Synopsis
Mr. Chu is a recently widowed tai-chi master who moves from Beijing to New York to live with his son. Chu's American daughter-in-law, Martha, can't stand having him around the house. He finds her Western ideas on raising children and keeping a home to be curious at best. These conflicts test family bonds and Mr. Chu's highly developed sense of balance. This was the first feature as a director for Ang Lee (Sense and Sensibility) and has many of the hallmarks of his later, better-known works: finely observed characters, gentle yet pointed humor, and the ability to see and understand both sides of a cultural divide. The charismatic Sihung Lung (who also starred in Lee's The Wedding Banquet and Eat Drink Man Woman) plays Chu with strength and understatement, but Deb Snyder is miscast in a thankless role. The title refers to a tai-chi exercise that's at the center of the film's best scene, a standoff in the kitchen of a Chinese restaurant. --Geof Miller for Amazon
Review
Another great movie by Ang Lee and superb interpretation ny Sihung Lung. The eternal problem of how do deal with our elders. Difficult to keep them at home with our spouses, yet difficult to abandon them in a hospice for old people. It can be a lose-lose situation. Or it can be a win-win situation if all concerned make an effort. In the end, in this movie, the grandfather successfully blends his need to keep in touch with son and grandson, but without interfereing in their lives too much.
As always with Ang lee and Sihung Lung, food and cooking plays out all along the film. It is a healthy reminder of the central role food and eating together plays in family life in any culture. Tai chi is not a central part of this movie, and therefore I'd say the title is a bit out of context. Also, some of the fighting scenes where old Sihung Lung beats dozens of younger men while practically standing still are a bit exaggerated!
I found this movie thoroughly enjoyable and very perceptive. The movie is set in the US with a Chinese protagonist, and as such does provide insights into the problematic meeting of Western and Eastern minds, though the issues it addresses are really universal. Strongly recommended.
You can read a list of movies about China I have reviewd here on this blog.
06 July 2012
Film review: Bottle Shock (2008) by Randal Miller, ****
Synopsis
The build-up to the famous 1976 Judgement of Paris competition between French and Californian wines. Napa Valley's Jim Barrett (Lost Highway's Bill Pullman) has been plugging away for years with minimal success. A former attorney, Barrett runs Chateau Montelena with his wayward son, Bo (Chris Pine, the Star Trek prequel's Captain Kirk), who would rather do anything than assist his stern father. Bo's co-workers include Gustavo (Six Feet Under's Freddy Rodríguez) and Sam (Transformers' Rachael Taylor), who long to produce the perfect chardonnay. Naturally, the young men compete for the favors of the beautiful blonde (the movie's least interesting angle). Across the Atlantic, Steven Spurrier (Alan Rickman) struggles to keep his Parisian wine shop going (cheapskate American Dennis Farina is his only regular customer). Then Spurrier conceives a contest to attract customers.
Review
While based on a true story, the film takes some liberty at embellishing the facts with romance and family feuds, but this does not detract from it being highly instructive for wine lovers.
The title is a pun: the "bottle shock" is what may ruin a wine because of vibrations and temperature variations during protracted and unprotected transportation. It is also the result of the tasting, which shocked the wine world for what a bottle of California wine was able to produce.
The competition itself should have been given more time in the movie in my view, as it was the event that justified making the movie in the first place and changed the world of wine ever since.
Also, the movie does not make it clear that the competition was only for a few varieties, ie Chardonnay and Cabernet Sauvigons/Merlot blends, and as such can in no way be interpreted to be an overall match between Californian and French wines.
Finally, one can not help but notice somewhat of a pro-Californian bias in the movie, but this is perhaps inevitable given the nature of the real historical events. I would like to see a film of the 2006 rematch, which California, again, won hands down, in fact by an even greater margin.
The competition itself should have been given more time in the movie in my view, as it was the event that justified making the movie in the first place and changed the world of wine ever since.
Also, the movie does not make it clear that the competition was only for a few varieties, ie Chardonnay and Cabernet Sauvigons/Merlot blends, and as such can in no way be interpreted to be an overall match between Californian and French wines.
Finally, one can not help but notice somewhat of a pro-Californian bias in the movie, but this is perhaps inevitable given the nature of the real historical events. I would like to see a film of the 2006 rematch, which California, again, won hands down, in fact by an even greater margin.
See the book "The Judgement of Paris" which I reviewed in this blog.
04 July 2012
Film review: Chocolat (2000), by Lasse Hallström, ****
Synopsis
Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff Shannon for Amazon
Review
A drifting single mother comes to inject a healthy does of laicism and joie de vivre in a sleepy French village soaked up in bigotry. The two are at first ostracized but then, slowly, people in the village, and eventually even the strict, hypocritical and controlling mayor, are moved to see the brighter, sweeter side of life that chocolate represents. You don't have to be a chocoholic to get the point!
Binoche is simply superb throughout.
This well paced film is an invitation to free ourselves from stereotypes, and enjoy what life has to offer. I don't know if Steve Jobs ever saw this movie, but he might have said it is an exhortation to "be hungry, be foolish". Don't sit back and watch life flow past you, but look at what is new, unusual, apparently useless or even frivolous, and go for it: much good could come out for you!
Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff Shannon for Amazon
Review
A drifting single mother comes to inject a healthy does of laicism and joie de vivre in a sleepy French village soaked up in bigotry. The two are at first ostracized but then, slowly, people in the village, and eventually even the strict, hypocritical and controlling mayor, are moved to see the brighter, sweeter side of life that chocolate represents. You don't have to be a chocoholic to get the point!
Binoche is simply superb throughout.
This well paced film is an invitation to free ourselves from stereotypes, and enjoy what life has to offer. I don't know if Steve Jobs ever saw this movie, but he might have said it is an exhortation to "be hungry, be foolish". Don't sit back and watch life flow past you, but look at what is new, unusual, apparently useless or even frivolous, and go for it: much good could come out for you!
01 July 2012
Photo exhibition: Robert Capa in Verona
Today I went to see the Robert Capa photo exhibition in Verona. Organized by Magnum Photos, the historic photographic agency founded in 1947 by Robert Capa himself, the great French photographer Henri Cartier-Bresson and other great photographers of that time, the Verona photo exhibition intends to pay homage to Robert Capa, one of the most influential photographers of the 20th century.
Description
The Verona exhibition presents some of the crucial moments of the history of the past century, documented by Robert Capa during his many trips. Almost one hundred photogaphs are shown, all B&W, which represent a compendium of Capa's work over a quarter century.
Born in Budapest in 1913, Robert Capa (born Endre Friedman) started working as a photographer in Berlin, and soon got in contact with an important photographic agency. With the rise of Hitler Robert Capa left Berlin and followed his restless soul across Europe until the start of World War II when he decided to move to New York and started working for “Life”.
The earliest pics are the photos taken in 1932 during the Leon Trotsky conference in Copenhagen, when for the first time the violence of Stalin regime was exposed.
We then move on to the Paris riots of the late 1930s. Capa then goes to war: first the Spanish civil war, then the Japanese invasion of China and finally the Second World War, where he followed the Allied landings in Sicily and then D-Day. On that fateful day he took over 500 pictures, but only a dozen or so survive because a technician screwed up the development of the rolls he sent back to England!
The exhibition in Verona also contains a display of photos showing some of Robert Capa’s friends, such as Hemingway, Faulkner, Matisse and Picasso.
We can also see photos taken in the Soviet Union in 1947, as well as the founding of Israel and finally his last photos taken in Indochina, where Robert Capa travelled to document the independence war and where he was killed in a mine field on 25th May, 1954.
Finally we see pictures of his lover Ingrid Bergman.
Review
I always loved his most quoted teaching to photographers around the world: "If your photographs aren't good enough, you're not close enough."
He certainly did get close to the action. He risked his life in many a war theater, often at the front line, and eventually died doing so. It is then surprising that he seems to have faked the most important image of his entire career. But then, at that time he was not a famous photographer. He was trying to scrape a living and might have given in to the temptation of creating a moving image when he could not find one.
I had a conversation with the exhibition guide about the famous picture of the "death of a militiaman" or "falling soldier". She argued it is genuine, the true instant when the loyalist militiaman was shot dead by Franco's forces. The picture has been controversial for a long time, but now the majority of scholars agree it was most likely staged. Another argument is about whether or not, if the photo was indeed staged, Capa was nonetheless justified in publishing it to send a political message. In my view, he was not. There is a difference between a mock image and a fake one, as it has been argued very well in this article (in Italian).
Some disagree, like my guide today. One famous article to argue that Capa's photograph was not staged was written by Robert Whelan in 2002.
Be that as it may, Capa remains a towering figure of photography. Another of his quotes I like, and try to implement in my travels, is: "Like the people you shoot and let them know it."
You can buy books with Capa's pictures on Amazon:
Here is his autobiographical essay on his work at the front.
 |
| Sicilian farmer showing the way to an American soldier |
The Verona exhibition presents some of the crucial moments of the history of the past century, documented by Robert Capa during his many trips. Almost one hundred photogaphs are shown, all B&W, which represent a compendium of Capa's work over a quarter century.
Born in Budapest in 1913, Robert Capa (born Endre Friedman) started working as a photographer in Berlin, and soon got in contact with an important photographic agency. With the rise of Hitler Robert Capa left Berlin and followed his restless soul across Europe until the start of World War II when he decided to move to New York and started working for “Life”.
The earliest pics are the photos taken in 1932 during the Leon Trotsky conference in Copenhagen, when for the first time the violence of Stalin regime was exposed.
 |
| D-day landing in Normandy, 6 June 1944 |
The exhibition in Verona also contains a display of photos showing some of Robert Capa’s friends, such as Hemingway, Faulkner, Matisse and Picasso.
We can also see photos taken in the Soviet Union in 1947, as well as the founding of Israel and finally his last photos taken in Indochina, where Robert Capa travelled to document the independence war and where he was killed in a mine field on 25th May, 1954.
Finally we see pictures of his lover Ingrid Bergman.
Review
I always loved his most quoted teaching to photographers around the world: "If your photographs aren't good enough, you're not close enough."
He certainly did get close to the action. He risked his life in many a war theater, often at the front line, and eventually died doing so. It is then surprising that he seems to have faked the most important image of his entire career. But then, at that time he was not a famous photographer. He was trying to scrape a living and might have given in to the temptation of creating a moving image when he could not find one.
Some disagree, like my guide today. One famous article to argue that Capa's photograph was not staged was written by Robert Whelan in 2002.
Be that as it may, Capa remains a towering figure of photography. Another of his quotes I like, and try to implement in my travels, is: "Like the people you shoot and let them know it."
You can buy books with Capa's pictures on Amazon:
Here is his autobiographical essay on his work at the front.
17 June 2012
Book review: Delusions of Gender (2011), by Cordelia Fine, ****
Synopsis
Review
I found this book interesting as a further reading in my series on the eternal conundrum of man/woman relationship. This book emphasizes the environmental influence on the development of man and woman, whereas other books looked at the psychological dimension (like "Men are from Mars, Women are from Venus") or at the biological evolutionary aspect (like "Why Men don't Listen and Women Can't Read Maps") of the differences between genders.
Put it another way, what these books purport to be hardware differences, Fine argues are only software differences, the result of education, upbringing, societal influences. Without these external conditioning there is no scientifically measurable difference in the brains of man and woman.
In my view the theory developed in this book does not necessarily contradict those of the other, hardware oriented, books. I came away persuaded both are at work and relevant. I also came away persuaded that it does not make a whole lot of difference, for practical purposes: I believe in equal rights between the genders, and so obviously we must strive for equal opportunity. That will probably not result in equal attitudes, equal predispositions, or equal approaches to problem solving. Or maybe, in time, it will. We'll see. For the time being it is clear that the most important thing is to be aware of existing differences, whether hardware or software. Pretending they don't exist can only be harmful to man/woman relationships and counterproductive to our effort to overcome discrimination.
A vehement attack on the latest pseudo-scientific claims about the differences between the sexes. Sex discrimination is supposedly a distant memory. Yet popular books, magazines and even scientific articles increasingly defend inequalities by citing immutable biological differences between the male and female brain. That's the reason, we're told, that there are so few women in science and engineering, so few men in the laundry room - different brains are just better suited to different things. Drawing on the latest research in developmental psychology, neuroscience, and social psychology, Delusions of Gender powerfully rebuts these claims, showing how old myths, dressed up in new scientific finery, are helping perpetuate the sexist status quo. Cordelia Fine, a cognitive neuroscientist with a sharp sense of humour and an intelligent sense of reality' (The Times) reveals the mind's remarkable plasticity, shows how profoundly culture influences the way we think about ourselves and, ultimately, exposes just how much of what we consider 'hardwired' is actually malleable. This startling, original and witty book shows the surprising extent to which boys and girls, men and women are made - and not born, empowering us to break free of the supposed predestination of our sex chromosomes.
Review
I found this book interesting as a further reading in my series on the eternal conundrum of man/woman relationship. This book emphasizes the environmental influence on the development of man and woman, whereas other books looked at the psychological dimension (like "Men are from Mars, Women are from Venus") or at the biological evolutionary aspect (like "Why Men don't Listen and Women Can't Read Maps") of the differences between genders.
Put it another way, what these books purport to be hardware differences, Fine argues are only software differences, the result of education, upbringing, societal influences. Without these external conditioning there is no scientifically measurable difference in the brains of man and woman.
In my view the theory developed in this book does not necessarily contradict those of the other, hardware oriented, books. I came away persuaded both are at work and relevant. I also came away persuaded that it does not make a whole lot of difference, for practical purposes: I believe in equal rights between the genders, and so obviously we must strive for equal opportunity. That will probably not result in equal attitudes, equal predispositions, or equal approaches to problem solving. Or maybe, in time, it will. We'll see. For the time being it is clear that the most important thing is to be aware of existing differences, whether hardware or software. Pretending they don't exist can only be harmful to man/woman relationships and counterproductive to our effort to overcome discrimination.
10 June 2012
CD review: Lama's Chants Songs of Awa, *****
Synopsis
Marking the 10th year since this popular Buddhist chant album was first released, this reissue ups the ante by featuring an expanded format. The first disc is a re-mastered version of the original album. The second features unreleased live performances by Gyurme and keyboardists Rykiel and Loy Ehrlich between 1995 and 2001, and it's this second disc that is truly intriguing. Recorded in caves, cathedrals, concert halls and open air festivals, the quality of the recordings is excellent. Mostly chanting and occasionally doing some long tones, Gyurme's voice again seemingly embodies a mix of the human and the holy during his prayers for healing, purification, liberation and peace--he's particularly spectacular on his solo intro to "The Mantra Of Padmasambhaval." Musically, Ehrlich seamless fills out Rykiel's ambient backgrounds, and two do a fine job accentuating the drama and majesty of Gyurme's voice, only overpowering it on the opening "Sacred Words Of Liberation." This is definitely a reissue that deserves to replace the original. -- Tad Hendrickson for Amazon
Marking the 10th year since this popular Buddhist chant album was first released, this reissue ups the ante by featuring an expanded format. The first disc is a re-mastered version of the original album. The second features unreleased live performances by Gyurme and keyboardists Rykiel and Loy Ehrlich between 1995 and 2001, and it's this second disc that is truly intriguing. Recorded in caves, cathedrals, concert halls and open air festivals, the quality of the recordings is excellent. Mostly chanting and occasionally doing some long tones, Gyurme's voice again seemingly embodies a mix of the human and the holy during his prayers for healing, purification, liberation and peace--he's particularly spectacular on his solo intro to "The Mantra Of Padmasambhaval." Musically, Ehrlich seamless fills out Rykiel's ambient backgrounds, and two do a fine job accentuating the drama and majesty of Gyurme's voice, only overpowering it on the opening "Sacred Words Of Liberation." This is definitely a reissue that deserves to replace the original. -- Tad Hendrickson for Amazon
09 June 2012
Film Review: Never Say Never Again (1983), by Irvin Kershner, ***
Synopsis
Sean Connery is back for his final performance as superagent James Bond in this high-velocity action thriller from the director of The Empire Strikes Back. When two atomic warheads are hijacked by the evil SPECTRE organization, Agent 007 is hurled into an explosive, pulse-pounding race to save the world from nuclear terrorists!
Review
Well this is not the best Bond movie. But then not every Bond movie can be the best Bond movie. It's good though, despite the mixed reviews. I also found it interesting to see Kim Basinger when she was thirty years old. Being an (ex) scholar on nuclear weapons made me giggle not a little for the awkward procedures and handling of the nukes... but heck it's a movie!
A bit sad at the end of the movie to hear Connery, while kissing Kim Basinger, replying "Never again!" when an emissary of his boss asks him to go back to work as the service is not the same without him. Well so it was the final appearance of the best Bond ever!
Missing at the beginning is the traditional gun barrel sequence, as this is (the only one) not produced by Eon Productions.
Sean Connery is back for his final performance as superagent James Bond in this high-velocity action thriller from the director of The Empire Strikes Back. When two atomic warheads are hijacked by the evil SPECTRE organization, Agent 007 is hurled into an explosive, pulse-pounding race to save the world from nuclear terrorists!
Review
Well this is not the best Bond movie. But then not every Bond movie can be the best Bond movie. It's good though, despite the mixed reviews. I also found it interesting to see Kim Basinger when she was thirty years old. Being an (ex) scholar on nuclear weapons made me giggle not a little for the awkward procedures and handling of the nukes... but heck it's a movie!
A bit sad at the end of the movie to hear Connery, while kissing Kim Basinger, replying "Never again!" when an emissary of his boss asks him to go back to work as the service is not the same without him. Well so it was the final appearance of the best Bond ever!
Missing at the beginning is the traditional gun barrel sequence, as this is (the only one) not produced by Eon Productions.
08 June 2012
Book review: The Girl in the Picture, by Denise Chong, ****
 |
| Kim Phuc and others after napalm bombing of Trang Bang. Photo by Nick Ut, AP |
 |
| Kim Phuc |
Synopsis
Kim Phuc was nine years old on 8 June 1972. Severely burned by napalm, she ran from her burning village and was captured on film. Denise Chong relates Kim's experience and recovery in this astonishing biography and history of America's shameful war. The photograph of Kim, seen around the world, was one of many to turn public opinion against the war in Vietnam. This is the story of how the picture came to be and also what happened to Kim after it was taken. It provides an insight into the country Vietnam became after the US army left, and explains why Kim finally had to flee to Canada, where she now lives.
You can also visit the site of the Kim Foundation.
07 June 2012
Film review: Six Days, Seven Nights (1998), by Ivan Reitman, ****
Big-screen favorite Harrison Ford stars in this nonstop adventure hit about a dream vacation that turns into a hilarious tropical nightmare! A gruff, rough-hewn cargo pilot living in the islands, Quinn Harris (Ford) hates tourists ... though he's not above making a fast buck from a sharp-tongued New Yorker, Robin Monroe (sexy Anne Heche), when she's desperate for a quick flight to Tahiti! But this already uneasy relationship suddenly takes a nosedive when his weather-beaten old plane is forced down in a storm! Now, stranded together on a deserted isle, Quinn and Robin quickly discover all the perils of paradise.
04 June 2012
Film review: I Not Stupid (2002), by Jack Neo, ****
Three kids in Singapore did not make it to the top of their class and attend EM3, the stream for the not best and not brightest. They have to contend with pressure from their teachers on the one hand and their parents on the other. They also get bullied by their peers. In the end, they prove to be smarter than expected...
You can read more in English and Chinese in the official website of the film and of its sequel, "I not stupid too".
Review
This highly successful film can be read at different levels. It may seem at first naive and the acting may look poor, artificial, unnatural. In fact the characters are caricatures of Singapore's people, government and business, and these are very well represented by the actor's sometimes exaggerated gestures and expressions.
02 June 2012
Film Review: Eat Drink Man Woman (1994), by Ang Lee, ****
This is not a movie to see on an empty stomach. Writer-director Ang Lee's 1994 Oscar nominee tells a family story about a chef and his three daughters through the meals the chef prepares and serves his family. This touching, dryly funny story of a family coping with personal lives and the way those lives intersect with the family relationships captures a shift in generations in Taipei. The father, a famous chef who has lost his taste buds, still cooks, though he draws no pleasure from eating. His daughters, meanwhile, deal with both the disappointments and surprises of daily living and the way their adult lives compare to the expectations the widowed father had for them. A subtle, amusing--and mouth-watering--comedy of impeccable manners. --Marshall Fine
Review
I found this Taiwanese movie exhilarating. As a lover of food, I was enchanted with the preparations of elaborate Chinese dishes. This is a movie about food, about life in Taiwan and about human nature.
I also found the movie to be an interesting picture into the daily life of a family in Taiwan, a fascinating island with a profound Chinese culture but also a society that has developed in a much different way compared to the mainland.
31 May 2012
Film review: The Wedding Banquet, (1993), by Ang Lee, ****
Synopsis
Dig in! This "funny and poignant comedy of manners" (The New York Times), directed and co-written by Oscar(r) nominee* Ang Lee (Sense and Sensibility), is an absolutely delicious feast! Winner of the Berlin Film Festival's prestigious Golden Bear, The Wedding Banquet is "top-notch comedy" (Leonard Maltin)! Successful New Yorker Wai Tung and his partner Simon are blissfully happy, except for one thing: Wai Tung's conservative Taiwanese parents are determined he find a nice girl to marry! To please them and get a tax break he arranges a sham marriage to Wei Wei, a sexy go-getter in need of a green card. But when his family swoops down for the extravaganza, Wai Tung would do well to remember that at a traditional Chinese wedding banquet, sexual repression takes the night off!
Dig in! This "funny and poignant comedy of manners" (The New York Times), directed and co-written by Oscar(r) nominee* Ang Lee (Sense and Sensibility), is an absolutely delicious feast! Winner of the Berlin Film Festival's prestigious Golden Bear, The Wedding Banquet is "top-notch comedy" (Leonard Maltin)! Successful New Yorker Wai Tung and his partner Simon are blissfully happy, except for one thing: Wai Tung's conservative Taiwanese parents are determined he find a nice girl to marry! To please them and get a tax break he arranges a sham marriage to Wei Wei, a sexy go-getter in need of a green card. But when his family swoops down for the extravaganza, Wai Tung would do well to remember that at a traditional Chinese wedding banquet, sexual repression takes the night off!
30 May 2012
Film Review: M.A.S.H. (1970), by Robert Altman, *****
While set in the Korean War of 1950-1953, the movie clearly addresses the question of the Vietnam war, which at the time of production was an open wound in American society. A Mobile Army Surgical Hospital (MASH) is the stage for a number of witty draftees to rebel and ridicule their strict superiors. Some are young docs just out of medical school, some are city girls who have to elbow their way in a clearly male dominated Army. Altman's black humor may seem a little dated forty years later, but it is still sharp. An iconic film of American countercolture that gave birth to an immensely successful TV series. Only one actor however, Gary Burghoff interpreting Radar, made it to the TV cast.
24 May 2012
American Cemetery and Memorial in the Ardennes
Definitely a recommended stop for anyone driving in the area, and absolutely worth a detour if you are not.
16 May 2012
Film Review: Samsara (2001), by Pan Nalin, ****
The film was released in 2001 and remains a classic in its genre. A spiritual love-story set in the majestic landscape of Ladakh, Himalayas. Samsara is a quest; one man's struggle to find spiritual Enlightenment by renouncing the world. And one woman's struggle to keep her enlightened love and life in the world. But their destiny turns, twists and comes to a surprise ending... Written by Monsoon Films. Tashi has been raised as a Buddhist monk since age five. When he gets erotic phantasms as an adolescent, his spiritual master decides it's time to taste profane life, sending him on a journey in the real Himalayan world. Once he is told his hottest dream was real, Tashi decides to leave the monastery and marries Pema, the daughter of a rich farmer, who was actually engaged with local stone-mason Jamayang. The ex-lama soon becomes a rich land-owner himself, and makes a killing from his harvest by bringing it to the city instead of selling at half price to the local merchant Dewa, but half of his next harvest perishes in a fire, yet he comes trough and raises a bright son, Karma. After committing infidelity, contemplated for years, and as he later hears from the promiscuous Indian labourer girl, Tashi reconsiders his life... Written by KGF Vissers
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