12 December 2014

Film review: Salaam Bombay (1988), by Mira Nair, *****

Synopsis

Mira Nair adds her angry voice to the cinema of forgotten children in this wrenching drama of an 11-year-old boy (real-life street child Shafiq Syed) who heads to the big city and joins a sea of homeless children and down-and-out adults scrambling to survive the pitiless streets. The fantasy of Bollywood dreams hangs just out of reach in posters, movies, and radio tunes, momentary respites from the hard reality of a world ruled by brutal pimps and drug dealers.

This is a gritty look into the underbelly and plight of Bombay's poor street children, who call the gutters of its filthy urban streets home. It is filled with the sights and sounds of this urban nightmare. This highly acclaimed film allows the viewer a peek at another culture, only to find that basic human needs and desires are universal.

This was Nair's first film and one of very few Indian film ever nominated for an Oscar, (the others being Mother India and Lagaan).


Review

Another moving story by Mira Nair. India is changing fast and this is one aspect of the country which neither tourists nor scholars get to see much.

Drugs, prostitution and outrageous neglect of justice by the authorities paint a damning picture of the city we know of as the economic capital of India and home of Bollywood.

Not a pretty film, but, over twenty years after its shooting, still a must see to understand India.















Watch a trailer here




See my other reviews of films about India.

10 December 2014

Film review: Mississippi Masala (1991) by Mira Nair, ****

Synopsis

The story of an Indian family who after always having lived in Uganda, Africa, are forced to leave under the orders of dictator Idi Amin when he declares that Africa belongs only to 'black' Africans. The lawyer, his wife and little girl Mina, move to Mississippi where again, years later, racism presents problems. This time between the Indian and American/African community, coming to a head when the now 24-year-old Mina falls in love with a black carpet cleaner. 'Masala' in the film means a 'mixture of hot spices' which is how Mina sees herself through having come from such a rich mixture of cultural backgrounds.


Review

This is a film about globalization that was shot before people started talking about the term. Indians from Africa move to America to meet descendants of slaves and contribute to the melting pot that makes America great. The plot may not be super original (boy loves girl, girl loves boy, girl's parents are not happy) but the context is. It made me feel of "Guess who is coming to dinner" and it could almost be considered a remake. of course, in a different context and twenty-five years later. But the romance drama intermixed with the racial friction makes it very current and as I watch it in 2014 it is ever so relevant!

See my other reviews of films about India in this blog.




05 December 2014

Gramex, Rogers Hewland's shop of records and CDs in London

With Roger at Gramex, 104 Lower Marsh, London
I am a music collector, and when I travel some of my first destination targets are the music shops I can find in various cities: mostly CDs and LPs, but also books about music and other paraphernalia. So it was a really amazing coincidence that when I moved to a city as big as London I should find one such shops, which turned out to be the best of its kind, just a few steps from my apartment.

As I walked inside, I was struck by the sight of a huge mass of CDs all over the place, but also LPs and 78rpm discs, and even cylinder recordings! The welcoming owner is Roger Hewland but the shop has been running non-stop, at different London locations, since 1906, when a certain George Russell founded the "Music Exchange" in the Islington market. The shop prospered there until 1922, when it moved to Oxford Street, and from there to Wardour Street in 1956.

On Christmas 1978 Gramex was relaunched under its current name at Wardour Street. Roger was running a book shop then, but was in love with music as much or more than with books. When Gramex went bankrupt in 1981 Roger bought the name and started anew in York Road, just next to Waterloo station, where the shop stayed until 1990. He then moved to 84 Lower Marsh and remained there until 1993. The next move took him to number 25 in the same street, where he remained until April 2014, and Gramex is now at 104 Lower Marsh. He has not had a holiday since he opened shop, and greets customers six days a week, 11am to 7pm, every week of the year. He said he will take Saturdays off when he turns 100, in about 18 years' time.

Roger Hewland's ancestors were Huguenots, protestants who fled persecution in France. Huguenots ended up in many places where protestants were accepted. I have met Huguenot descendants as far as South Africa, where they started that country's wine-making tradition. Roger's family crossed over to England in 1712. He has French, Spanish, Italian as well as English blood in his veins. He is a born and bred Londoner, you can certainly tell he is an Englishman from a mile away but he considers himself a member of the European nation. He hated the British Empire but loves the Commonwealth. He believes in the European Union and will vote accordingly when there is a referendum in a few years time. In his shop he accepts Euros as well as pound sterling.

"It's anarchy, not chaos" is one of the first things he told me. "Having all my music in random order makes you find what you did not know you wanted and trigger impulsive buying instincts in the collector. It makes perfect business sense." He also does not like shelves. Most items on sale are on tables and even boxes, but always displayed so you can see the cover. "No point showing a record spine, no one likes those, but collectors like covers." After a few months of frequenting the store, and several hundred CDs in my collection later, I agree.

Roger is a dealer, but first of all a collector. One has to be a collector before one can be a dealer in music, he says. Still today, he does not tire to repeat that the most important part of his job is not selling records, but buying them, and that is what he enjoys the most. "Good records sell themselves" he says "and customer are my staff: they help themselves to the music." Every day collectors bring in records they want to sell and Roger screens them carefully to pick those fit for sale at Gramex. 

He certainly is an experienced collector, and so are most of his clients. He bought his first record in 1948, on 20 October 1948 at 10:32am to be precise, a rainy day in London.  It was a 78rpm version of the Butterfly. He had £200, spent it all on records, does not regret it a bit, and has not stopped since. He now has over 50,000 opera 78s/LPs/CDs/cassettes/cylinders etc in his personal collection at home. He owns 27 editions of Traviata, all those he could find. Bohème and Trovatore are his favorite operas, though under pressure he would admit Beethoven's Fidelio, my favorite, is the greatest opera ever written.  

Originally the shop only dealt with classical music, but when, about twenty years ago, he asked his customers whether they wanted to add jazz, 90% said yes. And so it is jazz and classical now. Joe, a jazz musician, helps with the jazz part of the business. When a jazz collection comes in, the invaluable Joe is called to deliver his judgement! 

Customers also voted against having any music playing in the shop during business hours. So, no Domingo or Callas in the background: now the chatter and banter amongst patrons, as well as the typical London sarcasm at which Roger is a master, are the only sounds that mix with the franctic shuffling of CD cases by avid collectors. However, a headphone is available if you want to listen to a CD before you buy it.

It's more a club than a shop, Roger says. Many of his customers have become friends, and I like to think of myself as belonging to this category. When he was in the hospital for an operation a few years ago they kept the shop open for him!  People are free to use the toilet and the kitchen, where coffee an tea are complimentary. Good English tea for sure, but coffee left a bit to be desired, so I gifted Gramex with a good Italian Moka machine! One more reason because of which, if you love music, you must visit Gramex when in London.



03 December 2014

Book review: River Town (2001), by Peter Hessler, *****

Synopsis

When Peter Hessler went to China as a Peace Corps volunteer in the late 1990s, he expected to spend a couple of peaceful years teaching English in the town of Fuling on the Yangtze River. But what he experienced -- the natural beauty, cultural tension, and complex process of understanding that takes place when one is thrust into a radically different society -- surpassed anything he could have imagined. Hessler observes firsthand how major events such as the death of Deng Xiaoping, the return of Hong Kong to the mainland, and the controversial construction of the Three Gorges Dam have affected even the people of a remote town like Fuling.

Review

This is a superbly written account by one acute observer of one part of China while the country was undergoing tremendous change in the mid-1990s. One view by one person in one small part of this immense country does not allow a reader to draw more general conclusions. However, the many microstories we read here help a lot in understanding the new (then) China rising from the ashes of maoism. Hessler is curious, even a bit nosy, but always respectful. He learns Chinese and always tries to understand. He questions himself but does not fall into the trap of many travelers who always marvel at what they see and whom they meet, no matter what. He does criticize, with strong arguments, people and practices he meets along the way.

The Yangtse near the Three Gorges
Hessler walks on thinner ice when he addresses more academically charged historical, economic or political issues, but this is not meant to be an academic book. His perceptions of the reality around him, and of how he changes over the years while in China, is what makes this an invaluable read for anyone interested in how China changed during the post-Mao "Reform and Opening" period.


Read my other reviews of books on China here in this blog.