Films about wine

Films are listed in alphabetical order by title. This is a "living list", continuously updated when I manage to see new films.

An Autumn Tale (1998), by Eric Rohmer. ****

Barolo Boys (2014) The story of how Barolo changed and became famous.

Blind Ambition (2021) by Warwick Ross, Robert Coe. Four desperate Zimbabwean refugees become world class sommeliers.

Bottle Shock (2008) by Randal Miller. ***** The story of the "Judgement of Paris" of 1976.

Disrupting Wine (2020) by Johan Rimestad. *** The story of Heini Zachariassen, the founder of Vivino.

L'Esprit du vin (2011) by Olympe and Yvon Minvielle. ** Apology of biodynamics.

A Good year (2006), by Ridely Scott. *** Romantic and captivating.

Mondovino (2004), by Jonathan Nossiter. ** Some interesting information but mostly rambling about the evil of globalization and the Americans behind it all.

Red Obsession (2013) by David Roach and Warwick Ross. **** The Chinese wealthy start buying great wines.

Résistence naturelle (2014), by Jonathan Nossiter. ** An accusation against presumed threats to wine and the environment.

A seat at the table (2019) by David Nash and Simon Mark-Brown.** New Zealand joins the top table of winemaking nations. 

Sideways (2004) by Alexander Payne. ***** The best romantic comedy about wine lovers.

Somm (2012) by Jason Wise. **** The story of a most excruciating battle to reach the summit of the wine trade.

Somm, into the bottle (2015), by Jason Wise. **** Stories of somms, rare bottles and the meaning of it all.

Somm 3, (2018), by Jason Wise. ** The worst of the trilogy. Three famous wine critics share their memories over rare bottles.

Three Days of Glory (2018) by Scott Wright and David Baker. *** Three days in Burgundy for an eclusive annual event.

Vintage (2019) by Colin West. * Vintage time at a NZ vineyard.

A Walk in the Clouds (1995), by Alfonso Arau. **** A good love story in the vineyard.

A Year in Burgundy (2013) by David Kennard. *** Documentary about a vintage (2011) and the people behind it.

You will be my son (2010), by Gilles Legrand. **** Father and son, and a third man, struggle over succession at the helm of a vineyard.

Film review: Snow Falling on Cedars (1999) by Scott Hicks ****

Synopsys

Scott Hicks' screen adaptation of David Guterson's best-selling novel. On San Pietro Island, shortly after the end of World War Two, local fisherman Kazuo (Rick Yune) is on trial for the murder of another fisherman. The hearings are attended by Ishmael (Ethan Hawke), a local reporter who was also the childhood sweetheart of Kazuo's wife, Hatsue. As the hearings progress, Ishmael gradually begins to realize the extent of anti-Japanese feelings which still remains, and suspects that it could affect the course of the trial.


Review

A gripping historical novel about a lesser-known (unless you are a Japanese-American) aspect of domestic politics in the USA during and after World War II. A dark page in American democracy but a message of hope at the end. Also, it shows how immigrants in the American melting pot do not always, well, melt in the pot but keep cultural, if not political, affiliations to their country of origin.





You can buy the book here



Compra la versione italiana qui

Film review: The Farewell (2019) by Lulu Wang, *****

Synopsis

In this funny, uplifting tale based on an actual lie, Chinese-born, U.S.-raised Billi (Awkwafina) reluctantly returns to Changchun to find that, although the whole family knows their beloved matriarch, Nai-Nai, has been given mere weeks to live, everyone has decided not to tell Nai Nai herself.

To assure her happiness, they gather under the joyful guise of an expedited wedding, uniting family members scattered among new homes abroad. As Billi navigates a minefield of family expectations and proprieties, she finds there’s a lot to celebrate: a chance to rediscover the country she left as a child, her grandmother’s wondrous spirit, and the ties that keep on binding even when so much goes unspoken. 

With The Farewell, writer/director Lulu Wang has created a heartfelt celebration of both the way we perform family and the way we live it, masterfully interweaving a gently humorous depiction of the good lie in action with a richly moving story of how the family can unite and strengthen us, often in spite of ourselves.

Review

A deep insight into traditional Chinese values and emotions. Definitely uplifting especially considering that it is liberally based on a true story. When do you tell the truth to someone who is about to die? In China, as in Italy, often the answer is never. In the US it is right away. One can argue for and against each way of doing it.

See my other reviews of film about China here.

Film review: Youth (2017) by Feng Xiaogang, *****

Synopsis

When Xiaoping joins the military, delicate dreams are dashed by the events of a China undergoing revolution. The devastating Sino-Vietnamese war crashes into 1970s China, changing the lives of the Army's young new recruits forever.

In this epic spanning several decades, Youth shows Comrades of the People's Liberation Army fight amongst themselves as much as on the battlefield – and cause as much damage as the war that tore their lives apart.


Review

Incredibly passionate and captivating historical film about life in China during the huge transformations that took place after Mao's death. A love story starts during the excesses of the cultural revolution with the "great helmsman" still in power, and the trauma of the war against Vietnam in 1979. After that, rapid reforms make many Chinese rich, and many officials corrupt, but the human story of the protagonists carries through the ages. One man's good deeds are taken for granted and not appreciated any more.

The film was supposed to be released just before the 2017 party congress but it was held up until after the congress itself for some reason. Maybe because it contains thinly veiled criticism of Mao and also raises many questions about the new system of the country.

A strongly recommended film about how China became what it is today.

See other film on China reviewed in this blog.

Film review: Farewell my concubine (1993) by Chen Kaige, *****

 Synopsis

The film gives a most interesting overview of China's history in the XX century through the eyes of Peking opera actors. We see the country moving from the fall of the Qing Empire (the last eunuch is still around for a long time after the advent of the Republic), through the Japanese invasion, the civil war and the various phases of the Communist rule.

Two boys are educated to play two classical roles in the Peking Opera, one masculine and the other effeminate. They are so good at it that they play the opera together for their entire career: during the chaos of China after the fall of the Qing Empire, during the Japanese occupation, the brief Nationalist takeover, the Communist take over, the Cultural Revolution.

Gong Li becomes the wife of the masculine actor, and as such created serious, and ultimately unsolvable, dilemmas in the mind of her husband, with tragic consequences.






Review

In this film the character Douzi represents in many ways the real life of the actor Leslie Cheung. Douzi was gay and struggled to be accepted in the society of his time, and so was Cheung in real life. He is however successful professionally and admired for that, and so is Cheung, the first Hong Kong actor who acted in a mainland China film. And the real life of Cheung represents Douzi's role in the film: he can't take the pressure any more and ends up committing suicide. Beautiful costumes!

A courageous masterpiece by Chen Kaige, a pillar of Chinese film in the XX century. He addressed the controversial issues of homosexuality and the Cultural Revolution in a film before anyone else dared to do so in the People's Republic of China. For this "farewell my Concubine" was banned shortly after its release in 1993, only to be cleared by the censors a while later in an abridged form.

This was the very first film from the People's Republic of China to win the Palme d'Or at the Cannes Film Festival.

See my other reviews of films about China here on this blog.

Buy this film by clicking on one of these links

Film review: A United Kingdom (2016) by Amma Asante, *****

Synopsis

From director Amma Asante, starring David Oyelowo (Selma) and Rosamund Pike and set against the breath-taking backdrops of the African savannah and period London, A United Kingdom celebrates the inspiring real-life romance of Seretse Khama, King of Bechuanaland (modern Botswana), and Ruth Williams, the London office worker he married in 1948 in the face of fierce opposition from their families and the British and South African governments.


Review

A historical narrative of one sad page of the decline and fall of the British Empire after WW II. There are two levels to the story: a personal tale of love and a non-fiction account of the birth of a new African country.

Churchill is depicted for what he was: an anti-democratic imperialist, who would go back on his promises to try and salvage the decomposing British empire. But the prejudice of blacks against whites is displayed as well at length.

In the face of all these difficulties, it was a remarkable feat for the young leader to pull off a national reconciliation that would make Botswana a unique success story in post-colonial Africa. One of very few examples where the leaders who took over power from the colonial rulers actually improved their nation's lot and did not squander national resources for personal gain.

Highly recommended movie to understand a very special part of Africa.

Film review: You and Me (2013) by Zhang Yimou, ****

Synopsis

Golden-globe winning Chinese film director Zhang Yimou has staged his first Peking opera at the NCPA, spectacularly fusing the traditional and modern together for his production of You and Me. This production is an overwhelming feast for the senses. Lavish and colorful costumes, unique music composed and conducted by Zhu Shaoyu, and a world class ensemble that features the greatest stars of the Peking opera, including Meng Guanglu, Shi Yihong, and Li Mingyan, turn You and Me into an unforgettable experience. You and Me is based on the age-old tale from the Zuo legend, Lord Zheng defeats Duan in Yan, which is a story about deceit and the power of filial love. Zhang Yimou recounts the story using the stylistic elements of the Peking opera, which in turn he makes accessible for an entirely new audience. This release also includes Tradition versus Modernity, a documentary about Peking opera and the making of You and Me.

It can be a bit difficult to follow for a Western audience, even with the help of subtitles. We are not used to Chinese music's tonalities and rhythm, but I would encourage the listener to try and be patient and they.

"You and Me" is based on the age-old tale from the Zuo legend “Lord Zheng defeats Duan in Yan” – a story about deceit and the power of filial love. Zhang Yimou recounts the story using the stylistic elements of the Peking Opera, which in turn he makes accessible for an entirely new audience.

The production of "You and Me" attaches great importance to tradition. It follows the aesthetic principle of paying tribute to the Peking opera tradition while adding a new approach to its traditional props of “one desk and two chairs”. Says Zhang Yimou: “My concern was to produce a unique Peking opera, not a unique genre, but a unique way of putting it across.” (from IMZ)


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Film review: The Story of Qiuju (1992) by Zhang Yimou, ****

Synopsis

Qiu ju, a peasant woman in Shaanxi province (central China) seeks redress for her husband, who has been badly kicked by the village chief following a trivial dispute. Local authorities rule in her favor, the chief is ready to pay compensation but does not apologize.

Qiu ju appeal to ever higher higher levels of government but the result is always the same. There is a stalemate in the proceedings until an unexpected turn of events puts Quiju and the chief face to face again. She will come to regret being so stubborn.

going to see a doctor

One of the first films by director Zhang with his long time collaborator and, at the time, partner Gong Li.


Review

Interesting peek into provincial China in the 1980s, and the contrast between hard, backward rural life and rapidly modernizing cities. The director uses "verité" camera to show us real street life, which makes the film part documentary.

This film also shows a very sympathetic bureaucracy, ready to listen to the grievances of a country girl, which may not always be the case in real China. Maybe the director was trying to be ironic about this or perhaps the movie is meant as an encouragement for real civil servants and law and order officials to do their job.

It is also a story of human relationships: one moral of the story is that even when something wrong is done to you, you need to keep calm and find a way out that is reasonable. For us non-Chinese the film illustrates very well the value of not "losing face" in China. All is well that ends well? Not really, but I won't give the ending away...

See my reviews of other films about China here in this blog.

selling chilis to pay for a lawsuit

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Film review: Alamar (2009) by Pedro Gonzalez Rubio, ***

Synopsis

Jorge and Roberta have been separated for several years. They simply come from opposite worlds: he likes an uncomplicated life in the jungle, while she prefers a more urban existence. He is Mexican and she is Italian, and she has decided to return to Rome with their five-year-old son, Natan. Before they leave, Jorge wishes to take young Natan on a trip, hoping to teach him about his Mayan origins in Mexico. At first the boy is physically and emotionally uncomfortable with the whole affair, and gets seasick on the boat taking them to their destination. But as father and son spend more time together, Natan begins a learning experience that will remain with him forever.


Review

The real life of a family of mixed ethnic background. Or, rather, of what could have been a family but wasn't. Not sure what the point is about this film. You can get a glimpse of a lesser known part of Mexico, yes, and pristine waters along the Banco Chinchorro, one of the largest and most stunning coral reefs in the world. But then what? The little kid is going to grow up and probably wonder what were his parents thinking when they made him. What was his mother, especially, thinking to get pregnant with a man she knew she could never live with. Or perhaps she could have but she did not want to. She preferred her cosy life in Rome to giving her son a family. The father too, he might have moved to Rome, but didn't. Maybe the movie is an indictment of irresponsible love adventures by careless travelers, and if so maybe it does have a purpose after all. Beautiful photography.


You can buy this film here.

Film review: A Perfect World (1993), by Clint Eastwood, ***

Synopsis

Academy Award winners Kevin Costner and Clint Eastwood confront each other from opposite sides of the law in A Perfect World, an acclaimed, multilayered manhunt saga (directed by Eastwood) that rumbles down Texas backroads toward a harrowing collision with fate. Costner plays Butch Haynes, a hardened prison escapee on the lam with a young hostage (T.J. Lowther in a remarkable film debut) who sees in Butch the father figure he never had. Eastwood is wily Texas Ranger Red Garnett, leading deputies and a criminologist (Laura Dern) on a statewide pursuit. Red knows every road and pothole in the Panhandle. What's more, he knows the elusive Haynes – because their paths have crossed before.

Review


A film about America's south in the 1960s, its gun culture and trigger-happy police. The story unfolds against the background of pre-civil rights movement racial relations. A culture that is still to a large extent there, half a century after the time when this movie is set and despite eight years of a black American president.

Clint is his usual hard-nosed expression-less man, and Costner plays very well the role of an equally tough criminal who reveals his inner kindness, even to the child he loves and who eventually contributes to his death.

The movie is a succession of apparently casual events that decide the life or death of people, seemingly by fortuitous coincidences. In a perfect world, there would have been a happy ending, or rather this story would not have started at all!



Choose your favorite Clint Eastwood movies here.

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Film review: Eroica (2003) by Simon Cellar Jones, *****

Synopsis

By the time the first public performance of Beethoven's Symphony No. 3 ('Eroica') took place in Vienna in 1805, a privileged few had already heard the work at a private play-through at the Lobkowitz Palace in June 1804.

This release brings to life the momentous day that prompted the great Haydn, Beethoven's teacher, to remark 'everything is different from today'.

Review

A film that keeps you glued to the screen from beginning to end even if you don't like classical music. It is a film about a day that changed Western culture, not just music. It put thought into music. Classical music is no longer just for pleasure or, worse, for background, but it is a means of expression for ideas and ideals. In a way, no film can possibly be expected to convey such an enormous feat, it's too important, too far reaching an event to encapsulate in 83 minutes.

Acting is quite good, and so are the costumes. Of course the symphony itself if always a pleasure to listen to. In this case it's Gardiner conducting.

One small inaccuracy is that when he learns that Napoleon crowned himself Emperor Beethoven is shown as ripping the title page off, with the famous dedication to Bonaparte, and throwing it away. In fact, he crossed out the words, ripping up the paper in doing so.



In the UK buy your favorite version of Beethoven's Eroica here on Amazon.



Browse your Eroica versions here on Amazon

Here about the novelty of this symphony and a version played at the BBC prom

Film review: Red Sorghum (1987) by Zhang Yimou, ***

Synopsis

This film is based on the well known novel by Mo Yan, which I have reviewed here in this blog. The story is that of three generations of a family in the deep Chinese hinterland during the first half of the XX century. China is in the midst of great upheaval, as the old order of the Qing Empire crumbles and the new republic is not strong enough to take its place. At the family level, a young woman who is forced by her father to marry an old leper so he can receive a mule in payment, rebels.

This would have been unthinkable in the past, but she does. At a broader social level, bandits rule the countryside and the state can not enforce law and order. Then the Japanese invade, and cruelly plunder the country taking advantage of its weakeness.

It is an interesting historical novel, useful to understand the conditions that gave rise to Communist China after Japan's defeat and a brutal civil war.

Review

In my view, the film in not as good as the book. The take on the story lacks credibility. It is also not as harrowing as the book, but that is just as good as some scenes from the book could only be put to film at the cost of making it impossible to watch but for the toughest souls.

Gong Li is a young actress here, and she has not developed her skills quite yet. The script, too, is a bit naive, which the book is anything but.

I would recommend watching the movie but much more so reading the book.

A better movie by the same director, with a similar thread is Ju Dou, which I have reviewed in this blog. Same lady forced to marry same old man (silk dyer instead of wine producer) in a traditional Chinese context where the odds are stacked against her. But in the later movie (1990) she succumbs to the overwhelming odds.



See my other reviews of films on China here in this blog.

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Buy the book here

Film review: Tokyo Sonata (2008) by Kiyoshi Kurosawa, ****

Synopsis

Kiyoshi Kurosawa the hugely acclaimed Japanese director famous for his groundbreaking, existential horror films such as Cure and Kairo [Pulse] set Cannes alight in 2008 with this highly topical film: an eerie, poignant reflection on the mass uncertainty sweeping the world.

When Ryuhei Sasaki (played by Teruyuki Kagawa) is unceremoniously dumped from his safe company job, his family's happy, humdrum life is put at risk. Unwilling to accept the shame of unemployment, the loyal salaryman decides not to tell anyone, instead leaving home each morning in suit and tie with briefcase, spending his days searching for work and lining up for soup with the homeless. Outstanding performances; serene, elegant direction; and Kurosawa's trademark chills are evident as he ratchets up the unsettling atmosphere and the grim hopelessness of Sasaki's unemployment.


SPECIAL DUAL FORMAT EDITION:

• Gorgeous 1080p Blu-ray transfer in the original aspect ratio
• Making Of documentary [61:00]
• Q&A, Tokyo, September 2008 [12:00]
• Première footage, Tokyo, September 2008 [15:00]
• DVD discussion [9:00] UK trailer [3:00]
• 28-page colour booklet with a new essay by B. Kite

Review

It is a film that took me some time to appreciate. At first it was actually boring. At the end it was riveting! You can see a traditional male-dominated Japanese family where the father is actually more concerned with preserving his wobbling authority, and face, than with the well being of his wife and sons. He loses his job to outsourcing to China, and can not pick himself up again. His elder son is a bit naive and wants to find purpose by joining the US military, only to be sent to the Middle East and change is view of the world after seeing the horrors of war. His house wife tried to make things work in the family but is constantly sidelined by the father.

The only member of the family who turns out to have a clue is the youngest son, who dreams of becoming a pianist and takes lessons in secret when he is forbidden to do so. In the end, his dreams are the only realistic prospects for the family and his success helps the father find his way once again.

The moral: follow your dream with passion and determination and be humble, true and honest to yourself.

Film Review: Mongol (2007) by Sergei Bodrov, *****

Synopsis

A historical epic that covers the early life of the legendary Mongolian leader Genghis Khan (Tadanobu Asano).

The first part of a planned trilogy, the film focuses on the future ruler's brutal childhood, as he suffers starvation and slavery, through to the battle that would cement his power.

Inspired by a poem translated from the Chinese that supposedly tells of Khan's formative years, director Sergei Bodrov ('Prisoner of the Mountains') offers a multidimensional portrait of the conqueror, focusing on the deep relationship he had with his beloved Borte (Khulan Chuluun) who was not only his wife but his most trusted advisor.

Temüjin pledges to unify all of the Mongol tribes, and eventually does, and imposes three basic laws for them to abide by: never kill women and children, always honor your promises and repay your debts even at the cost of your life, and never, ever betray your Khan.

Review

A gripping tale of the cruel life in the steppe at the time of the rise of the Mongol empire, which would go on to take over most of China and establish the Yuan dynasty in the 13th century. Kublai Khan, who was the Emperor of China at the time of Marco Polo’s travels, was the grandson of Genghis, the protagonist of this film.

Other films about China are reviewed here in this blog.

Film review: Happy Times (2000) by Zhang Yimou, ****

Synopsis

Zhao (Zhao Benshan) is an ageing, unemployed bachelor who is desperate to get married, but has so far failed to meet the woman of his dreams. When he ends up on a date with an overweight divorcee (Qibin Leng) he proposes instantly, wanting a large lady "to keep him warm", and she agrees, thinking he is the rich owner of a large hotel. Needing 50,000 yuan to pay for the wedding, Zhao turns to his best friend Fu, who comes up with an idea to get hold of the money. The two men refurbish a derelict bus, name it the ‘Happy Times Hut’ and rent it out by the hour to young couples who are in need of privacy! The plan goes awry, however, when the council take the bus away during a clean-up of the area.

Meanwhile, Zhao’s intended introduces him to the son she dotes on and the blind stepdaughter she despises, Wu Ying (Dong Jie). Despite her pretences in front of Zhao, she mistreats Wu Ying, forcing her to do all the chores and making it clear she is considered an inconvenience. Zhao reluctantly agrees to give Wu Ying a job at his ‘hotel’ after pressure from his fiancée who wants her out of the flat. Hoping that Wu Ying’s blindness will fool both her and her stepmother, Zhao sets up a fake massage parlour in an abandoned warehouse for her to work in. Enlisting the help of his retired friends to pose as customers, he often gives them his own money to use as tips. Despite the fact that their relationship is based on deceit, a genuine bond develops between Zhao and Wu Ying, who appreciates the efforts her new father-figure has gone to in order to find her a job. Wu Ying is desperate to save up enough money to find her real father, who has promised to return one day and help her find a cure for her loss of sight. However, Zhao is fast running out of money to pay her, and Wu Ying may not be as naïve as he believes about the reality of her situation.


Review

This movie is not as flashy or stunning as some of the other ones for which Zhang Yimou is so famous. And while he launched the careers of several great actresses, Jie Dong is perhaps the least celebrated when compared to Gong Li or Zhang Ziyi.

But this is a very good movie in its own, more subtle, nouanced and delicate way. It is a story of the search of happiness, and of how one can be led off the beaten track to find it.

It is also a movie to be watched by foreigners to learn about daily life in China. Modernization of the cities and rapid growth of wild private enterprise, for one. But more interestingly, one learns how a single man in his fifties is a social basket case and must overcome impossible odds to find a wife. Which is odd, considering that China, because of the one-child policy, has a surplus of women. And especially a surplus of single women in their late twenties, thirties and forties: the women who, unlike their mothers, got an education and started a career, and did not rush to get married in their early twenties or ever earlier.

One also learns about some physical features the Chinese especially value: a man may look for a fat woman "to keep him warm". And both men and women pay a lot of attention to whether a potential partner has a single eye lid or a double one, which is highly prized (see picture).

The ending is a bit of a mystery: both Zhao and Wu Ying are posivite and energetic, and they could have accepted reality and build a father/daughter relationship and move forward together, but they don't. No one seems to have found their "happy times", and they don't have much hope ever to do so.

One or two eye lids?

Read other reviews of films on China here in this blog.

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Film review: Like Stars on Earth (2007) by Aamir Khan, ****

Taare Zameen Par

Synopsis

Ishaa Ishaan is an 8 year old whose world is filled with wonders that no one else seems to appreciate; colors, fish, dogs, and kites are just not important in the world of adults, who are much more interested in things like homework, grades and neatness. Ishaan just cannot seem to get anything right in class. When he gets into far more trouble than his parents can handle, he is packed off to a boarding school to be disciplined.

Things are no different at his new school, and Ishaan has to contend with the added trauma of separation from his family. A new art teacher infects the students with joy and optimism and breaks all the rules of how things are done by asking them to think, dream and imagine. All the children respond with enthusiasm except Ishaan. The teacher soon realizes that Ishaan is unhappy and sets out to discover why. With time, patience and care, he ultimately helps Ishaan find himself.

Bonus features (in Hindi only, no subtitles) include: Director's Commentary, panel discussion on children, deleted scenes, making of, Music CD with two beautiful collectible postcards. This film is Aamir Khan's debut in directing.


Review

In this film we see a story of commitment and hope against all odds. The film takes place in contemporary upper middle class India, but the moral of the story is one for all places and all times. The subtitle, "Every child is special" tells it all. Yes there are children with special problems, and they do need special attention in special schools. But there are perfectly "normal" children, capable to become integrated in society like everyone else, who simply need to find their own pace and place to do so.

What they all need is love and appreciation, even for quirky "special" inclinations that they may display and that may arouse scepticism and criticism from "normal" people, especially adults. "If you want to win competitions, then breed race horses, don't raise children, dammit!" says Khan, and sums it up well.

In the end, Ishaan comes out on top, while his "normal", super skilled brother, the repository of the family's expectations of success and achievement, does not.

Ishaan's triumph

Darsheel Safary as seen by his art teacher

You can see my other reviews of films on India here in this blog.






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Film review: Ju Dou (1990), by Zhang Yimou, ****

 Synopsis


In Zhang Yimou and Fengliang Yang's sensuous, Oscar-nominated Ju Dou (1990), billowing bolts of red, yellow and blue dyed silk have more freedom than any of the main characters, who are cut off from the possibility of happiness by circumstances and convention.

The trouble starts early, when Tian-qing (Li Baotian) returns from a long road trip and first sets eyes on his new aunt, the beautiful young Ju Dou (Gong Li). Tian-qing's selfish, harsh silk-dyer uncle Jin-shan (Li Wei) - who reluctantly took Tian-qing in after his parents died - has already gone through two wives, and at first his third seems likely to join her predecessors. Jin-shan routinely beats and humiliates Ju Dou at night, berating her for failing to give him a son (he blames her despite his own impotence and sterility).

Tian-qing is drawn to his lovely, sorrowful "aunt," and eventually they begin a torrid affair. But the strict rules and customs of 1920s China make it impossible for them to build a life together, even after Jin-shan becomes paralyzed and Ju Dou gives birth to Tian-qing's son (whom Jin-shan claims as his own).

Review

A gripping story about how tradition and cultural context can make it impossible to find happiness. Wealth, prestige, beauty, strength, youth all abound in the big house of the cloth dyer, but no one is happy. And it is unhappiness of their own making. The bad old man has his evident faults, he seems to attract hate like a magnet. The young couple is brave and fight for their rights, at least as we can tell with XXI century eyes. But they also err in taking on a battle against their world (feudal rural China) and impossible odds.

Even the little boy who is born out of wedlock in this cruel environment becomes evil very soon in his life, and after his "official" father drowns in a pool of color dye he can only smile and seems bent on perpetuating his heartless character. He viciously kills his biological father when he realizes they are all the object of gossip in the village.

The final fire that consumes the dye factory is perhaps the only satisfying scene of the film, and I read it as a depiction of the last vestiges of feudalism in China crumbling down with the onslaught of modernity. Very good photography in this film. It is paradoxical that the long rolls of cloth of the dye factory give so much color to a very sad and dark story. The DVD is technically poor, seems a bad digitalization from a film roll, for this I take out one star.

The erotic charge is strong in some scenes in this movie and it is always present in the background, but very indirectly. I would not say this is an erotic tale. No nudity at all is to be seen, presumably to get past the Chinese censor.

See more reviews of films about China here on this blog.

Film review: Earth (1998) by Deepa Mehta, ****

Synopsis

Earth, the second film in Deepa Mehta's controversial trilogy is an emotionally devastating love story set within the sweeping social upheaval and violence of 1947 India. As her country teeters on the brink of self rule and instability, 8-year old Lenny, an innocent girl from an affluent family, is in danger of having her world turned upside down. As the simmering violence around them reaches a boiling point, Lenny's beautiful nanny Shanta (Nandita Das) falls in love with one of Lenny's heroes, the charismatic and peace-advocating Hassan. Love, however, can be dangerous when religious differences are tearing the country apart, and friendships and loyalty are put to the test. Building to a shattering climax, Earth is a devastating human drama in which desire unfolds into a stirring tale of love and the ultimate betrayal.


Review

This is a good movie about the dramatic partition events of 1947. It show the conflict between Muslims and Hindus though the eyes of a parsi family. Parsis are a Zoroastrian community that constitutes a substantial minority in the Mumbai area and were often caught between their two large neighbors. No happy ending, and indeed the history of India and Pakistan since then sadly shows that beyond doubt.

The movie is harrowing, Mehta does not refrain from showing horrific violence, if indirectly but not less shockingly for that. The question of identity in India is addressed in depth, with friends and neighbors who shared a lifetime finding themselves on the opposite side of the fence.

It's probably my least favorite movies among the three of Mehta's trilogy because it relates to well known events, while the other two address much less discussed issues in Indian society like child abuse, family violence and homosexuality. Aamir Khan is great as usual.  Aamir Khan is great as usual. I take one star off because compared to Fire and Water this is just a bit predictable.

See my other reviews of films on India in this blog.

In the UK buy it here



Available from Amazon.us

Film review: Curse of the Golden Flower (2006), by Zhang Yimou, ****

Synopsis

From Zhang Yimou, the Director of Hero and House of Flying Daggers, comes a stunning epic about the folly of war and the disintegration of one family under the weight of unrequited love, unforgivable betrayals, and a never-ending thirst for power.

On the eve of the Chong Yong Festival, golden flowers fill the Imperial Palace and when the Emperor (Chow Yun Fat) unexpectedly returns to his Empress (Gong Li) and two sons, the tension is clear in his lavish kingdom. His absence has given rise to illicit love affairs, dangerous alliances, and malicious conspiracies; all of which threaten to overthrow his power.

However, it may well be the Emperor’s own dark secret that threatens him most of all. As the secrets of the Imperial family unravel against this backdrop of breathtaking opulence and grandeur, an attack on the Palace by myriad armoured warriors results in a spectacular climax wrought with thrilling action and epic tragedy.

Interesting bonus features on the main actors and backstage.


Review

Another grand movie by Zhang Yimou with a sure-fire couple of protagonists in Chow Yun Fat and Gong Li). It will be a masterpiece for the lovers of wuxia and, more generally, of Chinese epic films. I am not, but liked the movie as well for the majestic historical reconstruction (a whole new Forbidden City) and marvellous costumes. Grand scenes of battle, with over one thousand extras (appropriately recruited in the Chinese army!) are memorable if utterly unrealistic.

What a sad life in the palace. From the Emperor to  the most humble of servants, everyone is watching everyone else, there is no privacy, no trust, no happiness really. I can't remember anyone smiling in this film! It makes you thank your fate for not being born a royalty in medieval China!

The western blurb for the movie (but not the Chinese) advertises it as taking place in the period of the late Tang dynasty. I was a bit disappointed because I expected more of a historical film about the Tang dynasty. I was led to think of this as a historical fiction, and it really is not.

See my selection of movies on China here in this blog.

You can buy the film here. Other films by Zhang Yimou here.



In the US and worldwide buy it here:



If you liked it, you may wish to look at other films by Zhang Yimou

Film review: Red Obsession (2013) by David Roach and Warwick Ross, ****

Synopsis

Red Obsession is a film about power, passion and the fine wine game. Something unprecedented is happening to the fine wine market and that something is China. While the dragon economy could bring untold wealth to the revered wine-making region, the terms of engagement are different from any other customer in the past. This market is young, voracious and unpredictable. Demand is massively outstripping supply. The product is finite and this new client wants it all. For better or worse, Bordeaux is hitching itself to this new, infinitely wealthy client. RED OBSESSION sets out to explore this phenomenon and the link between China and Bordeaux.


Review

A most interesting documentary on the rise of wine in Chinese society. The Chinese drank less than one bottle of wine each per year until just a few years ago. They have recently discovered wine. Not just to drink it, but to show it off, to display as a status symbol, and to invest in. In the past the Americans, and then the Japanese, similarly impacted the world of wine, but the sheer scale of the Chinese onslaught is greater by an order of magnitude. One Chinese billionaire who made his fortune selling sex toys has no qualms admitting in front of a camera that he prefers a bottle of great wine to great sex.

I was also pleased to see that some of the most prominent Chinese wine collectors seem to appreciate cigars and pipe smoking but not cigarettes. I can certainly sympathize with that. Great wine drinkers think alike!

While China is furiously planting new vineyards in regions with appropriate terroir and climate, and is already the fifth largest producer of wine in the world, the fascination of prestigiuous Bordeaux makes them spend billions on the most recognizable brands of Chateaux. This is driving the market crazy and may well portend a bubble in the making. Counterfeiting of expensive wines, like of so many other luxury products, is widespread.

It is going to be interesting to see how this pays out. China will soon be the largest producer of wine as well as the largest consumer. It will decisively affect both demand and supply. For now supply is more quantity than quality: local wines are mediocre (with some notable exception) and mostly for local consumption. Demand, on the other hand, is more focussed on quality, with rich Chinese buying only the best of the best. The global wine market is undergoing a Chinese revolution.

See my selection of movies on China on this blog.