Film review: Horses of God (2012) by Nabil Ayouch, *****

Synopsis

In Horses of God, Nabil Ayouch tells the story of two young soccer-loving friends, Yachine and Nabil, growing up under the fierce protection of Yachine's older brother, Hamid.

But in the sprawling slums of Sidi Moumen, not even Hamid can defend them against the harshness and injustice of the life that surrounds them. Fed up with that life, Hamid throws a rock at a police car and earns himself two years in prison. When he returns, an eerie calm masks his newfound zealotry, and his fundamentalist friends seem to exercise a powerful influence.

Inspired by the real-life 2003 terrorist attacks in Casablanca, Ayouch's film is a thoughtful and affecting inquiry into how ordinary people come to do desperate, unfathomable things. A major achievement by one of North Africa's most important filmmakers, the film was hugely successful both at Cannes and in its native Morocco and has won acclaim from public and critics alike.

Review

An instructive movie to try and begin to understand, at least in part, how extremism can take root when other values and points of reference are missing. In this case this is the story of Moroccan kids who become terrorists but it could have happened in many other countries, including Europe. One also gets an insight into other real problems in a Moroccan muslim shantytown, with poverty, male chauvinism and petty crime.

Recensione film: La meglio gioventù (2003), di Marco Tullio Giordana, *****

Sinossi

E' la storia di due fratelli attraverso quarant'anni di vita italiana, dal 1960 a oggi. Attraverso questo piccolo nucleo di personaggi rivivono ne "La meglio gioventù" avvenimenti e luoghi cruciali della storia del nostro paese: dalla Firenze dell'alluvione alla Sicilia della lotta contro la mafia, dalle grandi partite della nazionale contro la Corea e la Germania alle canzoni che hanno fatto epoca, dalla Torino operaia degli anni settanta alla Milano degli anni ottanta, dai movimenti giovanili del terrorismo, dalla crisi degli anni novanta al tentativo di inventarsi e costruire un paese moderno.


Recensione

Sono sei ore di film, e forse ne sarebbero bastate di meno, ma è un piacere gustarsi questo semi-documentario su 40 anni di storia d'Italia. Gli attori sono bravi ma non eccellenti, il che, paradossalmente, secondo me è un pregio, perché fa apparire questo film più realistico, meno recitato. Le storie dei vari personaggi si intrecciano bene ed il ritmo è sempre incalzante.

Dal miracolo economico degli anni sessanta alle prime crisi sindacali, al terrorismo, passando per l'abolizione dei manicomi, la vittoria della Coppa del Mondo del 1982, tangentopoli e fino a ritrovare i nostri protagonisti con i capelli bianchi ed i figli che si sposano.

Credo che questo film possa essere utile soprattutto agli stranieri per capire meglio il nostro paese, magari prima di venirci in viaggio, con le sue luci, le sue ombre e le sue contraddizioni, senza romanticismi e luoghi comuni.

Film review: Raid on Entebbe (1977), by Irvin Kershner, ****

Synopsis

Raid On Entebbe tells the amazing true story of a daring mission by Israeli commandos to free hostages from a terrorist hijacking at Entebbe Airport in Uganda and is presented here in its full length version. In 1976 four militants hijacked an Air France plane, diverting it to Entebbe, their cause was to secure the release of militants in Israel and four other countries. They held the hostages captive for three days before releasing a large number, keeping 100 passengers who were Israelis or Jews on board. What followed has gone down in history as one of the most daring rescue operations ever mounted. Directed by Irvin Kershner this Golden Globe winning film grips to the very end. The stand out cast includes Peter Finch as Prime Minister Yitzhak Rabin, alongside Charles Bronson and Martin Balsam.

Israeli crowd greeting the commando unit that rescued hostages in Entebbe, Uganda, July 1976.

Credit: David Rubinger/Corbis

Review

Today it's the fortieth anniversary of what was arguably the most successful rescue operation of modern times. Director Irvin Kershner (Never Say Never Again, Starwars V: The Empire Strikes Back)recreated the events leading to German members of the Baader-Meinhof group highjacking of the plane, the emotional international response and the daring operation. One is led, day by day, to re-live those dramatic days through the eyes of the Israeli leadership and the main members of the commando. Among the latter, Yonatan Netanyahu plays a central role.

What is missing, hence the four stars, is more information about the military planning and the formidable logistical obstacles that had to be overcome. I would have appreciated very much to know more about the planes used, refueling, the navigational problems, communication procedures etc. All of which are hinted at during the film but not well explained. Perhaps could this be because the film was made just a year after the events and much information was still classified?

Book Review: Against All Enemies: Inside America's War on Terror, by Richard Clarke, *****

Synopsis
Few political memoirs have made such a dramatic entrance as that by Richard A. Clarke. During the week of the initial publication of Against All Enemies, Clarke was featured on 60 Minutes, testified before the 9/11 commission, and touched off a raging controversy over how the presidential administration handled the threat of terrorism and the post-9/11 geopolitical landscape. Clarke, a veteran Washington insider who had advised presidents Reagan, George H.W. Bush, Clinton, and George W. Bush, dissects each man's approach to terrorism but levels the harshest criticism at the latter Bush and his advisors who, Clarke asserts, failed to take terrorism and Al-Qaeda seriously. Clarke details how, in light of mounting intelligence of the danger Al-Qaeda presented, his urgent requests to move terrorism up the list of priorities in the early days of the administration were met with apathy and procrastination and how, after the attacks took place, Bush and key figures such as Donald Rumsfeld, Paul Wolfowitz, and Dick Cheney turned their attention almost immediately to Iraq, a nation not involved in the attacks. Against All Enemies takes the reader inside the Beltway beginning with the Reagan administration, who failed to retaliate against the 1982 Beirut bombings, fueling the perception around the world that the United States was vulnerable to such attacks. Terrorism becomes a growing but largely ignored threat under the first President Bush, whom Clarke cites for his failure to eliminate Saddam Hussein, thereby necessitating a continued American presence in Saudi Arabia that further inflamed anti-American sentiment. Clinton, according to Clarke, understood the gravity of the situation and became increasingly obsessed with stopping Al-Qaeda. He had developed workable plans but was hamstrung by political infighting and the sex scandal that led to his impeachment. But Bush and his advisers, Clarke says, didn't get it before 9/11 and they didn't get it after, taking a unilateral approach that seemed destined to lead to more attacks on Americans and American interests around the world. Clarke's inside accounts of what happens in the corridors of power are fascinating and the book, written in a compelling, highly readable style, at times almost seems like a fiction thriller. But the threat of terrorism and the consequences of Bush's approach to it feel very sobering and very real. --John Moe for Amazon.com

Recensione: La rabbia e l'orgoglio (2001) di Oriana Fallaci, *****

You can read an English version of the article on which this book is based here.

Sinossi


Con "La rabbia e l'orgoglio" (2001), Oriana Fallaci rompe un silenzio durato dieci anni, dalla pubblicazione di "Insciallah", epico romanzo sulla missione occidentale di pace nella Beirut dilaniata dallo scontro tra cristiani e musulmani e dalle faide con Israele. Dieci anni in cui la Fallaci sceglie di vivere ritirata nella sua casa newyorchese, come in esilio, a combattere il cancro. Ma non smette mai di lavorare al testo narrativo dedicato alla sua famiglia, quello che lei chiama "il-mio-bambino", pubblicato postumo nel 2008, "Un cappello pieno di ciliege". L'undici settembre le impone di tornare con furia alla macchina da scrivere per dar voce a quelle idee che ha sempre coltivato nelle interviste, nei reportage, nei romanzi, ma che ha poi "imprigionato dentro il cuore e dentro il cervello" dicendosi "tanto-la-gente-non-vuole-ascoltare".

Il risultato è un articolo sul "Corriere della Sera" del 29 settembre 2001, un sermone lo definisce lei stessa, accolto con enorme clamore in Italia e all'estero. Esce in forma di libro nella versione originaria e integrale, preceduto da una prefazione in cui la Fallaci affronta alle radici la questione del terrorismo islamico e parla di sé, del suo isolamento, delle sue scelte rigorose e spietate. La risposta è esplosiva, le polemiche feroci. Mentre i critici si dividono, l'adesione dei lettori, in tutto il mondo, è unanime di fronte alla passione che anima queste pagine. (Prefazione di Ferruccio De Bortoli)


Recensione

Un libro controverso, dai toni feroci, anche troppo, solo in parte giustificabili dalla situazione: Fallaci era a New York al momento degli attacchi dell'11 settembre. A mio avviso Fallaci ha ragione a parlare del pericolo che l'Europa abbassi la guardia sulla propria identità, ma indebolisce le sue argomentazioni quando si lascia trasportare dalle emozioni del momento. Maggiore sangue freddo avrebbe reso i suoi argomenti più lucidi. In ogni caso il libro pone delle domande, scomodissime, su cui il lettore farebbe bene a ragionare. Un libro importante, un grido di dolore di un'italiana che se la prende prima di tutto con gli italiani, e gli europei, non all'altezza del retaggio culturale che gli appartiene.

Il testo dell'articolo si può leggere nell'archivio del Corriere della Sera.