31 October 2012

Film review: Another Woman (1988) by Woody Allen, ***

Synopsis

Woody Allen's 17th film. Gena Rowland plays Marion, an academic who rents a flat in which to write a book on philosophy and becomes intrigued by conversations she overhears from a psychologist's office next door. One patient, Hope (Mia Farrow), has a particular effect on Marion forcing her to re-think many of her assumptions about her own life: her unhappy marriage; her feelings for another man (Gene Hackman); and her relationships with her best friend (Sandy Dennis) and brother (Harris Yulin).


Review

It's convoluted film. Allen tries to put too much meat on his plate. Several stories are intertwined and it was easy to get lost trying to make sense out of them. One does get some stimulating psychological thrusts here and there. The problematic protagonist is a warning against spending a life concentrating too much on oneself. But then again she is also a victim of men spending too much time on themselves. The viewer is left with no way out. Maybe there is no way out.

Buy your European DVD here


In the US you can order it here




27 October 2012

Film review: Sideways (2004) by Alexander Payne, *****

Synopsis

Comedy drama which follows Miles (Paul Giamatti), an unsuccessful novelist, and Jack (Thomas Haden Church), an equally unsuccessful actor who is about to get married. They decide to take a trip to California in an attempt to sow their wild oats. There they explore the nature of their failures and question their relationships. Jack has an affair with Stephanie (Sandra Oh)  and wonders whether he should call off the marriage. Miles, recently divorced himself, questions whether or not he made the right decision while Maya (Virginia Madsen) plays a few games with him.


Review

An excellent movie that is only marginally about wine. Yes we go through California's wine country and learn a lot about many different kinds of wine, and especially Pinot Noir.

But the movie by Alexander Payne is more about what we can do with ourselves and our lives with the hand we are dealt at birth and by chance. I identify very much with Miles, a not-so-good-looking but deep thinking fellow who is deeply passionate about what he loves, be it his lost ex-wife or Pinot Noir. But it is the Jacks of the world who have more fun: not so deep, not so careful, just happy go lucky types. The last scene of the movie leaves a door open to hope however: while Jack sinks unenthusiastically into his marriage, Miles finds the true love of his life.

You can buy the DVD here


In the US you can buy it here:


22 October 2012

Proiezione fotogafica: BLEEDING BLOSSOMS di Shades of Women

L'associazione Shades of Women propone per il secondo anno una interessante serie di proiezioni di reportage di fotografe in giro per il mondo, a documentare il dramma di molti popoli in guerra. Puoi leggere qui un'intervista con Ilaria Prili, fotografa ed organizzatrice di questa serie di eventi.

Nadia Shira Cohen - Arab spring
Her personal website is www.nadiashiracohen.com

Rena Effendi - Georgia conflict
Her personal website is www.refendi.com

Simona Ghizzoni - Just to let you know that I’m alive
She works for Contrasto.

Sofie Amalie Klougart - Going to war.
Her personal website is www.sofieamalieklougart.dk

Benedicte Kurzen - Nigeria, a nation lost to the gods.
Her personal website is http://benedictekurzen.com

Ilvy Njiokiktjien and Elles van Gelder - Afrikaner blood.
Her personal website is http://www.imagesbyilvy.com

Lana Slezic - Forsaken
Her personal website is http://www.lanaslezic.com

Here is a link to the next event of this series that I attended.

Interessantissima proiezione di drammatici documentari di guerra e rivoluzione al Teatro Due di Roma, in Vicolo due Macelli. Sala piena, fotografia di alto livello. Da consigliare la prossima proiezione del 5 novembre.

Teatro Due Roma

teatro stabile d’essai

Vicolo due Macelli, 37 (M Piazza di Spagna)
Tel. 06/6788.259 – fax 06/6793.349




09 October 2012

Film review: Lust, Caution (2007) by Ang Lee, ****

Synopsis

After Brokeback Mountain andThe Hulk, multitalented director Ang Lee returns to Asia with this Mandarin-language erotic drama. Lust, Caution pairs celebrated actor Tony Leung (2046) with gifted newcomer Tang Wei. In 1938, China is occupied by the Japanese, but it's not only the country's neighbours who are hated by the loyal Chinese. The nation's resistance also centres on those who willingly collaborate with Japan. Wong Chia Chi (Tang Wei) is part of an acting group, but their sights are set beyond the stage: they want to use their abilities to attack Mr. Yee (Leung), a known traitor. Wong poses as a businessman's wife, and she begins to lure Mr. Yee in, but they're separated before she has her chance. Three years later, they meet again in Shanghai, and a heated affair begins. As Wong grows closer to Mr. Yee, there is doubt that she can aid in her lover's downfall.

At times, Lust, Caution evokes memories of Wong Kar-Wai's In the Mood for Love. Both are heat-filled period films that feature Leung, but while the earlier picture focused on a love that was never consummated, Lust, Caution allows its lovers to realise their passion as often as one could imagine. Despite this, it never allows the sex to get in the way of the plot or the images. Director of photography Rodrigo Prieto has worked with directors as diverse and impressive as Oliver Stone, Julie Taymor, Spike Lee, and Alejandro Gonzalez Inarritu, and he continues this fine tradition with his second pairing with Lee after Brokeback Mountain. Here Prieto has a head start thanks to beautiful costumes and beautiful people, but this is another film that is simply gorgeous to look at.


04 October 2012

Book review/Recensione: Non dire nulla (2012), di Paola Viola, *****

Review

Paola Viola spent a few months in Kenya for an NGO (Una Mano per un Sorriso - For Children). Paola started taking pictures not so long ago, but in this first collection of B&W images she displays rare talent and high sensitivity. Paola tells us about the daily life of a part of Kenya that tourists never see, and that we should all know. From her trip, she takes back strong emotions, which she relays to us through her pictures and her short text in English and Italian.


Recensione

Paola Viola ha passato alcuni mesi in Kenya per conto di una ONLUS (Una Mano per un Sorriso - For Children). Paola non fotografa da molto tempo, ma questa prima collezione di immagini (tutte in bianco e nero) dimostra un talento innato ed una spiccata sensibilità. Paola racconta la vita di tutti i giorni di una parte del Kenya che i turisti non vedono mai, ma che dovremmo tutti conoscere. Ciò che ci riporta dal suo soggiorno, con le immagini forti ma anche con brevi e puntuali testi di accompagnamento, sono emozioni preziose.

Compra il libro su Amazon.it


15 September 2012

Book review: Andrew Zimmern visits Taiwan (2009) by Andrew Zimmern, *

making dim sum in a Taipei restaurant

Synopsis

One chapter of a book about the author traveling around the world to try different foods. This chapter is about Taiwan, or so I thought when I bought it. In reality only half of it is about Taiwan and then only about dim sum.


Review


Disappointing. I bought it to learn about food in Taiwan, and all you get is one restaurant in Taipei he visited. One that is in all the guidebooks and that just about any foreign tourist will probably end up trying. I did too. It was very good, but did not need this audio-book. Anyway, the first half of the piece is about the author's food experiences trying Chinese food in New York!

Look elsewhere if you are interested in finding out more about Taiwanese food. Which, by the way, is absolutely excellent, possibly the best Chinese food in the world. Perhaps because in mainland China the rich traditions of Chinese food were repressed for decades during Maoism, though they are obviously nurtured again to their full, amazing variety.

You can buy this chapter about Taiwan as an audio-book or the whole book by clicking below.


making dim sum in a Taipei restaurant



09 September 2012

Book review: The Dark Tourist (2010), by Dom Joly, ***

Sinister looking WW I artillery on Monte Grappa
Synopsis

'Dark tourism is the act of travel and visitation to sites, attractions and exhibitions which have real or recreated death, suffering or the seemingly macabre as a main theme'

Ever since he can remember, Dom Joly has been fascinated by travel to odd places. In part this stems from a childhood spent in war-torn Lebanon, where instead of swapping marbles in the schoolyard, he had a shrapnel collection -- the schoolboy currency of Beirut. Dom's upbringing was interspersed with terrifying days and nights spent hunkered in the family basement under Syrian rocket attack or coming across a pile of severed heads from a sectarian execution in the pine forests near his home.

These early experiences left Dom with a profound loathing for the sanitized experiences of the modern day travel industry and a taste for the darkest of places. The more insalubrious the place, the more interesting is the journey and so we follow Dom as he skis in Iran on segregated slopes, picnics in the Syrian Desert with a trigger-happy government minder and fires rocket propelled grenades at live cows in Cambodia (he missed on purpose, he just couldn't do it).


08 September 2012

Book review: Zen and the Art of Motorcycle maintenance (1974), by Robert Pirsig *****

She does not look zen (Sorong, Indonesia)
Synopsis

A narration of a summer motorcycle trip undertaken by a father and his son, Zen and the Art of Motorcycle Maintenance becomes a personal and philosophical odyssey into fundamental questions on how to live. The narrator's relationship with his son leads to a powerful self-reckoning; the craft of motorcycle maintenance leads to an austerely beautiful process for reconciling science, religion, and humanism. Resonant with the confusions of existence, this classic is a touching and transcendent book of life.

You can find a lot about the author here.


Review

This book tells the story of a few people riding their bikes across the West of the United States, but it is not really a book about travel. But then again it is. Travel toward the center of our own self. It is a complex book. To be read in sequence with Zen and the Art of Archery by Eugen Herrigel.The main point of the book is that happiness (or "quality") can be achieved by focussing on and finding beauty in whatever one is doing at any one moment while keeping a cool head on the way forward. Even listening to the unusual noise of a defective motorbike and looking for a fix can yield unexpected satisfaction. At the same time, fixing the broken bike requires scientific, rational knowledge, thinking.

The challenge is to focus on the moment (zen) through a sort of meditative practice of detachment and at the same time never lose sight of where one is going, with (rational) planning for the future.

"Quality" and "truth" were the same thing for the ancient Greeks, and perhaps they should be for us too. Here East Zen meets Western rationalism, the two are complementary. A great read, but a difficult one and I admit I was only able to understand more of it by reading secondary literature about this book.






02 September 2012

Singapore: Gardens by the Bay and Japanese food



Started off after breakfast from my hotel and decided to visit the new Gardens by the Bay. Like almost everything in Singapore, it is an artificial wonder.

Entirely built over reclaimed land, it is a technological wonder, allowing Singaporeans to walk into controlled climate greenhouses to see the flora of other latitudes.

Highly educational. Mostly families today, it's a Sunday. I can't help but feel a bit out of place as a single man in my early fifties, but I enjoy it all nonetheless.







Fish and special raw beef
Early evening dinner in an unpretentious but excellent Japanese restaurant in the Orchard Road MRT station. Very informal but not at all inexpensive! After waiting in line for some ten minutes (this place is popular even though I can't find it on Tripadvisor!) I am greeted as per Japanese tradition with いらっしゃいませ (irasshaimase) which just means welcome.

I always sit down at the sushi bar and enjoy looking at the chefs preparing the orders which are handed down to them by a team of ladies constantly scudding around with their notepad. I sip some Japanese beer while my food is readied and then handed down directly to me over the counter.

Excellent sushi, great fat tuna "toro" to start with. Then also raw "Kobe beef". Not cheap but highly gratifying especially as you are eating this treat in a subway station, or right next to it anyway! I will leave a good portion of my food budget here in the course of this trip as well as other visits to Singapore.
Toro

01 September 2012

Film review: Mondovino (2004) by Jonathan Nossiter, **

Synopsis

Filmmaker Jonathan Nossiter, who loves wine, looks at the international wine business. He offers his personal view of how business concerns and the homogenisation of tastes around the world are changing the way wine is being made. 

Review

The movie is good in that it points the finger to a phenomenon that is pervasive in the world of wine, as it is in every aspect of our life: globalization. The director's thesis, which he does not spell out but appears clearly, is that this is a bad thing. I, on the contrary, think it is a good development for wine, mainly because it allows for greater choice.

Far from homogenizing the taste of the world's wines, globalization is making any wine, in any style, available everywhere in the world, and this gives each of us a chance to choose what we like, how much we want to spend.

He implicitly accuses Robert Parker (whom he interviews) to be in cahoot with American business, while in fact parker has been very beneficial to French wines and Bordeaux in particular. He received countless awards from France, including from the president of the Republic.

Nossiter is tricky as he often hides his camera and films without the subject being aware. That is not correct in my view, even for a documentarist.

He is also political, but out of context. He underlines how a mayor of a French town who rejected American money to invest in the local vineyards was a communist (good) while Italian nobles who accept to work with the same Americans has grandparents who supported fascism (bad). I find some of these people who live in their past rather disagreeable, but that says nothing about their wines. How totally irrelevant.

Finally, he never misses a chance to film any dog that happens to be in front of his camera. For example when he interviews Parker he goes at great length to emphasize how his dogs fart a log, and that is really too much. 

Today, no matter what Nossiter says, we have more diversified and better quality wines around the world than ever before.

Here is another good review of this film I agree with by Decanter.

See my other reviews of film about wine here in this blog.


 

Party at Sentosa, Singapore

Today I am invited to join a party on one of the beaches of Sentosa, an island just off Singapore's south-western coast. Getting to the island is easy with S'pore famous MRT. Once there, I asked the info office how to reach the beach where my friends were waiting for me and was told there is Yellow bus: "go right, then into a cave, then two flights down, turn right. It's free. Get off at the second stop." The bus should take me to Tanjong Beach Club. All stops are indicated on a map, but no Tanjong Club. I ask the driver, he says get off at the third stop, not at the second stop. At the first stop I see almost everyone getting off and ask driver, is this the stop for Tanjong Club? Yes yes. OK, whatever.

At the entrance to the beach there is a long line to leave bags, they are not allowed to the beach area. People are swimming, which is to be expected at a beach party, but only in a small swimming pool. No one is swimming in the sea, because it's rather brownigs and uninviting but also because you can't reach the sea at all. Long blue net screens close off access to the water. some say bc ppl try to get into the party without paying the entry fee (which entry fee?? I will find out later) some say because during these parties people get drunk and drown.

I get to meet an interesting crowd: Singaporeans of course, but also lots of expats. A Philipino lady is here to study architecture. Two Turkish engineers work for ashipping company. An Italian architect in his late twenties is very happy: could not find a good job as an architect in Italy but here he got an exciting position and though he works really long hours he makes good money and his work is appreciated. Soon he will get a permament residence permit, which will allow him to switch jobs more easily and even stay on in Singapore indefinitely, even if he should be without a job for a time.

Most ladies wear stylish black dresses, others just a swim suit. We sit down with my friends and start gulping beer and sandwiches. After a while, two big security guards appear and start pacing up and down the length of the beach At about 11pm, after we've been at the party for almost 7 hours, the two guards come to our table and ask me and Peiwen for our bracelet. What bracelet? Well apparently there is a bracelet you get when you pay your entry fee to the beach. None of us was aware of this. I am actually ready to apologize and pay but my local friends are quite upset and start arguing with the guards until they give up! So we get our bracelets for free...

By 1:00am it's time for me to go even if the party is still in full swing. The organization of the party provides for valet drivers for car owners who drink: you can drive to the beach, drink you brains out and someone will drive you home in your own car! Smart.


31 August 2012

Emily of Emerald Hill and the Peranakan Museum, Singapore

Peranakan Museum in Singapore
Today I visited this unique museum in Singapore, dedicated to the Peranakan, or Chinese from the Malay peninsula. A unique contribution to Singapore's multicultural identity, where each component cultural heritage (Chinese, malay and Tamil) and its language is protected, while English is the cement common to all.










In the museum I could see an exhibition of Emily of Emerald Hill, a short play by Singaporean playright Stella Kon.


As she tells us in her blog, Emily of Emerald Hill is a one-woman play about a Nonya matriarch who dominates her family, yet in the end finds that she loses what she loves most. The play won the First Prize in the National Play-Writing Competition 1983. Since then it has been presented more than a hundred times, by eight different performers, in Singapore, Malaysia, Hawaii and Edinburgh. It has been translated into Chinese and Japanese and broadcast over Radio Iceland. A film version is under negotiation.

Emily is a short and passionate play that takes the reader inside the heart of a Peranakan family of the 1950s. Traditional Chinese values are intertwined with English habits that were common in the richer class of Singapore. The matriarch defers to her husband, but in the end it is she who calls the shots in the house. She is loving but also possessive. Servants are treated with dignity but firmness, children (especially sons) are spoiled and daughters-in-law are expected to be submissive. Wives are expected to tolerate their husbands' cheating. It is a materially comfortable life but also a straightjacket for the younger generation that wants to try it out on its own.




You can buy the book and other works by contacting Stella Kon at stelkon@singnet.com.sg


You can watch a trailer of the play here.

And another here.


30 August 2012

Dim Sum in Singapore

Marina Bay Sands, Din Tai Fung restaurant, probably among the best dim sum in the world.































































27 August 2012

Books and films on Singapore

work in progress



Rickshaw Coolie: A People's History of Singapore (2003), by James Warren, ***** A people's history of Singapore between 1880 and 1940. Highly readable.

Ah ku and Karayuki San: Prostitution in Singapore, 1870-1940 (1993), by James Francis Warren, ***** Fascinating social history through the eyes of Chinese and Japanese prostitutes iwho came to Singapore in search of fortune. Few found it.

25 August 2012

Breakfast and identity in Bali, Indonesia

I am about to have a delightful breakfast in the terrace of my hotel in Bali, which is adjacent to some fastidiously manicured rice terraces. The early morning sun shines on the water that fills the paddies. I have just taken a short walk around the terraces to photograph the reflections of the seedlings on the muddy water, and have returned to the table for a hearty Indonesian breakfast.

A waiter comes to my table, he has obviously been trained to have a personal approach to each guest, as he greets me warmly.

Waiter: Hello Mister Marco, so you are from Belgium?

Me: Hi, good morning, yes, well I live there but I am Italian.

W: Oh I see, so Belgium is near Italy?

M: Well kind of, it's a two-hour flight, Belgium is on the Atlantic coast in the North of Europe.

W: Oh I see, on the Atlantic, so is it near Canada?

M: No no, it's in Europe, between France and Germany.

W: Ah ok. I thought it was landlocked. I once flew over the Atlantic, I remember it's extremely deep. And the waves are huge! But France and Italy are the same right?

M: Not really, different countries, though we are all in Europe now: no borders, same money, most laws are the same.

W: So it is the same.

M: Ah well yes I suppose in a way it is.

W: And Belgium too?

M: Yes of course, Belgium too.

He may not know Belgium's exact position on the map, but he clearly knows about the Atlantic. How could he guess the depth of the ocean and size up the waves from an airliner is anyone's guess. But he understands Europe as well as any of us who live there.

The conversation is very useful for me: it drives the point home that I, really, have no homeland. My roots are weaker than those of the rice seedlings that bend in the light morning wind. Do I have an identity? Do I really need one? Do I care? Not really. I suppose I just have multiple identities, and it's too complicated to explain over breakfast.

Lesson learned: keep it simple when trying to explain where you come from.