Book review: Hunan Harvest (1946) by Theophane Maguire, ****

Synopsis

Diary of a young American Passionist missionary who is sent deep into China to preach and help. Theophane is just twenty-five years old when he travels to Hunan, learns the language and starts four years of intensive work against all odds.

According to the Passionist Historical Archives, Father Theophane Maguire, C.P., St. Paul of the Cross Province (1898-1975) was born in Wayne, Pennsylvania. He attended St. Joseph's Jesuit Prep in Philadelphia. There he became interested in the Passionists and decided to enter the novitiate in Pittsburgh, Pennsylvania. On August 13, 1917 he professed his vows and received the name Theophane. He was ordained on October 28, 1923 and quickly was assigned to the Passionist mission in Hunan, China. After he returned from the mission in 1929 he wrote Hunan Harvest which was published in 1946.

Back in the United States he went to Pittsburgh and eventually to Union City where he was editor of Sign magazine. Later in Pittsburgh he did fund-raising and worked at the retreat house. His later years were at the Passionist monastery, North Palm Beach, Florida. His last days were spent at the Passionist infirmary of Brighton, Massachusetts.

Review

Unique book by an ardent Christian missionary in one of the least known provinces of China. Magire writes well and draws the reader into the harsh reality he experiences every day.


He is very dedicated to the people of Hunan, but even more to their souls, which he wants to "harvest" for Jesus Christ. It is an attitude one often finds in Christian missionaries around the world.   While he humbly serves his superiors and is truly compassionate with the Chinese, he does betray a kind of complex of superiority. He writes (p.24) that training of missionaries in the local languages is a good idea because "it is a matter of results, which in this case is to be reckoned in souls. We were to deliver a doctrine entirely new to these people. We were to deliver a message that is supernatural. It is opposed to beliefs that are rooted in centuries of obstinate tradition. it slashes at old habits and widely observed superstitions." Well many Chinese are superstitious indeed, but I am not sure they are more so than Westerners on average, and in any case the incredible wealth of Chinese culture can hardly be dismissed as just a matter of superstition,. many would argue that religion itself, any religion, is superstition.

While he does endure lots of suffering, one can see he and his colleagues are often privileged compared to their fellow Chinese helpers: for example he is depicted as traveling on horseback while his Chinese companions are on foot.

At the end of the book, he seems to worry more about the future of Christian proselytism in Hunan than about the horrors of the civil war or the gathering storm of the Japanese invasion.

Another interesting aspect of the book is that he pays a lot of attention to the minorities of China, especially the Miao people whom he met on several occasions.

He is also a careful painter of scenes of everyday life in rural China where warlords called the shots and the rule of law enforced by the state was nowhere to be seen: the Emperor is far away, as an old Chinese saying goes.

The book is also valuable because it contains lots of drawings that convey a sense of the atmosphere where father Maguire worked for four years. I reproduce them here.

Zhangjiajie: caverne e gamberi di fiume

Oggi giornata sulle montagne di Zhangjiajie, con imponenti strapiombi e drammatiche caverne carsiche. Ci avviciniamo al sito a piedi sotto un sole a piombo, e pagato il biglietto ci fanno salire su un pullmino che ci porta all'entrata delle caverne. Percorso di curve a gomito su per la montagna. Ad ogni curva parte un avviso in cinese e inglese: "stiamo per entrare in una curva, State seduti e aggrappatevi ai braccioli", così per decine di volte fino a che arriviamo a destinazione!

Sul piazzale antistante l'entrata delle caverne vedo un cartello, sempre cinese ed inglese, che legge così:

Tourism Etiquette Rules for Chinese Citizens

The cultivation of a congenial and harmonious travel environment benefits every tourist. it is our burden to be a tourist with refined manners and to observe the following tourism etiquette rules.

1. Keep the environment clean and tidy. Don't spit about or spit chewing-gum. Don't litter and don't smoke except in designated areas.

2. Observe public order. Don't yell or shout out loud and always join in a public queue for good order. Don't walk abreast on a sidewalk. Don't talk loudly.

3.Preserve the ecological environment. Stay off public lawns and refrain from picking flowers or fruits. Don't chase or catch animals or feed them irresponsibly.

4. Protect historical sites and cultural relics. Don't inscribe anything or scrawl graffiti on them. Don't touch or climb on top of them and observe restrictions when taking photos with them.

5. Be respectful to the people around you. Don't try to snapshoot pictures with foreign friends without their permission. Don't sneeze onto them.

6. Don't occupy public facilities for too long. Esteem the work of the service staff. And respect the local religious customs.

7. Show courtesy to others. be dressed appropriately. Don't go barebacked in public places. be considerate toward the aged, the disabled and give them priority. Be chivalrous to the female by allowing them first. Never use vulgar language.

8. Take part in healthy entertainments. Say no to feudal superstitious activities. Stay away from pornography, gambling and drugs.

Mi sembrano buoni principi, saggi insegnamenti. Chissà perché quanto appena riportato dovrebbe essere applicabile solo ai cinesi. Forse perché le autorità sono al corrente che, per tanti turisti cinesi, anche se non per tutti, i soldi sono arrivati prima dell'educazione, della cultura delle buone maniere. E poi chissà perché hanno sentito il bisogno di tradurre in inglese se i destinatari del messaggio sono i cinesi.

Poi c'è un altro cartello, questo rivolto a tutti indistintamente, che legge: 

Le buone maniere delle persone sono apprezzate tanto quanto le bellezze della natura

Le caverne sono impressionanti, si cammina per 15 chilometri sottoterra, in enormi volumi che ti fanno sentire piccolo. Ci sono anche cascate, la più alta misura oltre 50 metri di altezza.

Si paga un biglietto di 100 RMB. Entriamo con un gruppone, è obbligatorio. Ma appena dentro il nostro spirito libero ce li fa seminare e ci troviamo da soli, molto meglio per godersi le caverne!

C'è anche un giro in barca compreso nel biglietto. Le caverne infatti nascondono un lago sotterraneo che gira intorno agli anfratti più nascosti. C'è una lunga fila per salire a bordo ma fortunatamente ci sono due file: una per i gruppi, con centinaia di persone ad aspettare, ed una per i turisti individuali, con UNA persona che aspetta. Chissà perché? Naturalmente ci uniamo a lui e dopo pochi minuti siamo sul barchino. Ci viene fatto segno di sederci davanti così abbiamo il miglior posto per gustarci i colori delle luci che dipingono le pareti delle grotte.

Quando usciamo dalle caverne di Huanglongdong, la più impressionante, ci aspetta una sorpresa. C'è una manifestazione canora in corso una sorta di competizione per cori femminili. Tante signore sfoggiano colori sgargianti, eleganti, e sono piene di entusiasmo mentre posano per i fotografi. Purtroppo la competizione canora è già finita. Peccato mi sarebbe piaciuto assistere.

È stata una giornata lunga, siamo stanchi ed anche abbastanza affamati quando usciamo dal parco. Riprendiamo il bus che ci riporta in città, naturalmente stando attenti a restare seduti e ad aggrapparci ai braccioli ad ogni curva e poi a piedi verso l'albergo.

Sulla strada mi cade lo sguardo su un cartellone, oggi è giornata:

Combatti il male della religione

credi nella scienza

Io non sono religioso, anzi, piuttosto tendente all'anticlericale, se potessi tornare indietro nel tempo vorrei essere un liberale del risorgimento italiano, quando si lottava per fare Roma capitale d'Italia. Liberale politico ed economico, e libertario di vedute sociali. Ma penso che la religione dovrebbe restare un fatto rigorosamente personale, e che lo stato debba intervenire solo quando il fanatismo religioso disturba la quiete civile.

E comunque sostenere nella stessa frase di combattere la religione (oggetto di "credo" per antonomasia) e poi esortare a "credere" nella scienza mi pare contraddittorio. Non si “crede” nella scienza, e la scienza non ce lo chiede. Ci fornisce informazioni, conoscenze, non credenze. O una cosa la sappiamo se abbiamo prove scientifiche che sia vera, o non la sappiamo, forse non ancora. Ma non si può "credere" nella scienza.

Poco più avanti vediamo un ristorantino dall'aria invitante. Lifang mi dice che si tratta di pesce e frutti di mare. O meglio frutti di fiume, difficile che arrivi pesce dal mare sulle montagne dello Hunan. Decidiamo di dare un'occhiata.

Ci accoglie con grande simpatia il gestore, un ragazzo spigliato sulla trentina, che assicura Lifang di avere ottimi gamberi di fiume. Non c'è altro da dire, dopo un secondo siamo seduti.

Si chiamano gamberi ma in realtà assomigliano molto più a degli astici in miniatura, sia per forma, sia per sapore. Il signor Wu ci racconta che fino all'anno scorso lavorava nella provincia della Zhejiang (vicino Shanghai) ma poi è voluto tornare a casa qui in Hunan. L'occasione è stata la conoscenza di un ottimo fornitore di gamberi di fiume, per cui era sicuro che avrebbe avuto materia prima di ottima qualità.

gamberi di fiume

Dopo averci servito una cena luculliana torna a sedersi con noi a chiacchierare un po’. Dice che non gli capita spesso, anzi praticamente mai, di avere stranieri nel locale. Lui è interessato a parlare con tutti, tranne che con i giapponesi. Non può dimenticare la storia. È abbastanza sorprendente come ci sia ancora così tanto astio verso il Giappone. Senza dimenticare gli orrori dell'occupazione nipponica, e le atrocità commesse, sono comunque passati oltre 70 anni. Anche in Europa le atrocità naziste non sono state da meno, anzi, ma adesso il risentimento verso la Germania è limitato.

Forse una ragione è che il Giappone non ha fatto quanto ha fatto la Germania per recuperare. E la propaganda cinese non perde occasione per ricordare al popolo i fatti degli anni venti e trenta del secolo scorso. Anche se non capisco il cinese, gli sceneggiati televisivi che ogni giorno ripropongono la guerra con il giappone, la resistenza dei partigiani (di quelli comunisti, non dei nazionalisti di Chiang) sono chiaramente mirati a tenere accesa la fiamma dell'odio. Eppure con il Giappone c'è un legame economico stretto, la Cina esporta tutto e importa tecnologia. E i cittadini giapponesi possono venire in Cina senza visto, privilegio che non è concesso a noi europei o agli americani.

E veramente non vengono neanche molti cinesi, infatti stasera siamo forse, sì e no, una quindicina di avventori. Stranieri qui ne vengono pochi, e i cinesi sono in grande maggioranza inquadrati in viaggi di gruppo e mangiano negli alberghi dove dormono, tutto organizzato dalle agenzie.

Ci regala un bicchierino di liquore di riso. A Roma ti darebbero un amaro (che poi è sempre dolce) offerto dalla casa,  ma il concetto è lo stesso. Ci recita un proverbio cinese, i cinesi hanno sempre un proverbio pronto a tutte le situazioni: "se sei con un amico, bevi fino a che sanguini".

Film Review: Mongol (2007) by Sergei Bodrov, *****

Synopsis

A historical epic that covers the early life of the legendary Mongolian leader Genghis Khan (Tadanobu Asano).

The first part of a planned trilogy, the film focuses on the future ruler's brutal childhood, as he suffers starvation and slavery, through to the battle that would cement his power.

Inspired by a poem translated from the Chinese that supposedly tells of Khan's formative years, director Sergei Bodrov ('Prisoner of the Mountains') offers a multidimensional portrait of the conqueror, focusing on the deep relationship he had with his beloved Borte (Khulan Chuluun) who was not only his wife but his most trusted advisor.

Temüjin pledges to unify all of the Mongol tribes, and eventually does, and imposes three basic laws for them to abide by: never kill women and children, always honor your promises and repay your debts even at the cost of your life, and never, ever betray your Khan.

Review

A gripping tale of the cruel life in the steppe at the time of the rise of the Mongol empire, which would go on to take over most of China and establish the Yuan dynasty in the 13th century. Kublai Khan, who was the Emperor of China at the time of Marco Polo’s travels, was the grandson of Genghis, the protagonist of this film.

Other films about China are reviewed here in this blog.

Film review: Ju Dou (1990), by Zhang Yimou, ****

 Synopsis


In Zhang Yimou and Fengliang Yang's sensuous, Oscar-nominated Ju Dou (1990), billowing bolts of red, yellow and blue dyed silk have more freedom than any of the main characters, who are cut off from the possibility of happiness by circumstances and convention.

The trouble starts early, when Tian-qing (Li Baotian) returns from a long road trip and first sets eyes on his new aunt, the beautiful young Ju Dou (Gong Li). Tian-qing's selfish, harsh silk-dyer uncle Jin-shan (Li Wei) - who reluctantly took Tian-qing in after his parents died - has already gone through two wives, and at first his third seems likely to join her predecessors. Jin-shan routinely beats and humiliates Ju Dou at night, berating her for failing to give him a son (he blames her despite his own impotence and sterility).

Tian-qing is drawn to his lovely, sorrowful "aunt," and eventually they begin a torrid affair. But the strict rules and customs of 1920s China make it impossible for them to build a life together, even after Jin-shan becomes paralyzed and Ju Dou gives birth to Tian-qing's son (whom Jin-shan claims as his own).

Review

A gripping story about how tradition and cultural context can make it impossible to find happiness. Wealth, prestige, beauty, strength, youth all abound in the big house of the cloth dyer, but no one is happy. And it is unhappiness of their own making. The bad old man has his evident faults, he seems to attract hate like a magnet. The young couple is brave and fight for their rights, at least as we can tell with XXI century eyes. But they also err in taking on a battle against their world (feudal rural China) and impossible odds.

Even the little boy who is born out of wedlock in this cruel environment becomes evil very soon in his life, and after his "official" father drowns in a pool of color dye he can only smile and seems bent on perpetuating his heartless character. He viciously kills his biological father when he realizes they are all the object of gossip in the village.

The final fire that consumes the dye factory is perhaps the only satisfying scene of the film, and I read it as a depiction of the last vestiges of feudalism in China crumbling down with the onslaught of modernity. Very good photography in this film. It is paradoxical that the long rolls of cloth of the dye factory give so much color to a very sad and dark story. The DVD is technically poor, seems a bad digitalization from a film roll, for this I take out one star.

The erotic charge is strong in some scenes in this movie and it is always present in the background, but very indirectly. I would not say this is an erotic tale. No nudity at all is to be seen, presumably to get past the Chinese censor.

See more reviews of films about China here on this blog.

Film review: Curse of the Golden Flower (2006), by Zhang Yimou, ****

Synopsis

From Zhang Yimou, the Director of Hero and House of Flying Daggers, comes a stunning epic about the folly of war and the disintegration of one family under the weight of unrequited love, unforgivable betrayals, and a never-ending thirst for power.

On the eve of the Chong Yong Festival, golden flowers fill the Imperial Palace and when the Emperor (Chow Yun Fat) unexpectedly returns to his Empress (Gong Li) and two sons, the tension is clear in his lavish kingdom. His absence has given rise to illicit love affairs, dangerous alliances, and malicious conspiracies; all of which threaten to overthrow his power.

However, it may well be the Emperor’s own dark secret that threatens him most of all. As the secrets of the Imperial family unravel against this backdrop of breathtaking opulence and grandeur, an attack on the Palace by myriad armoured warriors results in a spectacular climax wrought with thrilling action and epic tragedy.

Interesting bonus features on the main actors and backstage.


Review

Another grand movie by Zhang Yimou with a sure-fire couple of protagonists in Chow Yun Fat and Gong Li). It will be a masterpiece for the lovers of wuxia and, more generally, of Chinese epic films. I am not, but liked the movie as well for the majestic historical reconstruction (a whole new Forbidden City) and marvellous costumes. Grand scenes of battle, with over one thousand extras (appropriately recruited in the Chinese army!) are memorable if utterly unrealistic.

What a sad life in the palace. From the Emperor to  the most humble of servants, everyone is watching everyone else, there is no privacy, no trust, no happiness really. I can't remember anyone smiling in this film! It makes you thank your fate for not being born a royalty in medieval China!

The western blurb for the movie (but not the Chinese) advertises it as taking place in the period of the late Tang dynasty. I was a bit disappointed because I expected more of a historical film about the Tang dynasty. I was led to think of this as a historical fiction, and it really is not.

See my selection of movies on China here in this blog.

You can buy the film here. Other films by Zhang Yimou here.



In the US and worldwide buy it here:



If you liked it, you may wish to look at other films by Zhang Yimou

Book review: Catching Fire - How Cooking Made Us Human (2009), by Richard Wrangham, *****

Blogger learning to be human

Synopsis

Ever since Darwin and The Descent of Man, the existence of humans has been attributed to our intelligence and adaptability. But in Catching Fire, renowned primatologist Richard Wrangham presents a startling alternative: our evolutionary success is the result of cooking. In a groundbreaking theory of our origins, Wrangham shows that the shift from raw to cooked foods was the key factor in human evolution.

Wrangham argues that it was cooking that caused the extraordinary transformation of our ancestors from apelike beings to Homo erectus. At the heart of Catching Fire lies an explosive new idea: the habit of eating cooked rather than raw food permitted the digestive tract to shrink and the human brain to grow.

When our ancestors adapted to using fire, humanity began. Time once spent chewing tough raw food could be used instead to hunt and to tend camp. Cooking became the basis for pair bonding and marriage, created the household, and even led to a gender-based division of labor.

Tracing the contemporary implications of our ancestors’ diets, this book sheds new light on how we came to be the social, intelligent, and sexual species we are today. As our ancestors adapted to using fire, humans emerged as "the cooking apes".


Review

Cogito ergo sum, said Descartes. Coquo ergo sum is the gist of this book. According to largely accepted scientific research, Homo erectus sprung up from the earlier Australopithecines by eating meat.The transition from homo erectus to homo sapiens, us, is owed to a major innovation: cooking.

Levi-Strauss, in his The Raw and the Cooked: Introduction to a science of mythology (Pimlico), wrote that fire marks the transition from nature to culture. Few would dispute that the cuisine of any nation is a major trademark of its cultural complexity and sophistication. And cooking, in its many diverse methods (grilling, steaming, boiling, baking etc) is an essential part of any major cuisine in the world.

Our bodies evolved because we learned to cook: besides a smaller stomach and larger brain, we lost our climbing ability (no need to climb if fire can protect camp on the ground) in favor of better running skills. And we have much smaller teeth compared to our ancestors who did not cook.

Cooking also played an essential role in making mankind a carnivore, as it makes it efficient to digest and store large amount of animal proteins in a way that would have been unthinkable with just raw meat. But for vegetarians there is some consolation as well: cooking made it possible to digest many more types of roots.

Finally, this book delves on the social implications of cooking: how it shaped the man/woman relationship in the house, and how it made it easier to use meals as a social event. Some cultures have peculiar (to us) habits: among the Bonerif of Papua, a woman will sleep with every man in the village except her brothers before finally getting married; but the moment she feeds a man she is committed and irrevocably considered his wife!



In the UK you can buy it here:



In France and Belgium



In the US and worldwide buy it here



If you feel inspired to become more human, consider buying one of these books about cooking!

Book review: South Africa: A Traveller's History (2003), by David Mason *****

Travel to multi-colored South Africa

Synopsis

A Traveller's History of South Africa is intended as a comprehensive single volume survey of one of today's most popular and exciting destinations. Lifting the lid on this most multi-cultural of societies - and its chequered past - the book will begin by tracing the evolution of South Africa from prehistoric times, taking into account the most recent archaeological and anthropological findings. It will then chart the penetration of the region by European explorers and traders; the political, social and economic developments that follow on from this, and finally, the complicated descent into state repression of the majority black population after the Second World War. Bringing the story up to date, the book will also include practical information for the visitor, as well as a full compendium of historical facts and data.


Review

Well written brief history of South Africa, will be a friendly companion to travelers there and will help appreciate the country better than a guide book.

Racial issues of course are prominent in this book, and the white vs black juxtaposition is described in a wealth of details. But the history of South Africa is one of parallel struggles amongst the white colonizers, one the one hand, and among indigenous Africans, on the other. English and Dutch settles (less the French) fought each other as much as Zulu fought Xhosa.

Interesting to learn that the NNC (forerunner of the ANC) supported segregation because it saw it as a way to acquire power over African tribal rulers. Yet, as Mandela put it, segregation developed over time to become " the codification inone oppressive system that was monolithic, diabolical in detail, inescapable in reach and overwhelming it power".

See other books and films about South Africa I reviewed in this blog.

Book review: Bangkok, the story of a city (1970), by Alec Waugh, ***

Royal Thai Dynasty

Synopsis

In Bangkok, Alec Waugh has created a most fluent, truthful and affectionate portrait of the dynasty and culture which created it. Cutting through confusion and veiled mystery, he unravels the plots, coups, wars, assassinations, invasions and counter-coups of three hundred years of history as if it were this evening's street gossip. This loving description of the genius, fascination and enduring vitality of Thailand is told with Waugh's customary delight in life and sensual appreciation. The story is brought up-to-date with an afterword by Bruce Palling, former "Times" correspondent in Thailand.


Review

King Rama V Chulalongkorn (1853-1910)

This is a book mostly about the ruling dynasty of Thailand. I was a bit disappointed because I expected a history of the city of Bangkok, which this book is not, even though of course the dinasty resides in the capital. Waugh relies more on anecdotal stories and personal experience than on methodical historical research. He does infuse his narrative with a full flavor and unbound passion however, and just for this it is worth reading this volume. The reader will understand much about intrigue at the court. I would have liked to know about the people of Bangkok, their economic and social issues and the problem they have faced in their everyday life throughout history.

Book review: Ah ku and Karayuki San: Prostitution in Singapore, 1870-1940 (1993), by James Francis Warren, *****

Synopsis

Among the many groups of foreign workers whose labor built Singapore in the 20th century, there may be none as marginalized in memory as the women who travelled from China and Japan to work in Singapore as prostitutes.

This definitive study sketches in the trade in women and children in Asia, and -- making innovative use of Coroner's Inquests and other records -- hones in on the details of the prostitutes' lives in the colonial city: the daily brothel routine, crises and violence, social relations, leisure, social mobility for the luckier ones, disease and death.

The result is a powerful historical account of human nature, of human relationships, of pride, prejudice, struggle and spirit. Ordinary people tumble from the pages of the records: they talk about choice of partners, love and betrayal, desperation and alienation, drawing us into their lives.

This social history is a powerful corrective to the romantic image of colonial Singapore as a city of excitement, sophistication, exotic charm and easy sex.

In the years since its original publication in 1992, this book, and its companion Rickshaw Coolie, have become an inspiration to those seeking to come to grips with Singapore's past.

This monograph shows how prostitution flourished in Singapore due to the massive influx of male migrant labourers without a corresponding increase in women immigrants. Another reason was the famine in south-east China and north-west Kyushu, which moved many families to sell their young daughters to traffickers. It describes the two brothel zones set up in Singapore. The VD epidemic that struck following the repeal of the Contagious Diseases Ordinance, as a result of agitation by Victorian moralists in England, is highlighted. As elsewhere, wishing a "problem" away did not solve it, if fact if made it worse. The second part of the text deals with events in the lives of these Chinese and Japanese prostitutes.

Review

Like in his other book on Rickshaw coolies, the author tells us about the history of Singapore around the turn of the XX century as seen by some of the most humble people living there. In particular, we are led through Singapore by the Chinese ah ku (euphemistic Cantonese for lady) and the Japanese karayuki-san (Japanese: the women who went South, to China).

These women were running away from abject poverty at home, and were prepared to take any risk to buy or bribe their way to Singapore in the hope of making a livelihood. But what awaited them in Singapore was not a promised land, but rather violence, hard work, disease, exploitation. Many died violent deaths. Most got VD.

While exploitation was rampant, the exploiters had no easy life. We understand that "to run a good brothel in Singapore around 1900 required courage, shrewd judgement of character, physical stamina on a round-the-clock basis, a decent knowledge of first aid , do-it-yourself gynecology, and skill in self-defense" (p.229)

Some however were able to make a living, pay off their debt and open a brothel of their own. A few lucky or cunning ones were even able to marry one of their clients and become ladies in the Victorian society.

More about prostitution in Singapore today can be read here, including a useful bibliography.

Recensione film: La meglio gioventù (2003), di Marco Tullio Giordana, *****

Sinossi

E' la storia di due fratelli attraverso quarant'anni di vita italiana, dal 1960 a oggi. Attraverso questo piccolo nucleo di personaggi rivivono ne "La meglio gioventù" avvenimenti e luoghi cruciali della storia del nostro paese: dalla Firenze dell'alluvione alla Sicilia della lotta contro la mafia, dalle grandi partite della nazionale contro la Corea e la Germania alle canzoni che hanno fatto epoca, dalla Torino operaia degli anni settanta alla Milano degli anni ottanta, dai movimenti giovanili del terrorismo, dalla crisi degli anni novanta al tentativo di inventarsi e costruire un paese moderno.


Recensione

Sono sei ore di film, e forse ne sarebbero bastate di meno, ma è un piacere gustarsi questo semi-documentario su 40 anni di storia d'Italia. Gli attori sono bravi ma non eccellenti, il che, paradossalmente, secondo me è un pregio, perché fa apparire questo film più realistico, meno recitato. Le storie dei vari personaggi si intrecciano bene ed il ritmo è sempre incalzante.

Dal miracolo economico degli anni sessanta alle prime crisi sindacali, al terrorismo, passando per l'abolizione dei manicomi, la vittoria della Coppa del Mondo del 1982, tangentopoli e fino a ritrovare i nostri protagonisti con i capelli bianchi ed i figli che si sposano.

Credo che questo film possa essere utile soprattutto agli stranieri per capire meglio il nostro paese, magari prima di venirci in viaggio, con le sue luci, le sue ombre e le sue contraddizioni, senza romanticismi e luoghi comuni.

Film review: Memoirs of a Geisha (2005) by Rob Marshall, *****

Synopsis

An adaptation of Arthur Golden's best-selling novel by the director of Chicago, Rob Marshall, transports us into a mysterious and exotic world that casts a potent spell. A Cinderella story like no other, Memoirs of a Geisha stars Ziyi Zhang, Ken Watanabe, Michelle Yeoh and Gong Li.

The director of Chicago, Rob Marshall, transports us into a mysterious and exotic world that casts a potent spell. A Cinderella story like no other, this film takes the viewer to Japan in the late 1930s to discover what role geishas played in high society. We can follow the life of a young girl whose family sells to be a maiko (apprentice geisha) in an okiya, a geisha house. She has to put up with a lot (jealousy, competition, envy) before finally becoming a full geisha.


Review

Wonderful photography in this film, not hard to guess it won Dion Beebe a cinematography Oscar. Ditto for the costumes by Colleen Atwood. It is a long film, but it flows fast and you are left at the end wanting for more.

The film has been banned in China as too sensitive, probably because of Chinese actresses being employed in the role of geishas, seen as degrading in China.

Memorable quote, the Chairman to Sayuri: «We must not expect happiness, Sayuri. It is not something we deserve. When life goes well, it is a sudden gift; it cannot last forever!»

Bonus contents are also very well made and add a lot of value to this BD:
-Geisha Bootcamp (See how the actresses became geishas),
-Building the Hanamachi (Behind-the-scene documentary),
-The Look of a Geisha (Inside the wardrobe and make-up),
-The music (composer John Williams take you through his approach to the score),
-and other background material on Japan and "making of" the film.

Buy your European BD here.




Buy your US BD here


You can buy the book on which this film is based here

Film Review: Confucius (2010) by Hu Mei, ****

Synopsis

From the acclaimed producer of John Woos Red Cliff and Jet Lis Warlords, comes this powerhouse biopic of the legendary Chinese philosopher, Confucius.

In 500 B.C., during China's Spring and Autumn Period, Kong Ze (Confucius), a commoner reverred for his outstanding wisdom, is made Minister of Law in the ancient Kingdom of Lu. Under his inspired leadership, Lu ascends to new heights but becomes a target of conquest for the warlike nation of Qi. Threatened with annihilation by their powerful neighbour, a desperate people turn to their greatest teacher to lead their most powerful army. When Confucius delivers a stunning victory against all odds, a jealous aristocracy sets out to destroy him, but they under-estimated a remarkable man whose wisdom is more powerful than the sword.

With breathtaking cinematography from Oscar-winning director of photography, Peter Pau (Crouching Tiger, Hidden Dragon), Confucius is a compelling invitation to discover the remarkable story of one of history's greatest heroes.

Review

An impressive big budget movie that will teach you a lot about Confucius and China in the VI-V centuries B.C. Huge sets have been build to replicate imperial palaces and other scenery. Acting is excellent, with Chow Yun-fat at his best.

The script is a bit confusing however, maybe it needs to be watched a few times. Too many intrigues and intertwined stories make it hard to follow.


For travelers, the most famous of innumerable quotes by Confucius is «A journey of a thousand miles begins with a single step.»

You can watch the theatrical trailer here.

You can see a selection of movies on China I have reviewed on this blog here.

Film review: Lust, Caution (2007) by Ang Lee, ****

Synopsis

After Brokeback Mountain andThe Hulk, multitalented director Ang Lee returns to Asia with this Mandarin-language erotic drama. Lust, Caution pairs celebrated actor Tony Leung (2046) with gifted newcomer Tang Wei. In 1938, China is occupied by the Japanese, but it's not only the country's neighbours who are hated by the loyal Chinese. The nation's resistance also centres on those who willingly collaborate with Japan. Wong Chia Chi (Tang Wei) is part of an acting group, but their sights are set beyond the stage: they want to use their abilities to attack Mr. Yee (Leung), a known traitor. Wong poses as a businessman's wife, and she begins to lure Mr. Yee in, but they're separated before she has her chance. Three years later, they meet again in Shanghai, and a heated affair begins. As Wong grows closer to Mr. Yee, there is doubt that she can aid in her lover's downfall.

At times, Lust, Caution evokes memories of Wong Kar-Wai's In the Mood for Love. Both are heat-filled period films that feature Leung, but while the earlier picture focused on a love that was never consummated, Lust, Caution allows its lovers to realise their passion as often as one could imagine. Despite this, it never allows the sex to get in the way of the plot or the images. Director of photography Rodrigo Prieto has worked with directors as diverse and impressive as Oliver Stone, Julie Taymor, Spike Lee, and Alejandro Gonzalez Inarritu, and he continues this fine tradition with his second pairing with Lee after Brokeback Mountain. Here Prieto has a head start thanks to beautiful costumes and beautiful people, but this is another film that is simply gorgeous to look at.