05 October 2013

Bangkok Thai food cooking class


Food is an essential part of any culture, and when I travel I always make sure I taste local delicacies so as to be able to better appreciate the country that's hosting me. If you can learn a bit on how to prepare that food, instead of just eating it, all the better!

My Chinese girlfriend is usually not so keen on cooking, so she was a bit perplexed when I proposed to spend a half day with an apron around our waist, learning hot to cook Thai food. But she was game, I love her curiosity for new things.

After an internet search I opted for a half-day class at the Baipai Thai Cooking School. They promised to "introduce you to the wonderful world of Thai flavors allowing you to take your knowledge home with you so you can make authentic Thai dishes back home in your own kitchen." And they warned that their menu does not cater to vegetarians, which was fine by me.

Thai food, of course, is renown worldwide for its complexity, its lively taste and the careful blend of Indian and Chinese influences. This is not called Indochina for nothing. It can be quite spicy, but does not need to be soo spicy to be good.

I had had limited experience of eating in Thailand before. While I did try many Thai restaurants around the world, I am also aware that these usually cater to the local clientele of wherever they happen to be, often at the expense of the original recipes. This in not just true of Thai restaurants: I have tasted quite a number of inedible "Italian" dishes in many countries, until the day when I decided never again to eat Italian food outside Italy. (There have been a few exceptions to this rule and they are described in this blog!)

Our class was held at The Baipai Thai Cooking School. In their words, which I found to be accurate, it is "an ideal home-style learning environment that aims at cooking a style of Thai food that is different from most of the hotels and restaurants in Thailand".

We spent the morning learning to prepare 4 authentic Thai dishes: veggies, fish and chicken. First of all we visited their vegetable garden and learned about the spices and herbs we were about to use.

We later learned how to grate coconut meat from a nut, the fluffy white stuff that the Thais use in so many recipes.

We then moved to to their open space cooking area, where we had plenty of space and lots of equipment to implement the instructions that were imparted by the chef and her assistants.

At the end of it all, we ate the fruits of our labor together with the other course participants and were quite satisfied with the results. I am not sure I will ever even try to reproduce the results at home, but this was fun and I would do it again in a heartbeat when I am back in Thailand.




25 September 2013

Film review: Invictus (2009), by Clint Eastwood, *****


Synopsis

What does Nelson Mandela do after becoming president of South Africa? He rejects revenge, forgives oppressors who jailed him 27 years for his fight against apartheid and finds hope of national unity in an unlikely place: the rugby field. Clint Eastwood (named 2009's Best Director by the National Board of Review) directs an uplifting film about a team and a people inspired to greatness. Morgan Freeman (NBR's Best Actor Award winner and Oscar nominee for this role) is Mandela, who asks the national rugby team captain (Best Supporting Actor Oscar nominee Matt Damon) and his squad to do the impossible and win the World Cup. Prepare to be moved--and thrilled.

The Invictus Blu-ray special features include an exhaustive "picture-in-picture" option that shows background on the film's production while you're looking at the relevant section in the movie itself; comments come from members of the filmmaking team as well as some of the real-life folks involved in the true story. We also learn that the film's single most powerful scene, a visit to the cell Mandela occupied for so many years, was shot on location; a replica had been built on a sound stage to allow for greater camera movement, but Clint Eastwood wisely nixed that idea.
President Mandela hands the 1995 world cup to Springboks' captain Pienaar


Review

An essential film to understand how present-day South Africa came about in the mid-1990s. it is recommended to anyone trying to see the difference between Mandela's approach and that of other leaders in the region, who chose confrontation over cooperation after kicking out white minority rulers. Mandela gives us all a great lesson in humanity as well as shrewd politics. This film has the great merit of reminding the world of an episode that would have otherwise been forgotten.

20 September 2013

Book review: Diving Indonesia's Bird's Head Seascape (2011), by Burt Jones and Maurine Shimlock, *****

Synopsis

Home to more than 1600 fish species and three-fourths of the world's known corals, the Bird's Head Seascape, the global epicenter of marine biodiversity, is one of the world's premier dive destinations. This book is a comprehensive guide to 200+ sites where divers can observe this wondrous gathering of whale sharks, manta rays, secretive octopus and never before-seen fish. Detailed information on endemic marine life, the regions cultures, suggestions for land adventures and travel tips make this an indispensable guide for anyone traveling to this enchanted destination.

Review

This is essentially a comprehensive review of the region's dive sites, with lots of detailed data for each, such as depth, coordinates and suggested lenses for photographers. There is also a variety of info sheets on what to do and not to to, conservation, responsible tourism and life on land. Several of the many photograph are outstanding.

This is more a book to prepare a trip (there are many dive areas dovered and one has to choose) or to bring back memories afterwards. I would not necessarily recommend taking it along as it is rather heavy and, once a choice of boat is made, it is rather difficult to have any say in where the cruise leader will go anyway. Unless you have your own boat, GPS coordinates will be of little use.




18 September 2013

Book review: Wealth and poverty of nations (1999), by David Landes, *****

Synopsis

The history of nations is a history of haves and have-nots, and as we approach the millennium, the gap between rich and poor countries is widening. In this engrossing and important new work, eminent historian David Landes explores the complex, fascinating and often startling causes of the wealth and poverty of nations. The answers are found not only in the large forces at work in economies: geography, religion, the broad swings of politics, but also in the small surprising details. In Europe, the invention of spectacles doubled the working life of skilled craftsmen, and played a prominent role in the creation of articulated machines, and in China, the failure to adopt the clock fundamentally hindered economic development.

The relief of poverty is vital to the survival of us all. As David Landes brilliantly shows, the key to future success lies in understanding the lessons the past has to teach us - lessons uniquely imparted in this groundbreaking and vital book which exemplifies narrative history at its best.


Review

Why are some nations so rich and some so poor? One usually hears a... wealth of common sense reasons which however are rather ...poor explanations! Some rich nations are big, some small, and many poor countries are also big or small. So size, in this case, does not matter. Same for natural resources: some rich nations are well endowed but many poor nations are too. Geographic location also seems pretty much irrelevant: some rich countries are in hot regions, some in cold ones. Same for poor countries.

What makes the difference, according to landes, is mostly cultural and ethical factors. A provocative and most informative book. Travelers will find many ideas in this book to understand the economy of countries around the world.






15 August 2013

Itinerary of a diving trip to Waigeo, West Papua


This was a great trip on the Dewi Nusantara liveaboard.

You can see pictures from this trip on my Flickr.

You can read my review of a good book on this regions here on this blog.

11 August 2013

Cooking class in Singapore at Palate Sensations

As a foodie I love trying most of the food I run into when I travel around the world. The only local delicacy I can remember ever running away from is skewered cockroaches in northern Laos. And even that, should I ever go back, is something I'd be curious to try. Anyway they say insects are the source of proteins for the future.

No such dilemmas in Singapore though. Lots of great food for any taste. This time Luca and I decided to go one step further and actually learn how to cook some local dishes. Not that we are likely to ever try and replicate them at home, though you never know. But cooking something helps you understand better what you are eating. A bit like learning to play an instrument, even at a very basic level, helps you better understand music.

Among the many options available in Singapore I chose to go for Palate Sensations, and was not disappointed. The kitchen was spotless clean (like everything in Singapore) and super equipped with the best of kitchen tools.

Even though there were only three of us they agreed to hold the class and we had lots of fun preparing savoury and sweet dishes. I personally prefer the stir-fried gastronomy in the wok to Asian sweets. We had a perfectly balanced mix of noodles, meats and seafood. At the end of it all, we ate the fruit of our hard labor in the terrace and went back to town for shopping very full and satisfied.

You can see more pictures from this trip to Singapore on my Flickr pages.




















here is a video from our great cooking teacher Shih Erh

04 August 2013

Book review: Ah ku and Karayuki San: Prostitution in Singapore, 1870-1940 (1993), by James Francis Warren, *****

Synopsis

Among the many groups of foreign workers whose labor built Singapore in the 20th century, there may be none as marginalized in memory as the women who travelled from China and Japan to work in Singapore as prostitutes.

This definitive study sketches in the trade in women and children in Asia, and -- making innovative use of Coroner's Inquests and other records -- hones in on the details of the prostitutes' lives in the colonial city: the daily brothel routine, crises and violence, social relations, leisure, social mobility for the luckier ones, disease and death.

The result is a powerful historical account of human nature, of human relationships, of pride, prejudice, struggle and spirit. Ordinary people tumble from the pages of the records: they talk about choice of partners, love and betrayal, desperation and alienation, drawing us into their lives.

This social history is a powerful corrective to the romantic image of colonial Singapore as a city of excitement, sophistication, exotic charm and easy sex.

In the years since its original publication in 1992, this book, and its companion Rickshaw Coolie, have become an inspiration to those seeking to come to grips with Singapore's past.

This monograph shows how prostitution flourished in Singapore due to the massive influx of male migrant labourers without a corresponding increase in women immigrants. Another reason was the famine in south-east China and north-west Kyushu, which moved many families to sell their young daughters to traffickers. It describes the two brothel zones set up in Singapore. The VD epidemic that struck following the repeal of the Contagious Diseases Ordinance, as a result of agitation by Victorian moralists in England, is highlighted. As elsewhere, wishing a "problem" away did not solve it, if fact if made it worse. The second part of the text deals with events in the lives of these Chinese and Japanese prostitutes.


Review

Like in his other book on Rickshaw coolies, the author tells us about the history of Singapore around the turn of the XX century as seen by some of the most humble people living there. In particular, we are led through Singapore by the Chinese ah ku (euphemistic Cantonese for lady) and the Japanese karayuki-san (Japanese: the women who went South, to China).

These women were running away from abject poverty at home, and were prepared to take any risk to buy or bribe their way to Singapore in the hope of making a livelihood. But what awaited them in Singapore was not a promised land, but rather violence, hard work, disease, exploitation. Many died violent deaths. Most got VD.

While exploitation was rampant, the exploiters had no easy life. We understand that "to run a good brothel in Singapore around 1900 required courage, shrewd judgement of character, physical stamina on a round-the-clock basis, a decent knowledge of first aid , do-it-yourself gynecology, and skill in self-defense" (p.229)

Some however were able to make a living, pay off their debt and open a brothel of their own. A few lucky or cunning ones were even able to marry one of their clients and become ladies in the Victorian society.

More about prostitution in Singapore today can be read here, including a useful bibliography.

18 July 2013

Film review/recensione: The Road Home (1999), by Zhang Yimou, *****

testo italiano di seguito

Synopsis

Businessman Luo Yesheng (Sun Honglei) returns home to the village of Sanhetun following the sudden death of his schoolteacher father. He finds his mother insistent that the funeral be a traditional one, with the coffin carried many miles in procession, so that the deceased will not forget his way home, hence the movie's title. But the village mayor is concerned about the expense such a send-off will incur. As he observes his mother weaving the funeral cloth, Yusheng thinks back to the early days of his parents' passionate courtship, when the 18-year-old Zhao Di (Zhang Ziyi) was swept off her feet by the newly arrived Luo Changyu (Zheng Hao).


Review

This is a film about never giving up and reconstructing lost hope in the face of seemingly impossible odds. A primary role is played by Li Bin, Di's old and blind "grandmother". She tried to dissuade Di from pursuing the teacher, considered to be too elevated in society for a simple family like hers, but gave her wholehearted support when she fell in love. When Di broke a bowl of dumplings she was taking to her loved one, grandmother had it fixed at great expense, even though it would have been cheaper to buy a new one, because THAT bowl was important to Di.

Di learned from her grandma. When a funeral cloth had to be woven for her husband's procession, it was by now old Di who insisted that the only traditional loom in the village be fixed for the purpose.

It is also an interesting film to understand the changes of China from the time of Maoist extremisms  and poverty in the 1950s to the relative freedom and much greater prosperity of the 1990s. In the film we see thinly veiled criticism of the political climate during the "anti-rightist campaign" that takes the teacher away from his school and also symbols of the new China like private cars, a poster of the film "Titanic", the importance of money. (Fundraising for the school took the old Luo out in the cold and caused his death. In previous times it would have been the government's task to find the money.)

See my selection of movies about China here on this blog.








Sinossi

Luo Yusheng, uomo d'affari che lavora in città da molti anni, torna nel luogo natale nella Cina del nord per il funerale del padre, già maestro del villaggio. L'anziana madre vuole che le antiche tradizioni per la cerimonia funebre siano mantenute e così Luo, mentre si impegna per rispettare quel desiderio, ripensa ai racconti sentiti da ragazzo sul fidanzamento dei genitori. Suo padre, Luo Changyu, arrivò nel villaggio come nuovo maestro e ben presto si innamorò di Zhao Di, che viveva con la madre cieca. La ragazza lo ricambiava e, quando tra i due sembrava avviarsi una relazione, Changyu fu richiamato in città per non meglio precisati problemi politici e i due rimasero lontani per oltre due anni. Avuto il permesso di riprendere a fare il maestro, Changyu era tornato in paese. Lui e Zhao Di, più che mai innamorati, si erano finalmente sposati e non si erano più lasciati. Ora il figlio Luo si offre di pagare le persone che, secondo la tradizione, dovranno portare a piedi la bara del padre per molte miglia, dall'ospedale al luogo del villaggio in cui sarà sepolto. Il giorno del funerale tantissimi ex alunni dell'uomo si presentano e spontaneamente si ofrono di portare la bara senza alcun compenso. Prima di tornare in città, Luo dapprima propone alla madre di andare con lui, ma lei rifiuta. Poi onora anche l'ultimo desiderio del padre e per un giorno insegna simbolicamente nella scuola del villaggio.


Recensione

Questo è un film sulla perseveranza. Un ruolo fondamentale lo svolge la "nonna": dapprima cerca di dissuadere la nipotina dal perseguire il sogno d'amore con il maestro, giudicato troppo elevato per la loro umile condizione sociale. Ma quando la giovane insiste la nonna fa di tutto per aiutarla: Di rompe una ciotola che aveva usato per portare piatti prelibati al suo amato e la nonna la fa riparare segretamente, anche se sarebbe stato più economico comprarne una nuova.

Di impara dalla nonna. Flash foward: quando serve un panno funebre per il funerale del marito, l'ormai anziana Di insiste a far riparare l'unico telaio tradizionale del villaggio per farlo a mano, anche se sarebbe stato più facile ed economico comprarne uno al negozio.

Questo è anche un film interessante per capire come è cambiata la Cina dal tempo della povertà e del maoismo estremo degli anni cinquanta fino al periodo di relativamente maggiore libertà e considerevole prosperità degli anni novanta. La critica del maoismo appare anche nell'episodio che vede il maestro portato via dal villaggio per non meglio precisati motivi politici (siamo nel periodo della repressione "anti destra" seguito alla "campagna dei cento fiori").  Si vede anche come negli anni novanta spetti all'iniziativa personale del maestro trovare i fondi (privati) per ricostruire la scuola, mentre in periodi ideologicamente più ortodossi questa sarebbe stata responsabilità della pubblica amministrazione.

Nella versione italiana, ma per qualche ragione non in quella originale sottotitolata in inglese, sono riportate alcuni frasi molto istruttive che il maestro fa imparare ai propri alunni.

Lezione 1: imparare a leggere. Lezione 2: imparare a scrivere. Lezione 3: Imparare a contare. Lezione 4: Tenere un diario (be' questo almeno lo sto facendo). Lezione 5: Imparare a conoscere il presente. Lezione 6: Imparare a conoscere il passato, perché solo così si può costruire il futuro. Lezione7: Avere rispetto per se stessi, perché solo così si può avere rispetto per gli altri.




10 July 2013

Viaggio o vacanza?

Una vacanza (dal latino vacantia, periodo di vuoto) è un viaggio intrapreso alla ricerca di una sorta di riposo, di un’interruzione, uno svuotamento da ciò che riempie la vita di tutti i giorni. Al rientro da una vacanza si torna ad essere quelli di prima, riposati, ricaricati.

Un viaggio invece è una trasformazione, un impegno. Tornando da un viaggio si è diversi da come si era alla partenza. Viaggio (dal latino viaticum, provvista per un lungo tragitto) indica un percorso, una trasformazione. In inglese, travel ha la stessa origine etimologica di travaglio, lavoro appunto. Io viaggio per compiere percorsi, per cambiare me stesso.
 

05 July 2013

Recensione film: La Spiaggia (1954), di Alberto Lattuada, *****

Sinossi

Anna Maria, una giovane donna che vive in una "casa chiusa", si prende una vacanza per condurre al mare la propria bimba, Caterina. Le circostanze la obbligano a prendere alloggio in un albergo di lusso, frequentato dalla ricca borghesia: ella si spaccia per vedova e il suo contegno serio e dignitoso le concilia le generali simpatie. Tutto va bene fino al giorno in cui nell'albergo prende alloggio un tale che conosce Anna Maria e sa quale sia la sua vera condizione.

Egli tenta di abbordarla con galanti proposte: respinto, si vendica rivelando ad un amico il doloroso segreto che la donna ha finora potuto custodire. Un incidente fa si che la verità venga ben presto conosciuta da tutte le ospiti dell'albergo, le quali, benchè il loro contegno sia tutt'altro che irreprensibile, si mostrano indignate e reclamano l'espulsione della pecora nera.

La sera stessa però si produce un colpo di scena: un maturo miliardario, che è il più ricco proprietario del luogo e nutre per la donna un onesto interesse, le offre il suo braccio e le fa percorrere tutta la passeggiata tra i reverenti saluti dei villeggianti. Anna Maria può ritornare a fronte alta al suo albergo.


Recensione

Questo film inizialmente mi ha annoiato: la solita storia neorealista di una poveraccia disperata e della dura vita nell'Italia del dopoguerra. Invece mi ha gradualmente appassionato mano mano che emergeva il vero fine dell'opera: denunciare l'ipocrisia, il perbenismo, l'invidia di chi non è contento della propria vita e cerca di rifarsi rovinando quella degli altri. La denuncia non è contro i ricchi ma contro quelli che vorrebbero esserlo, non ci riescono e invece di accontentarsi e godersi una vita comunque agiata, ne soffrono.

Interessante comunque vedere, attraverso la vita di spiaggia, un'Italia che non c'è più, e meno male: formalista, puritana, bigotta. Lattuada lancia anche una denuncia dell'"Italietta" che invece, purtroppo, esiste ancora sessant'anni dopo la realizzazione del film: furba, arrangiona, arrivista e arrampicatrice sociale.

Due grandi verità vengono sciorinate dal riccone del film: primo, pecunia non olet, ed il "miliardo" attira riverenza comunque e dovunque. Secondo, la vita è ingiusta, e prima i bambini se ne rendono conto, meglio è. Inutile schermarli facendogli credere che la vita sia una favola.

Grande interpretazione di Martine Carol.

Compre il DVD qui


01 July 2013

I sold my Mercedes 500SL today

Good by to a companion of exactly eighteen years. We had a great time together but, as she approached adulthood, like many adolescents, began to give me too many problems. I will probably never again have a car like her, and I will never forget her.

16 June 2013

Film review/recensione: Vicky Cristina Barcelona (2008), by Woody Allen, *****

testo italiano di seguito

Synopsis

Woody Allen writes and directs this romantic comedy drama, his fourth consecutive film to be shot outside the United States. When two young American friends, Vicky (Rebecca Hall) and Cristina (Scarlett Johansson), spend a summer in Barcelona, they both become infatuated with flamboyant artist Juan Antonio (Javier Bardem). Things are further complicated when Juan's emotionally unstable ex-wife Maria Elena (Penelope Cruz, in an Oscar-winning performance) reappears on the scene, and chaos soon reigns as the characters become amorously entangled to varying degrees.


Review

This is a great movie in the long string of Allen productions on the meaning of life (or lack thereof) and soul searching. In my view the main point can be summarized as follows: can only unfulfilled love be romantic? Is complete, fulfilling love destined to inevitable demise? Intriguing if somewhat disconcerting. We all look for love, and there is inescapable tension in the process. That is what produces romance. Once we get there, things start to turn routine, normal, and the spark is killed. That was not the plan of course, but what was the plan? What is is that we want from life? Do we need to know? Does it matter? Not really, Allen seems to suggest. "Whatever works", the title of a previous great movie, is good for us. Better to take advantage of what life has to offer and go for it. Avoid falling into easy comfortable traps, like money and an established, conformist lifestyle, because that makes for a boring life.

In the UK buy it here


In the US and worldwide




recensione italiana

Sinossi

Vicky e Cristina sono buone amiche anche se hanno visioni completamente differenti dell'amore. Vicky è fedele all'uomo che sta per sposare e ancorata ai propri principi. Cristina invece è disinibita e continuamente alla ricerca di una passione amorosa che la sconvolga. Vicky riceve da due amici di famiglia l'offerta di trascorrere una vacanza in casa loro a Barcellona durante l'estate e propone a Cristina di accompagnarla...Ma un uomo interviene ed interferisce con i loro piani.


Recensione

Gran bel film nella lunga serie di lavori di Allen sul significato della vita (o sulla mancanza dello stesso) and sulla ricerca interiore. Per me il punto centrale del film può essere sintetizzato come segue: possibile che solo l'amore non completamente appagato possa essere romantico? L'amore pieno è destinato inevitabilmente alla decadenza? Interssante anche se decisamente sconcertante.

Tutti cerchiamo l'amore, e c'è una tensione inevitabile nel processo. Questo è ciò che produce il romanticismo. Appena otteniamo quello che cerchiamo però, le cose cominciano a cambiare, a diventare normali, routinarie, e la scintilla iniziale muore. Non è quello che ci aspettiamo naturalmente, ma ci possiamo fare qualcosa? Cosa vogliamo allora dalla vita? Che importanza ha volere qualcosa di chiaro e definito, sapere che obiettivi porsi nelle relazioni con le persone care? Allen sembra suggerire che non ha molta importanza. "Basta che funzioni", come dal titolo di un altro gran bel film del regista. Meglio approfittare di quello che la vita offre ed evitare di cadere nella trappola del perbenismo, degli standard prefabbricati, e seguire il nostro istinto. Questo è l'unico modo di rimanere vivi ed evitare la noia.


12 June 2013

Film review: Flags of our Fathers (2006) by Clint Eastwood, ****

testo italiano di seguito

Synopsis

The film is about a photograph by James Rosenthal, one of the most famous war pictures of all times. Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic.

In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities – and resentful pawns in a wartime publicity campaign – after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.


Review

A typically Eastwood approach. He takes a highly unusual point of view to reveal the lesser known aspects of a very well known subject matter, in this case the flag raising photograph of the battle of Iwo Jima. Of the six men, three were killed in action a few days later. This is not a film meant to show bravery, though there is plenty of it. It is a cynical film to show how the American war propaganda machine manipulated the three survivors of the flag raising to ... raise money for war bonds. We learn how the flag itself was a coveted object of contention among politicians and military leaders. And how in the end those who were less interested in the iconic photograph were the people in it. They were there to do a job, and being in a photograph was not part of it.

Pretty amazing CGI. For example, technicians artificially reproduce the Pacific theather as a background for the rugged terrain in Iceland where the film was actually shot! You can see it's not real, but it's pretty close to look real.

Watch this film together with "Letters from Iwo Jima", also by Clint Eastwood, that tells the story of the battle from a Japanese point of view. I will review this most interesting film soon in this blog.

Region free BD



Buy the book here





Recensione

Approccio tipicamente Eastwoodiano. Clint affronta l'argomento da un punto di vista molto inusuale per rivelare gli aspetti più nascosti di una vicenda ultranota, in questo caso la celebre foto della bandiera di Iwo Jima. Dei sei uomini nella foto, tre sono morti in combattimento nei giorni successivi. La macchina della propaganda bellica americana ha manipolato gli altri tre allo scopo di raccogliere fondi per finanziare il prosieguo della guerra. (Siamo a Febbraio 1945 ed il Giappone non ha ancora nessuna intenzione di arrendersi.)

Alla fine si capisce come i sei personaggi nella foto erano i meno interessati alla foto stessa: erano a Iwo per uno scopo ben preciso, e posare in una fotografia non rientrava nei loro compiti.

Buoni effetti speciali: i tecnici hanno ricreato lo sfondo dello sbarco e lo hanno inserito dietro le montagne islandesi dove si sono svolte le riprese. Sembra quasi vero.

Consiglio di vedere questo film con "Lettere da Iwo Jima", sempre di Clint Eastwood, che racconta come quella drammatica battaglia fu vissuta dai giapponesi.

BD in italiano



Compra il libro in italiano qui



05 June 2013

Recensione film: La meglio gioventù (2003), di Marco Tullio Giordana, *****


Sinossi

E' la storia di due fratelli attraverso quarant'anni di vita italiana, dal 1960 a oggi. Attraverso questo piccolo nucleo di personaggi rivivono ne "La meglio gioventù" avvenimenti e luoghi cruciali della storia del nostro paese: dalla Firenze dell'alluvione alla Sicilia della lotta contro la mafia, dalle grandi partite della nazionale contro la Corea e la Germania alle canzoni che hanno fatto epoca, dalla Torino operaia degli anni settanta alla Milano degli anni ottanta, dai movimenti giovanili del terrorismo, dalla crisi degli anni novanta al tentativo di inventarsi e costruire un paese moderno.


Recensione

Sono sei ore di film, e forse ne sarebbero bastate di meno, ma è un piacere gustarsi questo semi-documentario su 40 anni di storia d'Italia. Gli attori sono bravi ma non eccellenti, il che, paradossalmente, secondo me è un pregio, perché fa apparire questo film più realistico, meno recitato. Le storie dei vari personaggi si intrecciano bene ed il ritmo è sempre incalzante.

Dal miracolo economico degli anni sessanta alle prime crisi sindacali, al terrorismo, passando per l'abolizione dei manicomi, la vittoria della Coppa del Mondo del 1982, tangentopoli e fino a ritrovare i nostri protagonisti con i capelli bianchi ed i figli che si sposano.

Credo che questo film possa essere utile soprattutto agli stranieri per capire meglio il nostro paese, magari prima di venirci in viaggio, con le sue luci, le sue ombre e le sue contraddizioni, senza romanticismi e luoghi comuni.


04 June 2013

Recensione film: J'ai oublié de te dire... (2008), di Laurent Vinas-Raymond, ****

Synopsis

Lorsque Marie, jeune fille de 25 ans sans passé ni avenir, rencontre Jaume, un vieux monsieur, ancien champion cycliste devenu artiste peintre, c'est une grande amitié qui se lie. Grâce à lui, Marie va se découvrir une identité, qu'il est lui-même en train de perdre.


Recensione

Un film ambientato in Francia che rivela molto della natura più intima della Francia, o almeno di quello che la Francia vuol far credere di essere: romantica, attaccata alle tradizioni ed impervia alla modernizzazione ed alla commercializzazione. Nel bene e nel male. Una Francia sensibile alla campagna ed al buon vino.

Ma anche un film su come la natura umana può svilupparsi sulla base di un incontro casuale e come una persona può scoprire il meglio di se stessa tramite l'altro. Un altro che si può amare anche se non esiste neanche lontanamente la possibilità di una relazione di coppia.

Un ottimo Omar Sharif ma anche una bravissima Emilie Dequenne.