Film review: Friends with benefits (2011) by Will Gluck, ****

Description

Dylan (Justin Timberlake) is done with relationships. Jamie (Mila Kunis) decides to stop buying into the Hollywood clichés of true love. When the two become friends they decide to try something new and take advantage of their mutual attraction – but without any emotional attachment. Physical pleasure without the entanglements. Sounds easy enough for two logical adults, right? Not so much. They soon realize romantic comedy stereotypes might exist for a reason.

Review

This is not as good as "No Strings Attached" but "Friends with Benefits" is nonetheless fun and worth the affordable price of this DVD on Amazon. The film has its well designed twists and turns and it is never completely predictable. One just wonders how many real "friends with benefits" are there in the world, but certainly this choice of partnership is becoming more acceptable and common in the early XXI century. There are even websites devoted to it. It sounds perfect does it not? Free fun without the burden of either commitment or involvement. Not so fast...

Film review: While you were sleeping (1995) by John Turteltaub, ****

Lucy gets a gift from her new family

Synopsis

Lucy (Bullock) dreams of a man, and when she happens to be engaged to him through the most unusual chain of coincidences she realizes he is actually not for her. Someone else is. Despite the social pressure that builds up through the film, she eventually does what is necessary!


Review

This is certainly among the best rom/com I have ever seen, and I am looking forward to letting a few months go by and then I will watch the DVD again. Bullock is great is her natural simplicity. But it is Pullman who is perhaps the real star with his understated but deep personality. Most supporting actors are great as well, which is a real plus.

I also find a message in this film, not sure whether it was intended by either its author or the director but here it is: be ready to change your life, because what you really wanted for a long time, and thought was impossible, might actually happen. When it does, it might not be what you expected, so again: be ready to change your target, fast.

It seems to be a recurring theme is Bullock's movies. I got a very similar message out of "The Proposal" (which I also review in this blog). I treasure it in my own life.

Immondizia a Roma, 1753-2012

Targa murale del 1753, Roma

Si trova in Via dei Cappellari

ed ecco il 2012, in alto a sinistra la targa del 1753

Passeggiata a Roma, nei pressi di Campo dei Fiori. Mi colpisce una targa posta sul muro oltre due secoli fa, per far divieto di buttare immondizia per strada. Si promette di mantenere il segreto per i delatori. E si minacciano multe e punizioni corporali per gli sporcaccioni che venissero condannati. I padroni sono responsabili per i loro servitori ed i padri per i figli.

Ecco qui nella foto, oggi 24 dicembre 2012, quello che si vede proprio sotto la vecchia targa.

Forse sarebbe il caso di rimettere in pratica questo editto del Monsignore presidente delle strade. O forse chissà, non è mai stata abolita, bisognerebbe solo applicarla.

Film review: You will be my son (2010), by Gilles Legrand, ****

Synopsis

Paul Marseul (Niels Arestrup), owner of a prestigious vineyard in Saint Emilion has a son, Martin (Loran Deutsch), who works with him on the family estate named Clos de l'Abbé. Paul is a demanding and passionate winemaker but is a domineering father. He is not happy that his son may one day succeed him. He dreams of a son who is more talented, more charismatic . . . and more in line with his own aspirations. Things deteriorate as Paul's trusted manager (Patrick Chesnais) is dying of cancer. Philip (Nicolas Bridet), his brilliant son, who is also in the busines, returns from California to see his dying father. Paul sees Philip as his ideal son and turns away from his own flesh and blood.

Film review: Sideways (2004) by Alexander Payne, *****

Synopsis

Comedy drama which follows Miles (Paul Giamatti), an unsuccessful novelist, and Jack (Thomas Haden Church), an equally unsuccessful actor who is about to get married. They decide to take a trip to California in an attempt to sow their wild oats. There they explore the nature of their failures and question their relationships. Jack has an affair with Stephanie (Sandra Oh)  and wonders whether he should call off the marriage. Miles, recently divorced himself, questions whether or not he made the right decision while Maya (Virginia Madsen) plays a few games with him.


Review

An excellent movie that is only marginally about wine. Yes we go through California's wine country and learn a lot about many different kinds of wine, and especially Pinot Noir.

But the movie by Alexander Payne is more about what we can do with ourselves and our lives with the hand we are dealt at birth and by chance. I identify very much with Miles, a not-so-good-looking but deep thinking fellow who is deeply passionate about what he loves, be it his lost ex-wife or Pinot Noir. But it is the Jacks of the world who have more fun: not so deep, not so careful, just happy go lucky types. The last scene of the movie leaves a door open to hope however: while Jack sinks unenthusiastically into his marriage, Miles finds the true love of his life.

You can buy the DVD here


In the US you can buy it here:

Emily of Emerald Hill and the Peranakan Museum, Singapore

Peranakan Museum in Singapore

Today I visited this unique museum in Singapore, dedicated to the Peranakan, or Chinese from the Malay peninsula. A unique contribution to Singapore's multicultural identity, where each component cultural heritage (Chinese, malay and Tamil) and its language is protected, while English is the cement common to all.

In the museum I could see an exhibition of Emily of Emerald Hill, a short play by Singaporean playright Stella Kon.


As she tells us in her blog, Emily of Emerald Hill is a one-woman play about a Nonya matriarch who dominates her family, yet in the end finds that she loses what she loves most. The play won the First Prize in the National Play-Writing Competition 1983. Since then it has been presented more than a hundred times, by eight different performers, in Singapore, Malaysia, Hawaii and Edinburgh. It has been translated into Chinese and Japanese and broadcast over Radio Iceland. A film version is under negotiation.

Emily is a short and passionate play that takes the reader inside the heart of a Peranakan family of the 1950s. Traditional Chinese values are intertwined with English habits that were common in the richer class of Singapore. The matriarch defers to her husband, but in the end it is she who calls the shots in the house. She is loving but also possessive. Servants are treated with dignity but firmness, children (especially sons) are spoiled and daughters-in-law are expected to be submissive. Wives are expected to tolerate their husbands' cheating. It is a materially comfortable life but also a straightjacket for the younger generation that wants to try it out on its own.




You can buy the book and other works by contacting Stella Kon at stelkon@singnet.com.sg


You can watch a trailer of the play here.

And another here.

Film review: A Good year (2006), by Ridely Scott, ***

Synopsis

Director Ridley Scott and Russell Crowe--who first worked together on the Academy Award-winning Gladiator--are reunited in this romantic film, which is based on Peter Mayle's book A Year in Provence.

Crowe plays Max, a workaholic London bonds trader who doesn't know the meaning of vacation. When his uncle dies, leaving him a picturesque estate in the south of France, Max views it as an opportunity to cash in the vinery and pocket the profits. The film is reminiscent of Diane Lane's Under the Tuscan Sun in the way the scenery plays as much of a role in the film as its characters. The lush village and streaming sunlight portray Provence as an idyllic, magical place. Even Max falls under its spell. While not a particularly likeable character, especially in the early part of the film, Max also isn't a bad guy. Nothing that happens comes as much of a surprise. Still, while the film doesn't fully utilise Crowe's range of skills, the actor is charming in his role and A Good Year provides fine viewing. --Jae-Ha Kim for Amazon





Review

A feel good movie to take you to Provence for a couple of hours. Crowe is not at his best, whereas Marion Cotillard is the real star.

The moral of the story is one I share: work to live, don't live to work. The setting (ruthless London city trader sees the light and a pretty woman and turns good) is a bit trite. But then again the point the movie is trying to make is a simple one. But a strong one.

But this is also a movie about wine. You learn a bit about French wine making specifically, though American wines enter the fray when Max's cousin comes into the picture. A couple of references are made to the France-California rivalry: I would recommend watching the film "Bottle Shock" together with this one. This movie was made the same year as the rematch of the  Judgement of Paris, again won by California over France.

The ending is predictable, sort of, but with a fun twist...

Film review: The Odd Couple (1968) by Gene Saks, *****

Synopsis

Neil Simon's beloved story about two divorced men who decide to share a New York apartment. Felix (Jack Lemmon) is fussy and fastidious to a fault. He proves that cleanliness is next to insanity. Oscar (Walter Matthau) wreaks havoc on a tidy room with the speed and thoroughness of a tornado. An enduring and endearing picture with the intelligence one usually misses in comedies.


Review

Today I have seen this great film for the first time, nearly half a century after if was made, and I had a ball. Not only is the film superfunny. Not only it keep a nice clip throughout. It is actually a pretty serious analysis of many of the most common idiosyncrasies of men. All men, or at least most men, in any country. On the one hand we just want to be left alone, but on the other hand, when we are, we resent it and look for relationships.

Also, I sympathized a lot with oscar for setting up the two girls only to see them fall for Felix, who could not care less, at least in the beginning, and ends up reaping the fruits. It happened to me so many times! (I am usually the Oscar, not the Felix, in this kind of circumstances!)

Some memorable quotes:

[When Oscar can't take it anymore and asks Felix to leave]
Felix: In other words, you're throwin' me out.
Oscar: Not in other words. Those are the perfect ones!

Felix: I think I'm crazy.
Oscar: If it makes you feel any better, I think so too.

[When Felix is very tense]
Oscar: Look at this. You're the only man in the world with clenched hair.

Film review: Pushing Hands (1992) by Ang Lee, ****

Synopsis

Mr. Chu is a recently widowed tai-chi master who moves from Beijing to New York to live with his son. Chu's American daughter-in-law, Martha, can't stand having him around the house. He finds her Western ideas on raising children and keeping a home to be curious at best. These conflicts test family bonds and Mr. Chu's highly developed sense of balance. This was the first feature as a director for Ang Lee (Sense and Sensibility) and has many of the hallmarks of his later, better-known works: finely observed characters, gentle yet pointed humor, and the ability to see and understand both sides of a cultural divide. The charismatic Sihung Lung (who also starred in Lee's The Wedding Banquet and Eat Drink Man Woman) plays Chu with strength and understatement, but Deb Snyder is miscast in a thankless role. The title refers to a tai-chi exercise that's at the center of the film's best scene, a standoff in the kitchen of a Chinese restaurant. --Geof Miller for Amazon


Review

Another great movie by Ang Lee and superb interpretation ny Sihung Lung. The eternal problem of how do deal with our elders. Difficult to keep them at home with our spouses, yet difficult to abandon them in a hospice for old people. It can be a lose-lose situation. Or it can be a win-win situation if all concerned make an effort. In the end, in this movie, the grandfather successfully blends his need to keep in touch with son and grandson, but without interfereing in their lives too much.

As always with Ang lee and Sihung Lung, food and cooking plays out all along the film. It is a healthy reminder of the central role food and eating together plays in family life in any culture. Tai chi is not a central part of this movie, and therefore I'd say the title is a bit out of context. Also, some of the fighting scenes where old Sihung Lung beats dozens of younger men while practically standing still are a bit exaggerated!

I found this movie thoroughly enjoyable and very perceptive. The movie is set in the US with a Chinese protagonist, and as such does provide insights into the problematic meeting of Western and Eastern minds, though the issues it addresses are really universal. Strongly recommended.

You can read a list of movies about China I have reviewd here on this blog.

Film review: Chocolat (2000), by Lasse Hallström, ****

Synopsis
Driven by fate, Vianne (Binoche) drifts into a tranquil French village with her daughter Anouk (Victoire Thivisol, from Ponette) in the winter of 1959. Her newly opened chocolatier is a source of attraction and fear, since Vianne's ability to revive the villagers' passions threatens to disrupt their repressive traditions. The pious mayor (Alfred Molina) sees Vianne as the enemy, and his war against her peaks with the arrival of "river rats" led by Roux (Depp), whose attraction to Vianne is immediate and reciprocal. Splendid subplots involve a battered wife (Lena Olin), a village elder (Judi Dench), and her estranged daughter (Carrie-Anne Moss), and while the film's broader strokes may be regrettable (if not for Molina's rich performance, the mayor would be a caricature), its subtleties are often sublime. Chocolat reminds you of life's simple pleasures and invites you to enjoy them. --Jeff Shannon for Amazon

Review
A drifting single mother comes to inject a healthy does of laicism and joie de vivre in a sleepy French village soaked up in bigotry. The two are at first ostracized but then, slowly, people in the village, and eventually even the strict, hypocritical and controlling mayor, are moved to see the brighter, sweeter side of life that chocolate represents. You don't have to be a chocoholic to get the point!

Binoche is simply superb throughout.

This well paced film is an invitation to free ourselves from stereotypes, and enjoy what life has to offer. I don't know if Steve Jobs ever saw this movie, but he might have said it is an exhortation to "be hungry, be foolish". Don't sit back and watch life flow past you, but look at what is new, unusual, apparently useless or even frivolous, and go for it: much good could come out for you!

Film review: Six Days, Seven Nights (1998), by Ivan Reitman, ****

Synopsis

Big-screen favorite Harrison Ford stars in this nonstop adventure hit about a dream vacation that turns into a hilarious tropical nightmare! A gruff, rough-hewn cargo pilot living in the islands, Quinn Harris (Ford) hates tourists ... though he's not above making a fast buck from a sharp-tongued New Yorker, Robin Monroe (sexy Anne Heche), when she's desperate for a quick flight to Tahiti! But this already uneasy relationship suddenly takes a nosedive when his weather-beaten old plane is forced down in a storm! Now, stranded together on a deserted isle, Quinn and Robin quickly discover all the perils of paradise.

Film Review: Space Tourists (2009), by Christian Frei, ***

Synopsis
Frei's film takes a humorous and laconic view of the way billionaires depart our planet earth to travel into outer space for fun. Space Tourists succeeds in surprising its audience with images and situations that have very little to do with the futuristic fantasy of space-tourism. The Swiss filmmaker sets up encounters with the least likely people imaginable: places even stranger and more unknown than outer space itself. The film investigates the emotional oscillations of an expensive enterprise and questions the meaning and boundaries of the human spirit and our hunger for adventure and discovery.

Anousheh Ansari is a billionaire who allegedly spent some twenty million dollars (expensive but, as she puts it, how do you put a price on a dream?) for a 10 day flight to the International Space Station. She explains in her own words why she did this and what her Spiritual experience was. An interesting personality, an Iranian who left her country after the revolution and became American but never forgot her cultural roots. She specifically greeted the Iranian people from space, though she was not allowed to do so in Farsi. She also wore the Iranian flag, but significantly without the Islamic writings in the white part.

Review
This film is another Frei foray into the lives and vicissitudes of the most unusual of people. Ansari is a genuine enthusiast of space, her youthful and genuine passion transpires at all times in the film. She has a child-like naivete for looking at the earth from above, but at the same time a high degree of maturity when she speaks of her travel as a symbol for women's rights, especially in the region of the world where she comes from, where women often do not receive the same opportunities that men do. A spoiled girl's whim? Perhaps, but a great adventure nonetheless. And I can say I would have done what she has done if I had had the money! Go for it Anousheh and thanks Christian Frei for bringing her to us.

Buy your DVD here:



If you live in the US you can get your instant video here

Film review: The Dreamers (2003), by Bernardo Bertolucci, ****

Synopsis

Paris, spring 1968. While most students take the lead in the May 'revolution', a French poet's twin son Theo and daughter Isabelle enjoy the good life in his grand Paris home. As film buffs they meet and 'adopt' modest, conservatively educated Californian student Matthew.

With their parents away for a month, they drag him into an orgy of indulgence of all senses, losing all of his and the last of their innocence. A sexual threesome shakes their rapport, yet only the outside reality will break it up.

Film review: Forrest Gump (1994), by Robert Zemekis, *****

Synopsis

"Stupid is as stupid does," says Forrest Gump (Tom Hanks) as he discusses his relative level of intelligence with a stranger while waiting for a bus. Despite his sub-normal IQ, Gump leads a truly charmed life, with a ringside seat for many of the most memorable events of the second half of the 20th century. Entirely without trying, Forrest teaches Elvis Presley to dance, becomes a football star, meets John F. Kennedy, serves with honor in Vietnam, meets Lyndon Johnson, speaks at an anti-war rally at the Washington Monument, hangs out with the Yippies, defeats the Chinese national team in table tennis, meets Richard Nixon, discovers the break-in at the Watergate, opens a profitable shrimping business, becomes an original investor in Apple Computers, and decides to run back and forth across the country for several years. Meanwhile, as the remarkable parade of his life goes by, Forrest never forgets Jenny (Robin Wright Penn), the girl he loved as a boy, who makes her own journey through the turbulence of the 1960s and 1970s that is far more troubled than the path Forrest happens upon. Featured alongside Tom Hanks are Sally Field, Gary Sinise and Mykelti Williamson.


Review

Forrest Gump is a landmark film, touching on many delicate aspects of human life, love and values. "Life is like a box of chocolate: you never know what you are going to get." Oh so true! Fatalistic? Not really, as a strong implication of the movie is that you have to work hard at your life, no matter what you find in your box of chocolates.

It is just a "feel good" movie as many have written? I don't think so, it goes deeper than that. And in fact it did not make me feel good at all. In the end I could not help but feeling angry at Jenny for what she did to Gump. Of course, most of us men have had our "Jenny" in our lives. Mine (now history, thanks God!) even looks like Jenny in the film!

I could not help but smile at discovering that Bubba, the black shrimp fisherman in the movie, inspired a real company that is now very successful!

The Blu-ray disc is very good, containing interesting interviews with Hanks and the director, as well as other "behind the scenes" material, including the making of special effects which were painstaking to produce and quite advanced for the time. The European version on sale on Amazon.co.uk is in English, French, Italian, German and Spanish, with subtitles in these languages plus all the Scandinavian languages.

Film review: Taxi Driver (1976) by Martin Scorsese, *****

Synopsis

Paul Schrader's gritty screenplay depicts the ever-deepening alienation of Vietnam Veteran Travis Bickle (Robert De Niro in a tour-de-force performance), a psychotic cab driver who obsessively cruises the mean streets of Manhattan.

This edition has the following extras:
Introduction to DVD - Martin Scorsese - this was recorded in 2006 and lasts about 15 minutes during which Scorsese talks about the influences that created Taxi Driver (Jean Luc Goddard etc).

Introduction to DVD - Paul Schrader
Commentary - Paul Schrader
Commentary Robert Kolker (Author)
Loneliness and Inspiration - Documentary
Cabbie Confessional - Documentary
Producing a Cult Classic
Taxi Driver Locations - Then and Now
Animated Photo Gallery
Storyboard to Film Comparisons
Behind the Scenes Documentary
Theatrical Trailer
Filmographies


Review

A monumental film about human nature, about the aftermath of the Vietnam war, about New York in the seventies. These are the several layers of reading this film lends itself to and they are all worth the viewer's time. For this reason this is a film that must be seen several times to get all it has to offer. It can not be metabolized in one viewing. One of the best films of the seventies.

The BD version is very good, and quite a few extras complete an excellent deal.

Book Review: Triumph of the City, by Edward Glaser, ****

Singapore, 2012

Synopsis

America is an urban nation. More than two thirds of us live on the 3 percent of land that contains our cities. Yet cities get a bad rap: they're dirty, poor, unhealthy, crime ridden, expensive, environmentally unfriendly... Or are they?

As Edward Glaeser proves in this myth-shattering book, cities are actually the healthiest, greenest, and richest (in cultural and economic terms) places to live. New Yorkers, for instance, live longer than other Americans; heart disease and cancer rates are lower in Gotham than in the nation as a whole. More than half of America's income is earned in twenty-two metropolitan areas. And city dwellers use, on average, 40 percent less energy than suburbanites.

Film Review: Midnight in Paris (2010), by Woody Allen, ***

Synopsis

This is a romantic comedy set in Paris about a family that goes there because of business, and two young people who are engaged to be married in the fall have experiences there that change their lives. It's about a young man's great love for a city, Paris, and the illusion people have that a life different from theirs would be much better.

Book review/Recensione: Persepolis, by Marjane Satrapi, *****

Recensione in italiano di seguito!

Synopsis

Wise, funny, and heartbreaking, Persepolis is Marjane Satrapi’s memoir of growing up in Iran during the Islamic Revolution. In powerful black-and-white comic strip images, Satrapi tells the story of her life in Tehran from ages six to fourteen, years that saw the overthrow of the Shah’s regime, the triumph of the Islamic Revolution, and the devastating effects of war with Iraq. The intelligent and outspoken only child of committed Marxists and the great-granddaughter of one of Iran’s last emperors, Marjane bears witness to a childhood uniquely entwined with the history of her country.

Book Review: What the Chinese Don't Eat, by Xinran, ***

Synopsis
Since June 2003 Xinran has been writing about China in her weekly column in the Guardian. She has covered a vast range of topics from food to sex education, and from the experiences of British mothers who have adopted Chinese daughters, to whether Chinese people do Christmas shopping or have swimming pools. Each of her columns inspired letters and questions and more opportunities for Xinran to shed light on the culture of her native land. What the Chinese Don’t Eat collects these pieces together for the first time to give one unique Chinese woman’s perspective on the connections and differences between the lives of British and Chinese people today.

Recensione: People from Ikea, di Andrea Pugliese, ***

Sinossi
Componendo a incastro questi tubi, ripiani, viti e bulloni, sono possibili milioni di combinazioni. Sul catalogo per tale meraviglia si sprecano i sostantivi: guardaroba, libreria, scaffalatura, separatore d'ambiente, portatutto, riassumicasino...