Film review: Born into Brothels (2004) by Zana Briski and Ross Kauffman, ****

"Running" by Gour, 13 years old

Synopsis

The most stigmatized people in Calcutta's red light district are not the prostitutes, but their children. In the face of abject poverty, abuse, and despair, these kids have little possibility of escaping their mother's fate or for creating another type of life. Directors Zana Briski and Ross Kauffman chronicle the amazing transformation of the children they come to know in the red light district. Briski, a professional photographer, gives them lessons and cameras, igniting latent sparks of artistic genius that reside in these children who live in the most sordid and seemingly hopeless world. The photographs taken by the children are not merely examples of remarkable observation and talent; they reflect something much larger, morally encouraging, and even politically volatile: art as an immensely liberating and empowering force.

The winner of the 77th annual Academy Award for Best Documentary Feature, Born into Brothels offers a tribute to the resiliency of childhood and the restorative power of art. Devoid of sentimentality, Born into Brothels defies the typical tear-stained tourist snapshot of the global underbelly. Briski spends years with these kids and becomes part of their lives. Their photographs are prisms into their souls, rather than anthropological curiosities or primitive imagery, and a true testimony of the power of the indelible creative spirit.

Film Review: Confucius (2010) by Hu Mei, ****

Synopsis

From the acclaimed producer of John Woos Red Cliff and Jet Lis Warlords, comes this powerhouse biopic of the legendary Chinese philosopher, Confucius.

In 500 B.C., during China's Spring and Autumn Period, Kong Ze (Confucius), a commoner reverred for his outstanding wisdom, is made Minister of Law in the ancient Kingdom of Lu. Under his inspired leadership, Lu ascends to new heights but becomes a target of conquest for the warlike nation of Qi. Threatened with annihilation by their powerful neighbour, a desperate people turn to their greatest teacher to lead their most powerful army. When Confucius delivers a stunning victory against all odds, a jealous aristocracy sets out to destroy him, but they under-estimated a remarkable man whose wisdom is more powerful than the sword.

With breathtaking cinematography from Oscar-winning director of photography, Peter Pau (Crouching Tiger, Hidden Dragon), Confucius is a compelling invitation to discover the remarkable story of one of history's greatest heroes.

Review

An impressive big budget movie that will teach you a lot about Confucius and China in the VI-V centuries B.C. Huge sets have been build to replicate imperial palaces and other scenery. Acting is excellent, with Chow Yun-fat at his best.

The script is a bit confusing however, maybe it needs to be watched a few times. Too many intrigues and intertwined stories make it hard to follow.


For travelers, the most famous of innumerable quotes by Confucius is «A journey of a thousand miles begins with a single step.»

You can watch the theatrical trailer here.

You can see a selection of movies on China I have reviewed on this blog here.

Film review: The Thin Red Line (1998), by Terrence Malick, ****

Synopsis

After directing two of the most extraordinary movies of the 1970s, Badlands and Days of Heaven, American artist Terrence Malick disappeared from the film world for twenty years, only to resurface in 1998 with this visionary adaptation of James Jones’s 1962 novel about the World War II battle for Guadalcanal. A big-budget, spectacularly mounted epic, The Thin Red Line is also one of the most deeply philosophical films ever released by a major Hollywood studio, a thought-provoking meditation on man, nature, and violence. Featuring a cast of contemporary cinema’s finest actors—Sean Penn (Dead Man Walking, Milk), Nick Nolte (The Prince of Tides, Affliction), Elias Koteas (Zodiac, The Curious Case of Benjamin Button), and Woody Harrelson (Natural Born Killers, The People vs. Larry Flynt) among them—The Thin Red Line is a kaleidoscopic evocation of the experience of combat that ranks as one of cinema’s greatest war films.

Film Review: September (1987), by Woody Allen, ***

Synopsis

It is late summer, and Lane (Mia Farrow), still fragile after a nervous breakdown, is staying at her childhood home in Vermont. She has been having an affair with Peter (Sam Waterston), a writer who lives nearby, but now relations between them seem to have inexplicably cooled. When Lane's mother (Elaine Stritch) arrives with unexpected news, and the fate of her relationship with Peter becomes clear, Lane's emotional world is thrown into turmoil once again. Written and directed by Woody Allen.


Review

Another Allen movie about the volatility and relative meaninglessness of it all, September is not as rich of dry humor and effective punch lines as some of his other films. He investigates jealousy, bitterness, betrayal, love, but it is all not as deep as seen elsewhere in Allen's prolific filmography.

My favorite quote: "Universe is haphazard, morally neutral and unimaginably violent." I tend to agree. Watch the clip below.




I got this movie in this box set

Films about India

Eternal work in progress, these are the best film about India I have seen...



Born into Brothels (2004) by Zana Briski and Ross Kauffman. Some children of prostitutes find a new life in photography.

Earth (1998) by Deepa Mehta. Harrowing story about the 1947 partition.

Fire (1996), by Deepa Mehta. Two women find freedom and love in traditional India.

Himalaya: the Forgotten Valleys by Guy Costieux. Life in the Buddhist mountains of Northern India.

Kama Sutra, a Tale of Love (1997) by Mira Nair. Love, mysticism and tradition in classical India.

Like Stars on Earth (2007) by Aamir Khan. Success of a child one considered a problem.

Mississippi Masala (1991) by Mira Nair. Romance between races and the American melting pot.

Namesake (2006) by Mira Nair. Family values and Indian immigration to the US in the 1970s.

Outsourced (2010) by John Jeffcoat. Losing your job because the company is outsourciing to India might be the best thing that ever happened to you!

Salaam Bombay (1988) by Mira Nair. Drugs and prostitution in the glittering economic capital of India.

Water (2006) by Deepa Mehta. The desperate plight of widows in traditional India.

Film review: Dikkenek (2006) by Olivier Van Hoofstadt, ****

Synopsis

JC et Stef sont des amis d'enfance. Inséparables. JC est LE dikkenek belge, un donneur de leçon à cinq balles, un moralisateur, un tombeur de minettes, bref une grande gueule intégrale, coiffé comme un peigne. Stef est tout le contraire. Il cherche le Grand Amour, mais vu qu'il ne bouge pas de son lit, il va avoir du mal à trouver. JC lui explique donc la méthode : faire un sans-faute du point A jusqu'au point G.

Film review: The Gods must be crazy (1988), by Jamie Uys, ****

Synopsis

Both instalments of the 'epic comedy of absurd proportions' about the dubious benefits of Western civilisation. In 'The Gods Must Be Crazy', a Coke bottle drops out of the sky to the amazement of the Kalahari Bushmen who find it: they believe it to be a gift from the Gods. The bottle initially seems to the bushpeople to be a miraculous blessing, and they use it for all sorts of different purposes - but before long it becomes a source of conflict as they start to squabble over it. Eventually, one of the men, Xixo (played by real-life Bushman N!xau) sets out to return the bottle to the gods from whom he thinks it must have come, and so begins his first ever foray into 'civilisation'.

In the sequel, 'The Gods Must Be Crazy 2', Xixo loses his children when they accidentally stow away on the back of an elephant poacher's truck while on a hunting expedition in the desert. Once again, Xixo must venture into civilisation to retrieve them. The only problem is, he is continually distracted by so-called 'civilised' people who seem be in greater need of rescuing than his children are.

Film review: Water (2006), by Deepa Mehta, *****

Synopsis

Set against the epic backdrop of the River Ganges in 1938 during Mahatma Gandhi's rise to power, this is the inspiring tale of an eight year old Hindu girl named Chuyia. Chuyia's life is suddenly changed when she is widowed and sent to a home where Hindu widows must live in penitence. She refuses to accept her fate and her feisty presence begins to affect the lives of other residents, including a beautiful young widow, Kalyani (Lisa Ray of Bollywood/Hollywood) who has fallen in love with Ghandian idealist, Narayan (Bollywood star John Abraham).

Extremist groups waged a campaign of death threats, arson and riots to stop the production of this controversial film, but director Deepa Mehta would not be silenced. Set against Gandhi's rise to power, Water tells the profoundly moving story of Chuyia, an Indian girl married and widowed at eight years old, who is sent away to a home where Hindu widows must live in penitence. Chuyia's feisty presence deeply affects the other residents, forcing each to confront their faith and society's prejudices.

Film review: Winds of Sand, Women of Rock (2010), by Nathalie Borgers, *****

Synopsis

Amina is preparing to leave with the date caravan. Every year, she and many other Toubou women make this 1500 km journey from Agadez to Bilma, across Niger's Sahara, despite the danger, the heat (50°C) and the sandstorms.

For these nomadic women, the journey is the key to their economic independence: they sell their goats and bring back dates, and with the income from the sale of the dates, a family can live for a year. But Amina, a rebellious 26-year old, has had enough of this long trip. En route, she finds a friend in Mariama and, far from the men, the two young girls share their dreams of a modern, independent life. When they reach their destination, they try to put their plans into action. But Domagali is weary of joining them, and longs to go back to the Sahara, where the grass is free.

Film review: Friends with benefits (2011) by Will Gluck, ****

Description

Dylan (Justin Timberlake) is done with relationships. Jamie (Mila Kunis) decides to stop buying into the Hollywood clichés of true love. When the two become friends they decide to try something new and take advantage of their mutual attraction – but without any emotional attachment. Physical pleasure without the entanglements. Sounds easy enough for two logical adults, right? Not so much. They soon realize romantic comedy stereotypes might exist for a reason.

Review

This is not as good as "No Strings Attached" but "Friends with Benefits" is nonetheless fun and worth the affordable price of this DVD on Amazon. The film has its well designed twists and turns and it is never completely predictable. One just wonders how many real "friends with benefits" are there in the world, but certainly this choice of partnership is becoming more acceptable and common in the early XXI century. There are even websites devoted to it. It sounds perfect does it not? Free fun without the burden of either commitment or involvement. Not so fast...

Film review: While you were sleeping (1995) by John Turteltaub, ****

Lucy gets a gift from her new family

Synopsis

Lucy (Bullock) dreams of a man, and when she happens to be engaged to him through the most unusual chain of coincidences she realizes he is actually not for her. Someone else is. Despite the social pressure that builds up through the film, she eventually does what is necessary!


Review

This is certainly among the best rom/com I have ever seen, and I am looking forward to letting a few months go by and then I will watch the DVD again. Bullock is great is her natural simplicity. But it is Pullman who is perhaps the real star with his understated but deep personality. Most supporting actors are great as well, which is a real plus.

I also find a message in this film, not sure whether it was intended by either its author or the director but here it is: be ready to change your life, because what you really wanted for a long time, and thought was impossible, might actually happen. When it does, it might not be what you expected, so again: be ready to change your target, fast.

It seems to be a recurring theme is Bullock's movies. I got a very similar message out of "The Proposal" (which I also review in this blog). I treasure it in my own life.

Film review: An Autumn Tale (1998), by Eric Rohmer, ****

Synopsis

Eric Rohmer's light-hearted romantic comedy, set amongst the vineyards of the Rhône Valley, concludes his film cycle THE TALES OF THE FOUR SEASONS. Best friends Magali, a widow, and Isabelle, a happily married bookshop owner, have known each other since childhood. Although Magali enjoys her life as a wine grower, she admits that she would relish some male companion- ship; a confession that prompts Isabelle to secretly find her friend a man. After placing a lonely hearts ad, Isabelle chooses a suitor, but finds that things don't quite go according to plan...


Review

I won't repeat what others have said about the cast and the style of the director. It is a good movie overall, entertaining and amusing. I bought this movie as part of a series about wine. I was a little disappointed to find out it has only a bit to do with wine: French vineyards provide the background of the story and that's about it. Yes Megali does talk about her wine and her relationship with the land, but she could have played the same role in the film if she were growing olive trees.

Nonetheless I found it a great movie because it highlights the dynamics of match-making and dating in the pre-internet era. That was the time when there were no online dating sites and instead people wrote ads in papers. There was no email (though at one point in the film one can see a Minitel monitor) and if you were interested in someone you had to call. (Or write to a PO address.) I very much enjoyed living through what millions must have experienced while trying to find a partner in those times. The story is far from predictable however, and I won't tell it here...

Film review: Crouching Tiger, Hidden Dragon (2000) by Ang Lee, ****

Synopsis

From Sony Pictures' web site: Named "Best Picture of the Year" by over 100 critics nationwide! Two master warriors (Chow Yun Fat and Michelle Yeoh) are faced with their greatest challenge when the treasured Green Destiny sword is stolen. A young aristocrat (Zhang Ziyi) prepares for an arranged marriage, but soon reveals her superior fighting talents and her deeply romantic past. As each warrior battles for justice, they come face to face with their worst enemy - and the inescapable, enduring power of love. Set against 19th-century China's breathtaking landscape, Crouching Tiger, Hidden Dragon is the action-packed, box office smash from acclaimed director Ang Lee (Sense and Sensibility, The Ice Storm) featuring stunning martial arts choreography by Yuen Wo Ping (The Matrix).


Review

A mesmerizing film. I am not a fan of wuxia films, and I believe this film could have done with much less rooftop flying and bullet deflecting. It is an excellent story in itself and it also shows a lot about a dramatic historical period in China (late XIX century). In fact, in my view one missed opportunity of this film is that it could have told us a lot more about the historical context. Also, I think the plot is overly complicated, after a while I gave up trying to follow all its nouances. Yet, it is hard to fault the director for his imprint. It does make a coherent whole and it is impressive. It is also a movie about the endless dilemmas of love and loyalty.

The sound track is beautiful as well and comes out well in the BD. Too bad there are no extras, at this price one would have expected some.

You can see a list of movies on China I have reviewed on this blog.

Film review: The Red Violin (1998) by François Girard, ****

Synopsis

An epic adventure of mystery and obsession unfolds when Charles Morritz (Samuel L. Jackson), an appraiser of rare musical instruments discovers a one of a kind red violin at a prestigious Montreal auction house. Convinced he's found an authentic long-lost masterpiece, Morritz uncovers the spectacular journey of the priceless violin, how it changed hands and lives of all who touched it. When the violin's shocking secret is finally revealed, Morritz must wrestle with his own demons and choose between burying the truth and risking everything.

Film review: Bananas (1971) by Woody Allen, ****

Synopsis

Woody Allen's second film as a director was a wild, unpredictable and unlikely comedy about a product-tester named Fielding Mellish (Allen), who can't quite connect with the woman of his dreams (Louise Lasser, Allen's ex-wife). He accidentally winds up in South America as a freedom fighter for a guerrilla leader who looks like Castro. Once he assumes power, the new dictator quickly goes insane--which leaves Fielding in charge to negotiate with the US. The film is chockfull of wonderfully bizarre gags, such as the dreams Fielding recounts to his shrink about dueling crucified messiahs, vying for a parking place near Wall Street. Look for an unknown Sylvester Stallone in a tiny role--but watch this film for Allen's surprisingly physical (and always verbally dexterous) humour. --Marshall Fine for Amazon

The Island President (2011) by Jon Shenk, ****

Synopsis
Jon Shenk's The Island President tells the story of President Mohamed Nasheed of the Maldives, a man confronting a problem greater than any other world leader has ever faced the literal survival of his country and everyone in it. After bringing democracy to the Maldives after thirty years of despotic rule, Nasheed is now faced with an even greater challenge: as one of the most low-lying countries in the world, a rise of three feet in sea level would submerge the 1200 islands of the Maldives enough to make them uninhabitable.

Film review: Another Woman (1988) by Woody Allen, ***

Synopsis

Woody Allen's 17th film. Gena Rowland plays Marion, an academic who rents a flat in which to write a book on philosophy and becomes intrigued by conversations she overhears from a psychologist's office next door. One patient, Hope (Mia Farrow), has a particular effect on Marion forcing her to re-think many of her assumptions about her own life: her unhappy marriage; her feelings for another man (Gene Hackman); and her relationships with her best friend (Sandy Dennis) and brother (Harris Yulin).


Review

It's convoluted film. Allen tries to put too much meat on his plate. Several stories are intertwined and it was easy to get lost trying to make sense out of them. One does get some stimulating psychological thrusts here and there. The problematic protagonist is a warning against spending a life concentrating too much on oneself. But then again she is also a victim of men spending too much time on themselves. The viewer is left with no way out. Maybe there is no way out.

Buy your European DVD here


In the US you can order it here

Film review: Sideways (2004) by Alexander Payne, *****

Synopsis

Comedy drama which follows Miles (Paul Giamatti), an unsuccessful novelist, and Jack (Thomas Haden Church), an equally unsuccessful actor who is about to get married. They decide to take a trip to California in an attempt to sow their wild oats. There they explore the nature of their failures and question their relationships. Jack has an affair with Stephanie (Sandra Oh)  and wonders whether he should call off the marriage. Miles, recently divorced himself, questions whether or not he made the right decision while Maya (Virginia Madsen) plays a few games with him.


Review

An excellent movie that is only marginally about wine. Yes we go through California's wine country and learn a lot about many different kinds of wine, and especially Pinot Noir.

But the movie by Alexander Payne is more about what we can do with ourselves and our lives with the hand we are dealt at birth and by chance. I identify very much with Miles, a not-so-good-looking but deep thinking fellow who is deeply passionate about what he loves, be it his lost ex-wife or Pinot Noir. But it is the Jacks of the world who have more fun: not so deep, not so careful, just happy go lucky types. The last scene of the movie leaves a door open to hope however: while Jack sinks unenthusiastically into his marriage, Miles finds the true love of his life.

You can buy the DVD here


In the US you can buy it here:

Film review: Lust, Caution (2007) by Ang Lee, ****

Synopsis

After Brokeback Mountain andThe Hulk, multitalented director Ang Lee returns to Asia with this Mandarin-language erotic drama. Lust, Caution pairs celebrated actor Tony Leung (2046) with gifted newcomer Tang Wei. In 1938, China is occupied by the Japanese, but it's not only the country's neighbours who are hated by the loyal Chinese. The nation's resistance also centres on those who willingly collaborate with Japan. Wong Chia Chi (Tang Wei) is part of an acting group, but their sights are set beyond the stage: they want to use their abilities to attack Mr. Yee (Leung), a known traitor. Wong poses as a businessman's wife, and she begins to lure Mr. Yee in, but they're separated before she has her chance. Three years later, they meet again in Shanghai, and a heated affair begins. As Wong grows closer to Mr. Yee, there is doubt that she can aid in her lover's downfall.

At times, Lust, Caution evokes memories of Wong Kar-Wai's In the Mood for Love. Both are heat-filled period films that feature Leung, but while the earlier picture focused on a love that was never consummated, Lust, Caution allows its lovers to realise their passion as often as one could imagine. Despite this, it never allows the sex to get in the way of the plot or the images. Director of photography Rodrigo Prieto has worked with directors as diverse and impressive as Oliver Stone, Julie Taymor, Spike Lee, and Alejandro Gonzalez Inarritu, and he continues this fine tradition with his second pairing with Lee after Brokeback Mountain. Here Prieto has a head start thanks to beautiful costumes and beautiful people, but this is another film that is simply gorgeous to look at.

Film review: Mondovino (2004) by Jonathan Nossiter, **

Synopsis

Filmmaker Jonathan Nossiter, who loves wine, looks at the international wine business. He offers his personal view of how business concerns and the homogenisation of tastes around the world are changing the way wine is being made. 

Review

The movie is good in that it points the finger to a phenomenon that is pervasive in the world of wine, as it is in every aspect of our life: globalization. The director's thesis, which he does not spell out but appears clearly, is that this is a bad thing. I, on the contrary, think it is a good development for wine, mainly because it allows for greater choice.

Far from homogenizing the taste of the world's wines, globalization is making any wine, in any style, available everywhere in the world, and this gives each of us a chance to choose what we like, how much we want to spend.

He implicitly accuses Robert Parker (whom he interviews) to be in cahoot with American business, while in fact parker has been very beneficial to French wines and Bordeaux in particular. He received countless awards from France, including from the president of the Republic.

Nossiter is tricky as he often hides his camera and films without the subject being aware. That is not correct in my view, even for a documentarist.

He is also political, but out of context. He underlines how a mayor of a French town who rejected American money to invest in the local vineyards was a communist (good) while Italian nobles who accept to work with the same Americans has grandparents who supported fascism (bad). I find some of these people who live in their past rather disagreeable, but that says nothing about their wines. How totally irrelevant.

Finally, he never misses a chance to film any dog that happens to be in front of his camera. For example when he interviews Parker he goes at great length to emphasize how his dogs fart a log, and that is really too much. 

Today, no matter what Nossiter says, we have more diversified and better quality wines around the world than ever before.

Here is another good review of this film I agree with by Decanter.

See my other reviews of film about wine here in this blog.