it as an expression of agricultural social justice. he studied capitalism at the Bocconi, he says, so as to criticize it better.

Elena Pantaleoni works her father's vineyards and strives to create a utopian reality.

Finally, Stefano Belloti, the controversial radical farmer poet, disrupts the long-established rules of farming from his avant-garde property in Piedmont. (Synopsys partly from IBMD.com)


Review

A lot of ideology in this hastily put together film, which is really only a compilation of Nossiter's chats with the above growers over some wine.

The title "resistance" recalls the fighters of World War II against fascism and nazism, and it is not by chance. Nossiter, inserts several clips of Mussolini speaking from a balcony and SS guards rounding up civilians in this movie, and contrasts them with the heroic organic farmers, his partisans of today.

The other word in the title is "natural". The film compares and contrasts it with "artificial". And artificial (made by man with material that exists in nature) is not the same as "synthetic" (made through synthesis, transforming elements that do not exist in nature). Of course, all wine is artificial, it does not exist in nature.

Several of the protagonists complain about the DOC rules being abstract, detached from the criteria for quality that was the original reason for being created. In this they are right, and it has long widely been accepted that many top-quality Italian wines do not have, seek or need DOC certification.

The film nostalgically recalls when, in Italy, but the numbers are similar in other European countries, 60% of the people lived and worked on farms. Now it is about 2-3% depending on how you count it. Of course, every country that modernizes and develops moves from the primary sector of the economy (agriculture) to the secondary (manufacturing) and on to the tertiary (services). This brings higher standards of living, I find it hard to argue one should go back to the happy past.

The speakers are generally critical of the European Union Common Agricultural Policy (CAP). They argue it is a conspiracy to hand agriculture to big multinational corporations. Let alone that in several countries, Italy among them, EU subsidies (managed by regional administrations) are often left unused because small farmers do not bother to claim them.

They also argue that hygiene checks are targeted to create problems for small wine producers while they close an eye on the big ones. I do not know about the accuracy of this sweeping statement but they do not provide any evidence.

I also noticed a bias when a farmer shows Nossiter the difference between rich organic soil and standard vineyard next to it. The organic soil is a dark rich color and fluffy texture while the standard soil is hard and grey. But Belotti digs his organic sample near a plant and the other one on a pathway where constant traffic is expected to compact the soil. A careless test at best.

In sum, this film is more of an emotional call to arms than an analysis of the undoubted biological benefits of organic farming.


You can buy the DVD here

19 March 2020

Film review: Children of Heaven (1997) by Majid Majidi, ****

Synopsys

The accidental loss of a pair of shoes causes problems for a young Iranian boy in this award-winning family drama from director Majid Majidi. After Ali (Mir Farrokh Hashemian) fetches his little sister Zahra (Bahare Seddiqi)'s pink shoes from the cobblers, they are accidentally picked up by a garbageman.

With his family in financial troubles, Ali decides not to tell his parents about the loss. Instead, he agrees to share his shoes with Zahra.

The plan is that she will wear them to school in the morning and return them to Ali at midday, so he can attend afternoon classes. However, the arrangement soon brings further hardships and it's not long before Ali is forced to consider an alternative solution.

In 1998, it was the first Iranian film to be nominated for an Oscar for best foreign-language film by the Academy.


Review

A lot of suspense in this movie with two children as protagonists of a story that takes us into the life of poor Iranians scraping a living at the margins of society. I see it as a celebration of family love as much as a not-so-indirect denunciation of social inequality in Iran. The two young actors are really talented! Very illuminating to look at the world, or at least at Iran, with the eyes of children who can find happy moments in adversity and overcome the odds.


05 March 2020

Film review: The Story of the Weeping Camel (2003) by L. Falorni and B. Davaa, ***

Synopsys

Documentary intercut with tender narrative drama set in the Gobi desert in Mongolia. When a camel gives birth to a rare white camel colt, the difficult and protracted delivery leads to problems: the mother rejects her baby and refuses him her milk or bodily warmth. This turn of events spells disaster for the nomadic family to whom the camels belong, and they send their two sons off to the nearest town (some 30 miles away, on camels across the desert) to find a musician who can perform the ancient 'Hoos' ceremony that will reconcile the mother with her son. The film won the 2003 European Film Award for Best Documentary.


Review

It is a documentary but narrated like a historical novel. The movie takes the viewer into the secret lives of Mongolian camel herders, where camels assume individual personalities and are almost part of the family. It is plain narration, not emotionally charged, but a good illustration of the life of this nation about which we do not know much.