Dies Natalis Solis Invicti

Roman Imperial repoussé silverdisc of Sol Invictus (3rd century), found at Pessinus (British Museum)

The birthday of the unconquered sun marked the end of the Saturnalia since 274 AD when Aurelian apparently wanted to revive a much older cult of the Sun in Rome.

Saturnalia was originally a holiday created by Emperor Augustus to celebrate Saturn, on 17th December -- my birthday! It then developed into a week-long festival, the craziest week in ancient Rome, where people made merry with food, wine and more and even slaves were allowed to indulge in excesses that would have been punished by death at any other time.

The date coincides, closely enough, with the shortest day of the year (which the Romans believed to be 25 December whereas we know it is 21 December). Light prevails over darkness and days start getting longer again, an occasion to celebrate indeed.

Then the Christians took it over during the reign of Emperor Constantine, who had accepted Christianity as a religion of the Empire. The Church decided that Christ had chosen to be born on the shortest day of the year, after which light again starts to prevail, to symbolize his contribution to the rebirth of humankind.

I feel it's too bad that the ancient tradition of Saturnalia is gone. Not so much for the sake of Saturn, of course. But rather for what it symbolized: fun and naughtiness for a week but strict rule of Roman law for the whole year!

Film review: Earth (1998) by Deepa Mehta, ****

Synopsis

Earth, the second film in Deepa Mehta's controversial trilogy is an emotionally devastating love story set within the sweeping social upheaval and violence of 1947 India. As her country teeters on the brink of self rule and instability, 8-year old Lenny, an innocent girl from an affluent family, is in danger of having her world turned upside down. As the simmering violence around them reaches a boiling point, Lenny's beautiful nanny Shanta (Nandita Das) falls in love with one of Lenny's heroes, the charismatic and peace-advocating Hassan. Love, however, can be dangerous when religious differences are tearing the country apart, and friendships and loyalty are put to the test. Building to a shattering climax, Earth is a devastating human drama in which desire unfolds into a stirring tale of love and the ultimate betrayal.


Review

This is a good movie about the dramatic partition events of 1947. It show the conflict between Muslims and Hindus though the eyes of a parsi family. Parsis are a Zoroastrian community that constitutes a substantial minority in the Mumbai area and were often caught between their two large neighbors. No happy ending, and indeed the history of India and Pakistan since then sadly shows that beyond doubt.

The movie is harrowing, Mehta does not refrain from showing horrific violence, if indirectly but not less shockingly for that. The question of identity in India is addressed in depth, with friends and neighbors who shared a lifetime finding themselves on the opposite side of the fence.

It's probably my least favorite movies among the three of Mehta's trilogy because it relates to well known events, while the other two address much less discussed issues in Indian society like child abuse, family violence and homosexuality. Aamir Khan is great as usual.  Aamir Khan is great as usual. I take one star off because compared to Fire and Water this is just a bit predictable.

See my other reviews of films on India in this blog.

In the UK buy it here



Available from Amazon.us

Film review: Curse of the Golden Flower (2006), by Zhang Yimou, ****

Synopsis

From Zhang Yimou, the Director of Hero and House of Flying Daggers, comes a stunning epic about the folly of war and the disintegration of one family under the weight of unrequited love, unforgivable betrayals, and a never-ending thirst for power.

On the eve of the Chong Yong Festival, golden flowers fill the Imperial Palace and when the Emperor (Chow Yun Fat) unexpectedly returns to his Empress (Gong Li) and two sons, the tension is clear in his lavish kingdom. His absence has given rise to illicit love affairs, dangerous alliances, and malicious conspiracies; all of which threaten to overthrow his power.

However, it may well be the Emperor’s own dark secret that threatens him most of all. As the secrets of the Imperial family unravel against this backdrop of breathtaking opulence and grandeur, an attack on the Palace by myriad armoured warriors results in a spectacular climax wrought with thrilling action and epic tragedy.

Interesting bonus features on the main actors and backstage.


Review

Another grand movie by Zhang Yimou with a sure-fire couple of protagonists in Chow Yun Fat and Gong Li). It will be a masterpiece for the lovers of wuxia and, more generally, of Chinese epic films. I am not, but liked the movie as well for the majestic historical reconstruction (a whole new Forbidden City) and marvellous costumes. Grand scenes of battle, with over one thousand extras (appropriately recruited in the Chinese army!) are memorable if utterly unrealistic.

What a sad life in the palace. From the Emperor to  the most humble of servants, everyone is watching everyone else, there is no privacy, no trust, no happiness really. I can't remember anyone smiling in this film! It makes you thank your fate for not being born a royalty in medieval China!

The western blurb for the movie (but not the Chinese) advertises it as taking place in the period of the late Tang dynasty. I was a bit disappointed because I expected more of a historical film about the Tang dynasty. I was led to think of this as a historical fiction, and it really is not.

See my selection of movies on China here in this blog.

You can buy the film here. Other films by Zhang Yimou here.



In the US and worldwide buy it here:



If you liked it, you may wish to look at other films by Zhang Yimou